COVER THE EARTH Vol. 6

I had not planned on compiling another selection of odd ethnic covers of Western hits, thinking that I had exhausted that particular well, but our pals over at the Growing Bored For A Living blog hit us with a treasure trove of exotic, unlikely reworkings of famous songs that you thought you were sick of, and it just demanded another volume. Which reminded me of some comments left in previous "Cover The Earth" posts offering suggestions, which I then tracked down. And I did have a few new discoveries me own self (I take full blame for the bagpipes). As with the previous volumes, some extreme liberties have been taken with the material, sometimes rendering them almost unrecognizable. Just the way we like it.

So thanks to Growing Bored (check the mammoth Bob Dylan cover project), and the nice Maniacs who suggested some suggestions. 

 "Cover The Earth Vol 6"

01 2Cellos - Welcome to the Jungle (Croatia/classical)
02 Red Hot Chili Pipers [that's PIPERS! Not "Peppers"] - We Will Rock You/Eye Of The Tiger/The Clumsy Lover (Scottish bagpipes)
03 Pastel Vespa - L'Anarchie dans l'U.K. (The Sex Pistols go French yeh-yeh, tho Ms. Vespa is Brazilian)
04 20th Century Steel Band - Loves Theme (Barry White goes Carib steel drum)
05 Don Sornrabeab - Mao (Drunk) (Play That Funky Music, Thai boy)
06 Alyssa ZezZA - Purple Rain (Italian singer, but a Brazilian bossa style here)
07 Ray Barretto - James Bond Theme (Latin jazz)
08 Red Hot Chili Pipers - Smoke on the Water/Thunderstruck/Upside down at Eden's Court
09 The Maytals - Give Peace A Chance (John goes Jamaican)
10 Finger 5 - I Want You Back (Jacksons go J-pop)
11 Isaya Mwinamo & His Merry Men - Bamba Ya Afrika ("La Bamba" in Kenya)
12 Joya Landis - Kansas City ('50s rock-n-roll inna ska stylee)
13 20th Century Steel Band - Theme From Shaft
14 Pastel Vespa - Blue Monday (a bit of Joy Division also cleverly cuts into this Brazilian bossa nova cover)
15 Los Tropicanos - Light My Fire (think these guys are also Brazilian, but I wouldn't call this bossa nova; 'Latin psych,' maybe?)
16 Ukulele Clan Band - Money for Nothing (Spanish folkies getting kinda bluegrass-y; hey, they kept the original un-PC lyrics)
17 Faye Wong - Dream Person (Chinese Canto-pop cover of The Cranberries' "Dreams")
18 Red Hot Chili Pipers - Hey Jude/The Mason's Apron

MADRIGALS FOR MANIACS

We've been following Frenchman Cartone Sonore's curious career for some time now, most of it concerned with obscure and toy instruments. But his new album is created solely with his voice. Yep, no other sound sources used other than his own singing, clicking, droning, and any other sounds he can coax out of his larynx. It's one of those projects that could just be a gimmick, or art-fart self-indulgence, but the results are quite fresh and original. The on-line album's 11 tracks vaguely resemble everything from Gregorian chants to beatboxing to The Beach Boys (sometimes simultaneously), but really, it feels like a whole new musical vocabulary opening up. The wonders of multi-tracking!

Listen and/or buy via Bandcamp:

Carton Sonore: "Animago"

One of the catchiest tunes on the album, "Dans La Foret" is available for free. My fave track might be the haunting "Un Gout Familier," which sounds like an instant standard. (I don't even know how to label this post. Guess I'll have to make a new label for "Vocal/Acapella.")

The EZ-Listening Gangsta Rap of DJ NoNo

 By request, the marching-band versions of Stooges classics is back up.

"Planned 10 years ago, the Ballroom EP (now album) has been a long time coming…
Mixing ballroom music – big band, jazz, bossa nova, exotica, swing, easy listening and classical pops – with hip hop and r n’ b." So sayeth that red, rad robot DJ NoNo (aka Tim from Radio Clash) about his mashup collection now on-line for your dancing/romancing/listening/downloading pleasure. And what a pleasure it is, mixing the likes of hardcore rappers Public Enemy with an exceedingly cheesy version of the "Mexican Hat Dance." One of the oldies that gets remixed is one of my all-time fave mashups: "Stripper Jackson," which features Jacko singing over a version of that bump-n-grind classic, "The Stripper." This is the kind of stuff that I used to feature regularly in the early days of this here web-log.

Only 9 tracks long, and it's all quite fun and ridiculous. And I'm not just saying that because it's partially dedicated to me. (Looks at the floor) Ah, shucks...

DJ NoNo: "Ballroom"

1. Mexican Love War (Public Enemy ‘Make Love Fuck War’ vs Geoff Love ‘Mexican Hat Dance’)
2. Push It Muchacho (Salt n’ Pepa ‘Push It’ vs Esquivel ‘Mucha Muchacha’)
3. March of the Forgotten (Joe Loss ‘Mark of the Mods’ vs Dre ft Eminem ‘Forgot about Dre’)
4. Swing The Guillotine (Death Grips ‘Guillotine’ vs Glen Miller ‘In The Mood’)
5. Stripper Jackson (Joe Loss ‘The Stripper’ vs Michael Jackson ‘The Way You Make Me Feel’)
6. Quando Tip (Q-Tip ‘Breathe And Stop’ vs Manuel ‘Quando Quando Quando’)
7. Super Wheels (Eminem ‘Superman’ vs Joe Loss ‘Wheels Cha Cha’)
8. Ludasifinado (Ludacris ‘Stand Up’ vs Laurindo Almeida ‘Desafinado’)
9. Cha Cha Like It’s Hot (Snoop Dogg ‘Drop It Like It’s Hot’ vs Starlight Strings ‘Unforgettable’ 2015 remaster)

JAMES LAST "VOODOO PARTY"

By request, "America's Most Nonsensical Band," The Korn Kobblers", are back on-line. This time using Google Drive, the latest candidate in my search for a good file-sharing platform. For those of you keeping score at home: Rapidshare and Div-Share are no more, Mediafire removed all of my files, Zippyshare suddenly decided to stop being cooperative, and when I tried The Box, it got mixed reviews from you-all. So the most recent posts have been using Google Drive. Yay or nay?

The Grim Reaper has been a busy mutha lately, hasn't he? Ornette Coleman, Christopher Lee, and now apparently we've seen the last of James Last. The German E-Z maestro has been a familiar face in the bargain bins for years, but one of his albums is actually quite sought-after by record collectors, and no wonder - it's the weirdest thing he did, and the most out-there album by a supposedly easy-listening artist since the 101 Strings infamous "Astro-Sounds From Beyond The Year 2000" space-age extravaganza. 

"Voodoo Party" is a strange beast of no known musical genre, which is quite an admirable feat in itself. Covers of such non-EZ artists as Sly & The Family Stone and Marvin Gaye are mixed with originals, almost all smothered in tons of manic percussion. And then amidst all the bongo fury, there's "Mr. Giant Man," which has to be the greatest children's '70s glam rock stomper ever. It all leads up to "Voodoo Ladys Love," a kitch-adelic spectacular that has to be heard to be believed. 

Far too upbeat and loud to be exotica, too brass-band/schalger to be rock-n-roll, "Voodoo Party" may not have much to do with any African-derived Haitian religions, but it certainly is a party. Funky funk! Moogy Moogs! Santana covers! EZ vocal choirs! And a version of "Babalu" that Ricky Ricardo would not recognize. R.I.P. Herr Last.


JAMES LAST "VOODOO PARTY" (1971)

The Brigitte Bardot Show

An extremely rare example of a celebrity who made actual good records, French sex kitten Brigitte Bardot used her alluring personality, and the genius of collaborator Serge Gainsbourgh, to make a series of super swell Sixties sides. Like one of Serge's other gals, Jane Birkin, Ms BB isn't a great singer. But rather than try to fit into a standard pop singer mold - the downfall of so many singing-actor records - Bardot sings cute and sexy over music that is tailored for her. There's a psych-rock edge to many of the songs here.

This 1968 tv special soundtrack features a couple of familiar classics ("Harley Davidson," and "Contact"), some great songs I wasn't familiar with (the rocker "Ce N'est Pas Vrai", the kooky tablas-a-go-go "Oh Qu'il Est Vilain"), and the instrumental interludes of Francis "Theme From A Man and A Woman" Lai. His "Saint-Tropez" is one of the best tracks on this album.  If I had a radio show this would be my opening theme.

The Brigitte Bardot Show

A1	Harley Davidson	2:30
A2	Marseillaise Générique	2:10
A3	Mister Sun	3:12
A4	Ay Que Viva La Sangria	2:30
A5	Ce N'est Pas Vrai	1:38
A6	Gang Gang	2:00
A7	Saint-Tropez	1:10
A8	Port Grimaud	0:30
B1	Oh Qu'il Est Vilain	2:25
B2	Paris	1:35
B3	Je Reviendrai Toujours Vers Toi	2:23
B4	On Déménage	2:03
B5	Le Diable Est Anglais	2:40
B6	David B...	1:10
B7	Contact

Thanks again to that international master of musical mystery, Count Otto Black!

Be Stoned! Dig: Zipps

There's 'beat' as in the Beat literary movement that produced beatniks, and poetry read over (usually) jazz music.  And there's 'beat' as in the European '60s rock'n'roll-inspired pop. The kooky, sometimes hilarious Dutch band The Zipps combine both: yes, a Beat Beat group.

Their music's fine in a basic mid-'60s garage kinda way (some tunes are quite catchy), but the real distinguishing characteristic of The Zipps is singer/guitarist Philip Elzerman's English-as-a-second-language vocals, which are either nonsensical, or obscured by his thick accent. Or both. In the Ramones-y titled, Byrds-y sounding "Kicks and Chicks" Elzerman claims that he "read all the books of Jack Kerouac," but he pronounces that Beat icon's name as "Ker-acky." Two lengthy tracks called "Beat and Poetry" are live all-Dutch language spoken word over peppy rock music, not jazz. An odd combination. Tho in the hysterical "Hipsterism," one of the greatest, funniest '60s nuggets I've heard lately, Elzerman says "I always like to listen to good jazz/You're a square! And you don't like it, I guess!" Followed by a solo on that most rock'n'roll of instruments, the flute. Having said that, the groovy a-go-go instrumental version of "Lotus Love" is one of my faves off this career-spanning collection. Wish I could hear all of "LSD 25" minus the interview on top of it, it's a great Seeds-y proto-punk stomper.

The Zipps - Be Stoned Dig Zipps.zip

Thanks again to our psychedelic nugget farmer, Count Otto Black!

1	–	Highway Gambler
2	–	Roll The Cotton Down
3	–	Kicks And Chicks
4	–	Hipsterism
5	–	Beat & Poetry Part 1
6	–	Beat & Poetry Part 2
7	–	Marie Juana
8	–	The Struggle For Ice-Cold Milk Of Benzi The Bassplayer Or How To Promote Original Dutch Milk
9	–	When You Tell It, Tell It Well..!
10	–	Lotus Love (demo - vocal version)
11	–	Walking On This Road To Mine Town (previously unreleased live track)
12	–	The Beer Hall Song (previously unreleased live track)
13	–	Kicks And Chicks (previously unreleased live track)
14	–Philippe Salerne* & Zipps, The*	Avec De L'Italie
15	–Philippe Salerne* & Zipps, The*	Venez Voire Comme On S'Aime
16	–	Lotus Love (instrumental - previously unreleased demo version)
17	–	The Struggle For Ice-Cold Milk Of Benzi The Bassplayer Or How To Promote Original Dutch Milk (previously unreleased stereo version)
18	–	Kicks And Chicks (previously unreleased stereo version)
19	–	LSD 25 Interview

COVER THE EARTH Vol. 5

When will it end?!  Still more bizarre international ethnic versions of Western pop hits. And by 'ethnic' I also mean American and European styles like bluegrass (# 6) and polka. Also: several Trinidad steel drum tracks (# 1, 9, and 18); the Moog hit "Popcorn" played as a South American chicha; Guns'n'Roses go cumbia; The Buggles go Bollywood; a jazz classic performed on sitars and tablas. And wasn't Bob Marley a lot more fun in the '60s, when he was covering the Archies?

COVER THE EARTH Vol. 5

1. Amral's Trinidad Cavaliers - The World is A Ghetto
2. Arsenio Rodriguez & the Afro Cuban Sound - Hang on Sloopy
3. Bappi Lahiri - Auva Auva ("Video Killed The Radio Star"/India)
4. Bob Marley - Sugar Sugar
5. Brave Combo - Double Vision cha cha
6. Bruce Hornsby-Ricky Skaggs - Superfreak
7. Cachicamo con Caspa y Leiko el perro de la IIIII dimension -Sweet Child o' Mine (Venezuela)
8. Chang Loo - Jambalaya (Hank Williams/China)
9. Esso Steelband - I Want You Back 
10. Jimmy Sturr - Splish Splash polka
11. Kiyohiko Senba and his Haniwa All Stars - Kono Mune no Tokimeki o  ("You Don't Have To Say You Love Me")
12. Lelu Thaert - Dance Soul (Booker T & The MGs "Hip Hug Her"/Cambodia)
13. Lennie Hibbert - Nature Boy ("It Was A Very Good Year"/Jamaica)
14. Los Tropicanos - My Sweet Lord (Brasil)
15. Petty Booka - Girls Just Want to Have Fun (Japan/Ja-waiin)
16. Chicha Libre - Popcorn Andino (Gershon Kingsley's "Popcorn"/Peru-USA)
17. Sachal Studios Orchestra - Take Five (Dave Brubeck/Pakistan)
18. Sapodilla Punch - Hold on I'm Coming
19. The Polka Floyd Show - Another Brick in the Wall

In case you missed 'em:
Vol. 1
Vol. 2
Vol. 3
Vol. 4

JANE BIRKIN "Lolita Go Home"

Filthy Mondays? If last week's Kay Martin album whet your appetite for songstresses known more for sex appeal than singing abilities, check this 1975 product of the post-birth control pill, pre-AIDS "Sexual Revolution." Music for water beds, wife-swapping parties, and singles bars where people may have actually said things like "Your place or mine?" 

This album was released six years after France's greatest musical export Serge Gainsbourg recorded the all-time heavy-breathing classic duet "Je t'aime... moi non plus" with non-singer English actress Jane Birkin. This time out, Serge contributed original songs like the lovely disco-lite title track, and "Bebe Song," one of his catchier creations, all sung by Jane in her best French-as-a-second language come-hither voice. These are mixed with unlikely porno-funk versions of English language standards that are usually sung with a swingin' beat. Dig the fantastic take on Cole Porter's "Love For Sale" that's pure shag-carpet '70s polyester electric-piano sleaze. It's the kind of thing that shouldn't exist, but fortunately it does. 

"Lolita Go Home" 

Music by Serge Gainsbourg, words by Philippe Labro; except where indicated

1. Lolita go home 
2. What Is This Thing Called Love? (Cole Porter)
3. Bebe song 
4. Where or When (Rodgers, Hart)
5. Si ça peut te consoler
6. Love for Sale (Cole Porter)
7. Just Me and You
8. La fille aux claquettes  (Words and music by Serge Gainsbourg)
9. Rien pour rien 
10. French graffiti 
11. There's a Small Hotel (3:05) (Rodgers, Hart)

Arranged and conducted by Jean-Pierre Sabar

Thanks again to Count Otto Black!

Bandcamp Is The New Cassette Culture pt.3

More indie album wonderfulness courtesy of sites like Bandcamp (and remember, you can always listen for free) from geniuses that would otherwise go unheard because no label in their right mind would ever give 'em a record deal. This time we're spotlighting colorful cartoonish craziness - after all, "novelty music" is not a bad word 'round these parts. To quote one of the album titles featured here, let's have fun:

Twink the Toy Piano Band "Miniatures Vol. 2": I can unhesitatingly recommend this brief, kooky album, performed on toy piano and other whimsical sound-making thingies. I actually think this is one of Twink's finest efforts of toy-tronic pop instrumentals. Price: FREE

1000 Needles: "Osiris": More toy tunes, this time from a band using modified Nintendo and Gameboys playing 8-bit melodies while guitars and drums rock along. Some great songs in this 7-track set that, as on the stand out tracks "Error 537" and "Monument 101," skillfully mix rinky-dink electronics with rawk power. Price: $4

The Invertebrates "Let's Have Fun": Not a new release this time, but a re-issue of some classic New Wave post-punk weirdness from a criminally underrated San Fran combo who we first featured here a few years back when we posted a vinyl rip of their "Eat 'Em While They're Young" EP. That one's long gone off-line, but maybe it will get the re-issue treatment like this gem, which sports concrète and backwards tape effects, dada lyrics that sometimes sound like they're being sung verbatim from magazine articles, B52s-ish femme vox and electric organ, and on one of the album's catchiest songs "Atilla The Hun," Jews harp, and a crazed percussion break. Price: $7

The Kominas "Wild Nights in Guantanamo Bay": I guarantee you've never heard any punk rock like this before: a Muslim American band hitting us with stuff like the Sex Pistols-quoting 'Sharia Law in the U.S.A,'  campy sound bites, a great surf-punk song ('Ayesha') that ends with a Muslim chant sound-collage, and a catchy funky rap song called (heh heh) 'Suicide Bomb the Gap.'  Apart from courting controversy (and they did indeed get media coverage that scarcely described their music), there's actual good sounds here that break out of the punk mold, e.g.: the unique, rhythmically complex, kinda Caribbean-sounding 'Layla' (no, not that one). Price: FREE, but you'll probably end up on all kinds of watch lists for downloading it.  

Carton Sonore "Modarn": And now for something completely different - a collection of musical fragments only seconds long that are meant to played on shuffle play, effectively creating a new song every time. Like Eno's "generative" works, it's never the same twice. Price: 1€

Thiaz Itch "Frivolurium": Like Carton Sonore, another funny Frenchman. The description tags tell the story: "carnivale, circus, comedy, electro, space-age-pop." Utterly delightful modern vaudeville cut from the same zany cloth as Twink...not to mention Perrey and Kingsley, Spike Jones, and Monty Python, who's "Bright Side of Life" gets brilliantly covered here. But this album is no child's play - it gets almost proggy in it's experimentation: the polka-esque "Splooshy il Chiocciolo" features everything from Chipmunk vocals to heavy rock guitar to fruity horns. My current Favorite-ist Album In The Whole Wide World. And remember, "don't step on my foreskin!" Price: 5 €

Les Dauphins: Just Another French/Algerian '60s Rock Band

One of the first French-language rock groups was this intensely obscure band with a near-unsearcheable name.  Look up "Les Dauphins" and you'll get lots of French sites about actual dolphins. I did find one site in Russian that offered this brief blurb:
"Dolphins" - a group of French Algerian port city of Oran (Oran). Created brothers Gerard and Robert Shatelenami together with Alain Martin, Andre Castro and Gilbert Hullo. Existed in the years 1964-1966, longpleya not released, was 4 EP's, released via Columbia ... Almost all of the band's work has been collected in 1993 on this compilation. Vocals - exclusively in French." Thank you, Google Translate!

It's another curio from the days when non-Anglo-American cultures were grappling with the rock 'n' roll behemoth that had just washed up on their shores, and were struggling to find a way to integrate it into their culture. At least these guys didn't try to sing in English. But French just isn't a rock 'n' roll language, even when sung Elvis-style. Tho on one of the best songs here, the Isley Brothers-esque "Ne Pars Pas," they do sing the word 'baby' a lot.

It's all a lot of twistin', rockin' fun, with some recognizable covers strewn amidst the originals, e.g.: "Whole Lotta Shakin' Goin' On," and the Gene Pitney/Ricky Nelson hit "Hello Mary Lou." "Le Voyageur" is Nelson's "Travelin Man." Highlights include the early-Beatles-ish "L'Amour Nous Dira Oui," the wtf? harpsichord solo on "Celle Qu'il Me Fallait," "Non, Ne Me Dis Pas" (fuzz garage rocker) and, my fave, "Serrons-Nous La Main."

A big merci to Count Otto Black!

Les Dauphins "Tout, Tout, Tout"
 
01. Baby, Pleure Pas (1964)
02. Hello Mary Lou (1964)
03. Après La Pluie (1964)
04. Tu Brises Mon Cœur (1964)
05. Le Voyageur (1964)
06. L'Amour Nous Dira Oui (1964)
07. Celle Qu'il Me Fallait (1964)
08. Ne Pars Pas (1964)
09. C'est Pour Demain (1964)
10. Pas Aujourd'hui (1964)
11. Je Ne Peux L'oublier (1964)
12. Je Ne Veux Pas (1965)
13. Tout, Tout, Tout (1965)
14. Petite Fille (1965)
15. Ça Serait Trop Beau (1965)
16. Tu Marches Et Tu Pleures (1965)
17. Je T'Écris Ce Mot (1965)
18. Avant De La Rencontrer (1965)
19. Il Y A Tant De Chemins (1965)
20. Non, Ne Me Dis Pas (1966)
21. Va T'En Maintenant (1966)
22. Priez Pour Moi (1966)
23. Serrons-Nous La Main (1966)
24. Whole Lotta Shakin' Goin' On (1964) 

Personnel:
- Gérard Chatelain - lead vocals, guitar, piano, harmonica
- Robert Chatelain - bass, piano, guitar
- Alain Martin - lead guitar
- André Castro - rhythm guitar, percussion
- Gilbert Gullaud - drums


 

"Hurray, The Rattles Are Here!"

At first (and second, and third) listen, Germany's The Rattles sound like a Beatles clone. And a particularly bizarre and hilarious one, at that. But as our man in Scotland, Count Otto Black, points out: "German beat groups like the Rattles weren't necessarily imitating the Beatles as such. Rather, the Merseybeat sound in general was extremely popular in Germany, and the Beatles were hired to play in Hamburg for that reason. So both the Beatles and the Rattles were trying to jump on the same bandwagon independently of one another. Though of course the Beatles always had a big advantage in that their accents never slipped. It appears that the Rattles already sounded as though they were a deliberate Beatles clone long before the Beatles were famous enough to be worth ripping off...the Beatles were but one of many similar groups, only they happened to have that extra something. Or maybe they just got lucky - most of their rivals made no recordings so we'll never know."

By the time of this 1965 recording, The Beatles were of course well established, and at least one song, "A Lonely Man," strongly suggests "She's A Woman," so maybe they had circled all the way around to intentionally imitating the Beatles. Still, there are some pretty deranged moments here that should clue anyone in that we are most def not dealing with those mop-tops from Liverpool: a version of Doris Day's wistful  ballad "Que Sera Sera" performed like a live mashup with "La Bamba," a highly energetic Bing Crosby (?!) cover, "Swinging On A Star", and a version of "Rockin' Pneumonia" that they pronounce "Rockin' Pumonia." But amidst all the unintentional laffs, there's still plenty of genuinely high-energy good rockin' tonight.

Die Rattles - "Hurra Die Rattles Kommen!"

A1	Come On And Sing
A2	It's My Fault [raunchy Bo Diddley-ish garage stomper]
A3	A Lonely Man
A4	No, No [what are they singing about?!]
A5	She Is The One
A6	I'm Coming Home
A7	Dance
B1	Que Sera
B2	Hold Me
B3	Swinging' On A Star
B4	Dr. Casey [an ode to fictional TV doctor Ben Casey]
B5	If You Don't Come Back
B6	Little Queeny
B7	Rockin Pneumonia

Thanks to His Countship!

THE BLACK SWEDEN: Heavy-Metal Versions of ABBA Hits

As one-joke album concepts go, "Gold" by the one-off Black Sweden works better than most.  Don't know how many ABBA songs one really needs to hear performed in full-on head-banging fashion, but the performances here are skilled as any "real" metal album, and everyone sounds like their having tons o' fun. Worth it alone for their version of "Take A Chance On Me" a la Metallica.

No one's taking credit, but apparently genuine Swedish metal all-stars are behind this.

Figured I'd better post this as copies of this CD are literally going for hundreds on Amazon. (On American Amazon, at least.  Maybe the streets of Sweden are littered with these?)

Black Sweden "Gold"

AN ALBUM CALLED "DISCO POLKA" THAT HAS DISCO VERSIONS OF POLKA SONGS AND POLKA VERSIONS OF DISCO SONGS AND...

...so help me, I did it. *hangs head in shame*  I recorded the entire Myron Floren "Disco Polka" album, and *chokes* am releasing it from my laboratory onto an unsuspecting public.  Have mercy on my damned soul!

Myron Florens' "Disco Polka" album of disco versions of polka songs and polka versions of disco songs and disco versions of easy-listening songs and some songs have Moogs

Old Friends in the Zither Sound

Yeah, yeah, I know: everybody plays air-zither along with their favorite 'zither heroes,' they even play the Zither Hero video game, the zither-bass-drum lineup has been the standard for decades, and yet here we are again, posting another zither album.  We're so damn trendy. I apologize, because I realize that our culture's obsessions with the zither has made so many other stringed instruments unfairly obscure. Perhaps other instruments have potential, but no-one knows because they're considered uncool? Like the "guitar," a six-stringed instrument of Spanish origin, whose strings are strummed or plucked by hand. Since it's held in the hands instead of being laid out on a table like the zither, it's sure to draw guffaws from the too-hip. Who knows, maybe in some bizarro-world alternate universe, it's the guitar that's the most popular. Nevertheless, this album of fun, peppy, all-instrumental Euro-cheese is another example of why all peoples of the world hail the zither as the King of All Instruments. Zesty percussion, accordion, sleazy electric organ and cool vibraphones add to the belated Oktoberfest (Decemberfest?) festivities.

Peter Schwarz - "Alte Bekannte im Zither-Klang"

A1 Ramona
A2 Down By the Riverside - the familiar hand-clappin' American gospel song
A3 Schöner Gigolo - hey, it's that Louis Prima song, "Just A Gigolo"
A4 Tanze mit mir in den Morgen - love this Latin-a-gogo groover
A5 Bye Bye Blues - one of my fave ol' Tin Pan Alley standards
A6 Estrellita
A7 Wochenend und Sonnenschein
B1 Winke winke
B2 In einer Nacht im Mai
B3 La Paloma
B4 Kann denn Liebe Sünde sein
B5 Das machen nur die Beine von Dolores - Great hotel lounge psuedo-calypso
B6 Das alte Spinnrad
B7 Du schwarzer Zigeuner
B8 Good Night, Ladies

Danke to herr Gene M!

 

AVANT-POLKA

Following on the heels of our last post, which featured The Mighty Accordion Band...

Well, why not avant-polka?  Who says classical, jazz, and rock should have all the fun? Guy Klucevsek's "Polka From The Fringe" is just that, a newly released 2-disk set of originals and commisioned songs written for accordionist Klucevsek, an '80s downtown New York arty-smarty who grew up playing polkas in Pennsylvania coal-mining country. He originally released this album over twenty years ago, and the label promptly went out of business. This new version is greatly expanded, boasting a whopping 29 tracks, many written by prominent avant-garde composers like Tom Cora, Carl Stone, Fred Frith, and Elliot Sharp, whose "Happy Chappie Polka" is downright punk. Despite the heavy art credentials of all involved, it's still alot of fun.  You just can't play a pretentious polka. (Tho it is a lot to absorb - took me a few listens before I finally realized how good this album is.)

Another awesome avant-accordion album comes to us from, of all places, Belarus.  Pictured left, Port Mone's album "DiP" is an excellent collection of moody instrumentals sporting unusual ethnic percussion and some surprisingly funky poppin' bass. I can now say that I have listened to an entire album from Belarus (and so should you.)

Petrojvic Blasting Company (pic below) are a crazy-fun L.A. band featuring a big brass section that suits both European Balkan and New Orleans styles.  Tho probably best experienced live and drunk, their debut album (also available on vinyl) shows off their ace songwriting and muso skillz. They recently toured the old country - Poland, Latvia, Lithuania - but, like the above artists, don't expect anything too authentic.

Norteño literally means "northern", as in the US/Mexican border areas where Mexican musicians mixed their Spanish melodies with Dutch and Geman settlers' polka. A muy bueno norteño album I discovered on the jukebox whilst waiting for my order at a local taquería is Los Dareyes De La Sierra's "Corridazos Con Tuba Y Acordeon." Yep, pretty much the whole album is nothing but accordion and tuba duets.  And the tuba player is loco. Ever bought an album for the tuba?  Now's your chance. Tho I have my reservations about recommending it - I suspect that some of the songs are "narco-corridos," songs about, or even in praise of drug cartel thugs.

Tijuana's Nortec Collective offers a more self-consciously experimental approach to norteño. Like Wu Tang, the Collective quickly split off into solo projects, some leaning more towards techno dance territory, and others, like Bostich and Fussible's 2008 release "Tijuana Sound Machine" still keeping that border-polka beat in there amidst all the space-age sounds.

We then head even furthur down south to Columbia, where the accordion rules the cumbia scene...even as they cover Queen. That's what happens when a British producer (Quantic, in this case) moves to Sud America. From the self-titled album "Los Miticos Del Ritmo."

Ah, what the heck - the link to Duckmandu's accordion cover of the Dead Kennedy's "California Uber Alles" is dead, so I'll throw it in here.

AVANT-POLKA

1. Duckmandu: California Uber Alles
2. Port Mone: River
3. Petrojvic Blasting Company: Princess Andy
4. Port Mone: Youth
5. Guy Klucevsek, Ain't Nothin' But A Polka Band: The VCR Polka (by David Garland)
6. Guy Klucevsek, Ain't Nothin' But A Polka Band: Happy Chappie Polka
7. Guy Klucevsek, Ain't Nothin' But A Polka Band: The Disinformation Polka (Fred Frith)
8. Los Dareyes De La Sierra: La Tragedia Del Compa Man
9. Bostich and Fussible: The Clap
10. Los Miticos Del Ritmo (Feat. Quantic): Otro Muerde El Polvo (Another One Bites The Dust)