Friday, April 23, 2010


I scarcely could have imagined that when I picked up an innocent-looking package from my post office box that it would propel me into a world of unimaginable horrors, and that music, of all things, would be a bridge to unspeakable entities from beyond our realm!

But let me start at the beginning - I am a humble scribe for a music blog, and part of my regular duties is visiting the local post office to retrieve all manner of recordings
sent to us by aspiring composers for possible review. Ah, music! Surely it is proof of the goodness of God himself. Or so I once thought...

The package, postmarked Plymouth, England, bore no indication of its' c
ontents, and, indeed, a glance at the 18 page monograph contained therein prepared by sober academics and laden with charts and illustrations would lead one to believe that this was yet another humdrum musicological study.
It concerned one Neil Rose, whose interests were queer to be sure: a respected professor's attempts to communicate with the dead are hardly standard university fare. But Rose's own efforts eventually "went beyond science," through Carlos Castaneda-like ingestion of sacred drugs that act as a gateway to paranormal experiences beyond the imaginings of Lovecraft himself. The booklet's authors note that his writings come to an abrubt halt, leaving his ghastly fate a mystery.

I put on the cd containing recordings of "residuum," that is to say: "supranatural energy and imprinting of this energy to magnet media," and no sooner had I done so when the window to my study flew open and a gust of frigid air blew out my candle. But it was the disk's eerie sounds of Rose's damnable experiments that truly sent a shiver down my spine. May the Lord have mercy on our doomed souls!

Neil Rose: "Residuum" (SoundCloud link)

The book/cd package "Residuum" is available by writing The music is dark, compelling abstract ambient electronica, occasionally with a beat, tho dancing is hardly appropriate, and
the realistically detailed booklet will convince many.

No comments: