Showing posts with label Filthy Fridays. Show all posts
Showing posts with label Filthy Fridays. Show all posts

Friday, September 18, 2015

Over Sexteen Vol. 2: Prudes Won't Think It Funny!

By a very wide margin, one of our "Lowbrow" collections of mid-century sleazy-listening sounds is the most popular post of the year, and several other lowbrow posts aren't far behind. Which is great, glad to tap into something so many of you wacky cats 'n' wigged-out chicks are craving, but I'm running out of suitably vile vinyl. So I've gone record-hunting and sound-digging lately, and this time, apart from 45s (and I have found a few goodies already) and recording otherwise-unavailable songs off of old b-movies, I'm also hitting up the comedy bins for "party albums" - naughty humor sold under record counters to, er, "sophisticated" adults. A lot of them just feature lame stand-up comedy that you don't need to hear more than once, even if that, but sometimes even these records have a good musical track or two.

And then there's this nutty thing, just purchased a week or so ago. Based on books of the same name, "Over Sexteen Vol. 2" stars an uncredited stentorian announcer hosting dirty jokes, acted out with enthusiasm by some uncredited actors who favor silly ethnic voices, and actresses who use a squeaky New Yoiker goil voice. All in the service of sometimes funny, but very dated humor. The audio equivalent of novelty cocktail napkins.

What really makes this album, however, is the organ interludes that pop up between the jokes and skits. Sometimes the songs reference the preceding joke. The combination of all these elements add up to an inexplicable whole that is greater than the parts. I couldn't believe I was actually laughing at this corny humor as much as I was.

Over Sexteen vol2

Absolutely no information listed on the album cover, except the name 'Kermit Schafer,' the huckster who would later become very successful for his 'blooper' albums of broadcasting goof-ups. Some of those alleged mis-speaks and outtakes were bogus, recreated using actors. Perhaps the very actors featured here.

Friday, January 16, 2015

VOODOO DANCE DOLL: 1950s/60s Rock'n'Roll Exotica

Bongos in the Congo!  Apes in the jungle! Tikis, cannibals, and witch doctors! Grown men making tropical bird calls! Sound familiar? But this ain't no jazzy Martin Denny-style exotica for grown-ups' cocktail parties. No, my teen-age hoodlum friends, this sampler of exotic rock (rock-xotica?) + relevant soundbites marks this blogs' return to weekend-starting sleazy-listening sounds from the Golden Age of Cool. As with the first collection that kicked off this on-again/off-again project, many of these tracks were recorded off my vinyl, songs that hopefully have not been featured on similar comps like the "Jungle Exotica" series. My records are in various states of preservation, so I did track down some digital replacements when available. But most of this is out-of-print wax whose occasional pops and cracks can be thought of as the crunching of jungle undergrowth beneath the furious feet of Watusi exotic dancers (in all senses of the phrase).

Ingredients: surf rock, doo-wop, rhythm 'n' blues, novelties, some actual ethnic peoples, movie clips, radio ads, excerpts from a record meant to accompany a slideshow or filmstrip about the Congo, Africa (unfortunately, it did not contain the visuals), and some loungey things, but with a backbeat. There are a few well-known hit-makers here like Eartha Kitt, the Dave Clark Five, and Santo & Johnny, but as these records are from the gloriously unself-conscious pre-rock critic era*, many of these artists have been lost to the mists of history. 

Voodoo Dance Doll - an M4M Collection.zip

01 congo slideshow- weekend dance
02 Mel Taylor & The Magics - Bongo Rock
03 The Vistas - Tiki Twist
04 Leni Okehu and his Surfboarders - Hawaiian People Eater
05 Eartha Kitt - Honolulu Rock And Roll
06 congo slideshow - superstition dance
07 Muvva Hubbard & the Stompers Congo Mombo
08 "Alligator Man"
09 The Dave Clark Five - Chaquita
10 The Pyramids - 
Koko Joe
11 "100 Percent Gorilla"
12 The Rocking Vickers - I Go Ape
13 Billy Mure - Tabu
14 congo slideshow - witch doctor
15 Werner Hass - Oh-ee-oh-ah-ah
16 Dick Dale & The Del-Tones - Jungle Fever
17 Jerry & Mel - Cannibal stew
18 "Zombie Island Massacre" - Zombie Attacks Honeymooners
19 congo slideshow - drumming
20 Mel Taylor & The Magics - Drums A Go-Go
21 Thurl Ravenscroft - Dr Geek From Tanganyika
22 Buddy Morrow And His Orchestra - One-Two-Three-Kick (The Original Conga) pt1.
23 Roger Craig - Song of India
24 The Fugitives - Human Jungle
25 Bela's "Jungle Hell"
26 Roy Estrada and The Rocketeers-Jungle Dreams Part 2 
27 Busby Lewis - Jerk
28 Susan King-Drum Rhythm
29 Yngve stoor - Hula Rock
30 Perez Prado - Cuban Rock
31 Leni Okehu and his Surfboarders - Hawaiian Rock
32 Freddy Cannon - Everybody Monkey
33 Johnny and Santo - Caravan
34 congo slideshow - watusi
35 Big Walter and the Thunderbirds _ Watusie Freeze part 1
36 "shrunken heads" ad
37 Buddy Morrow And His Orchestra - One-Two-Three-Kick (The Original Conga) pt2
38 Marti Barris - Ahbe Casabe
39 Sandy Nelson - Casbah 

Thanks to Count Otto for the Rockin' Vicars!

*Cartoonist/record collector Robert Crumb has described the early rock he really liked as "proletariat," and indeed, there may be some class-ism behind the critical dismissal of so much rock prior to the mid-'60s: once rock scrubbed off all of that honky-tonk/ghetto stank and adopted such middle-class, college-educated features as "poetic" lyrics and classical European influences, then it finally merited the status of High Art. But of course, the music wasn't really improved so much as it simply changed - from fun, funny, energetic, sexy, and atmospheric to...not as much. Rock didn't get better, it just moved to the suburbs.


Thursday, November 13, 2014

2 ALBUMS OF AUTHENTIC BURLESQUE MUSIC

This blog is now 10 years old. And amidst all the media hype, the presidential pronouncements, and the parades, one lovely maniacs actually sent me an email headed: "I love Filthy Fridays and want to give you money." Well... okay! Hadn't thought about it before, but if someone wants to click on the new PayPal button to your right, that's up to you. We all celebrate in our own ways. And this is how I celebrate: by continuing our series of weekend-starters from the mid-century Golden Age of Sleaze. 

What to read/look at whilst listening to these instrumentals? Why, take a gander at the gams on this website (makes wolf whistle): "Decedent History," a site of particular interest to those in the Dallas/Fort Worth area, but any dedicated sleaze-ologist worth his/her weight in tassels should find it fascinatingly filthy fun.


Listening to a burlesque show?! Who'd want to do that? Well, for starters, the millions who bought David Rose's bump-n-grind big band instrumental, "The Stripper," a record that went to #1 on the American charts in 1962. Which of course, lead to records released designed to cash in on Rose's success, inc. 2 albums by Rose himself, "The Stripper," and "More! More! More! of the Stripper," both of which are in print.

So yes, one of today's albums does indeed include a cover of "The Stripper," but these records weren't just cash-ins. "Bald" Bill Hagan & His Trocaderons were an actual burlesque show band that performed at Philadelphia's still extant Trocadera Theater, tho nowadays it's a concert venue. The music is mostly the kind of Dixieland jazz played as a slow grind that typifies burlesque music, but also dips into rock'n'roll ("The G-String Twist"), and psuedo-Middle Eastern belly-dance exotica ("Erotic Fantasy" is a version of that exotic antiquity "Song of India"), another common style found wherever 'torso tossers' were found strutting down 'varicose alley' (aka: the runway.) And compared to Rose's studio slickness, these fun records sound a little more raw and loose - probably closer to what it actually sounded like at joints like the "Troc".  The recording dates would seem to put these at the tail-end of the original burly-q era.

Both albums recorded from vinyl. The first one starts off a bit scratchy, during the MC intro/phony applause effects, but improves. Va-va-voom!

Bald Bill Hagan And His Trocaderons - Music To Strip By (1966)

Bald Bill Hagan And His Trocaderons - Music For A Strip Tease Party (1967)


Music To Strip By:
A1A Pretty Girl Is Like A Melody
A2Bumps And Grinds
A3Frankie And Johnny
A4G-String Twist
A5Temptation
A6Night Train
B1The Stripper
B2Party Time
B3Bedroom Blues
B4Second Honeymoon
B5Girdles Aweigh
B6My Heart Belongs To Daddy
 Music For A Strip Tease Party:
A1I'm In The Mood For Love
A2Stripper's Delight
A3Erotic Fantasy
A4C Cup Blues
A5Vampin' And Campin'
B1A Good Man Is Hard To Find
B2Fascination
B3Koochie Galore
B4Cha Bump
B5Makin' Whoopee





Friday, October 31, 2014

The Sicodelico Sounds of Peru's LOS HOLY'S

Seeing as how Latin America's Day of The Dead festivities begin today and go thru Nov. 2, now's the perfect time to rock out to these juvenile delinquents from, of all places, Lima, Peru. Trashy surf/garage sounds from the 1960s, all instrumental reverb and fuzz guitars and sleazy electric organ, with one song ("Holy's Psicodelicos") even featuring a theremin. "Campo De Vampiros" is the appropriate party-starter by these Dia de Los Muertos daddy-o's.  

I would be interested to know how Los Holy's (sic) fit into Peruvian culture of the time. Were they considered makers of no-good teen trash by the mainstream culture, but revered as cool cats by the kids?  Or was this stuff so foreign to their society that they were playing a kind of 'world music,' without any of the controversy that this kind of primitive rock created north of the border?


Los Holys "Sueno Sicodelico" (1967)

1. Campo De Vampiros
2. Sueno Sicodelico
3. Melodia Encantada
4. Reunion Psicodelica [a cover of the Markett's Space-Age surf classic "Out of Limits"]
5. Piedra De Doce Angulos
6. Hawaii Five-O
7. El Hombre Desnudo
8. Holy's Psicodelicos
9. The High Chaparral [cover of the '50s movie theme "Moulin Rouge"]
10. Psicodelico Desconocido  [cover of the Meters' funky soul groover "Sissy Strut"]
11. Spectro I
12. Choque De Vientos


(Muchas gracias to El Count Otto Negro!)

Thursday, October 02, 2014

FILTHY FRIDAYS: Halloween Instrumentals (2 Disks: 60 Tracks)

Another request satisfied: for what is possible the strangest comedy album ever, Peter Sellers and Spike Milligan

And another weekend is upon us, presenting you-all with yet another opportunity to temporarily (or not?) cast aside your nerdly pursuits and let our continuing survey of mid-century sleazy-listening musics help turn you - yes, you! In the Spock ears - into the heppest cat or kittie on the block. This real real gone assortment of surf, garage, r'n'b, soundtrack themes, and assorted radio ads is packed with both stars (Joe Meek's Moontrekkers*, The Ventures), and forgotten regional releases. Rock'n'roll as it should be, before it went middle-class and respectable.

Need something to look at while listening? The great lowbrow artist J.R. Williams put these comps together, so eyeball his way-out artworks. (Wish so many weren't sold out - I gotta get that Uncle Fester one.)

J.R has added a few more goodies for your trick-or-treat bag at the bottom of the page.

Halloween Instrumentals (CD 1)
Halloween Instrumentals (CD 2)




















































But wait! There's more! Dig these short mixes, for ghouls on the go:


Cool Ghouls mix:  J.R.'s Fun House (formerly "J.R.'s Prints of Darkness"): Cool Ghoul mp3 mix
image
J.R.'s Fun House (formerly "J.R.'s Prints of Darkness"):...
Roland - Billy Duke & the Dukes Dinner With Drac - John Logan Dance Along With Dracula (Doin' the Drac) - The Monstrosities Casa A Go Go - Count Von Shukker...
Preview by Yahoo
image
J.R.'s Fun House (formerly "J.R.'s Prints of Darkness"):...
My Girl Friend Is a Witch - October Country Draculena - Aaron McNeill The Monster Miss - Miss L.L. Louise Lewis My Baby's Got a Crush on Frankenstein - Soupy Sal...
Preview by Yahoo



FANGS a million to J.R. Williams for all this ghastly goodness.

 *The record was banned by the BBC as being "unsuitable for people of a nervous disposition" 

Friday, September 19, 2014

FILTHY FRIDAYS: Buddy Lucas "Shake Rock Rattle And Roll"

Judging by this incredible album, punk rock was invented in New York 20 years before the Ramones debut, by a black saxophonist playing instrumentals. You doubt me? Ladies and gentlemen, behold! the one album I've been dying to post here on our series of wild, post-war weekend-starters.

Buddy Lucas "Shake Rock Rattle And Roll" (18 songs)

If "lowbrow" music of the pre-rock crit era ever gets the respect it deserves, this album would be a Holy Grail collectible. I mean, just look at that artwork! 


Your momma was wrong: sometimes you can judge a book by it's cover, and the pulp-paperback, late-night, lurid cover of this 195? album perfectly suits the music, which ranges from mid-tempo striptease grind, to all-out proto-hardcore rockers like "Stand Up" and especially "Stampede" that must have seemed fairly incomprehensible to a Fifties audience. Perhaps that's why Buddy "Big Luke" Lucas had to pay the bills with session work.  That's him blowin' on Dion's "The Wanderer" and Frankie Lymons' "Why Do Fools Fall In Love," amongst many others. 

Oh, and how do you know that a '50s recording artist is black? They're not pictured on the album cover! The pic of Mr. Lukas below was collected elsewhere off the inter-webs. The actual back cover of this album contains no info, just a black-and-white rendering of that Bukowski-drumming-with-Jayne Mansfield front cover drawing.




Friday, September 05, 2014

FILTHY FRIDAY: An Album By The Munsters That Isn't By The Munsters, But By The Go-Gos, But Not Those Go-Gos

Someone on the internet sez:

"THE MUNSTERS-  "The Munsters" TV show characters are only pictured on the cover, along with their cool George Barris designed 'Munster Koach' custom car, but do not appear on this scarce novelty cash-in, performed uncredited mostly by RCA records surf trio, The Go-Go's: Jim Infield; Roger Yorke, and Bill Wild, pre-Ruben and The Jets. Produced by Joe Hooven & Hal Winn, the guys behind Johnny Crawford's hits, & who later founded the Double-Shot label. Decca Mono."

Much of this week's assortment of mid-century lowbrow entertainment isn't sleazy at all. Actually this monster- themed amalgamation of surf, hot rod, novelty, bubblegum, and garage rock is pretty kiddie-friendly and wholesome. The utterly ridiculous "Frankenstein Had A Hot Rod Car" lives up to that boss song title, with lyrics that mention Beatle wigs, and surfing (Frankie "hangs 12"), all set to the tune of "Ol' McDonald had A Farm." 

But then we have the burlesque bump-n-grind of "Vampire Vamp," which doesn't seem appropriate for children, even with goofy Chipmunks voices added. "Eerie Beach" is an exotica instrumental, complete with birds calls, that isn't eerie or horrific at all. Both were probably leftover tracks the producers had lying around and threw in for filler. Hooray for filler! Theremin-ish electronics and sound effects pop up from time to time. And the last three tracks get down to raunchy garage rockin' (with xylophone) business. Hey, turns out this Friday might be a bit filthy after all.

"The Munsters - The Munsters"


A1Munster Creep2:35
A2Frankenstein Had A Hot-Rod Car2:26
A3$1.98 King Size Voodoo Kit2:03
A4Vampire Vamp1:50
A5Herman's Place2:15
A6(Here Comes The) Munster Coach1:55
B1T.V. Monster Show2:07
B2Eerie Beach2:13
B3Make It Go Away2:10
B4You Created A Monster2:07
B5Ride The Midnight Special1:46
B6Down In The Basement



Friday, August 29, 2014

FILTHY FRIDAYS: Kay Martin And Her Body Guards

Speaking of Rodney Bingenheimer, had a very lovely request to re-up our hypothetical, theoretical "Rodney On The ROQ Vol 4" comp. Judging by the number of hits it has received, it appears to be one of this blog's most popular posts. (Don't forget, there's also a Vol 5.)  And now to continue our exploration of The Golden Age of Sleaze, witness this 1958 album:


Kay Martin was not only a topless model, but a lounge performer. The perfect woman?! 
Dig the kooky cover of "Blue Moon" a la The Champs' "Tequila," the rockabilly rumbler (with unexpected three-part harmonies towards the end) "I Ain't Mad At 'Chu," and a version of Gershwin's "Summertime" that sports the new-and-improved lyrics: "Your daddy's a flip and your mommy's a gasser."  If you were expecting something more Rusty Warren-ish and ribald, you may be surprised by such dark, weird, atmospheric gems as "The Heel," "Johnny Guitar" and the self-explanatory "Swamp Girl."  When she tries to play it straight on standards like "Sentimental Journey," it isn't too interesting - she sings  better than you'd expect, but not that well. Her enthusiastic Body Guards (rock that accordion!) chime in from time to time.

Kay Martin And Her Body Guards


A1Fever
A2Blue Moon
A3Big Mamou
A4Can't Help Lovin' Dat Man
A5Sentimental Journey
A6I Ain't Mad At 'Chu
B1The Heel
B2Summertime
B3Swamp Girl
B4I Got It Bad
B5Johnny Guitar
B6Baby, Did You Hear

Two of her other albums are available elsewhere on the intar-webs, one on WFMU's Beware of the
Blog, and her christmas album is out there somewhere, don't remember where. 

Thursday, August 21, 2014

FILTHY FRIDAYS: "Shakin' Fit"

Squares beware!  We're in week 3 of our salute to the most tasteful of mid-century tastelessness. And here's another album that probably makes the most amount of sense at a party where everyone's stoopid drunk. A really great compilation, released in 1992, of '50s/'60s r'n'b, and if you think that means the same, tame Motown, Drifters, Platters, etc., well, check this action, daddy-o. We're talkin' way gone, wild, crazy screamin' novelty tunes and failed dance crazes by unknowns, with songs like "The Chicken Astronaut," "Mo Gorilla" and "The Boss With The Hot Sauce" that are at least as good as their titles, maybe even better. This is the "Nuggets" of soul, and should be as famous. Fans of the Specials will recognize the original version of 'Sock It to 'em J.B.,' but otherwise this stuff is criminally obscure. Compiled by Todd-o-Phonic Todd from WFMU?

IMPORTANT NOTE ABOUT THE SOUND: This entire album appears to be panned somewhat to the left. I can't find another copy on-line, and the used copies on Amazon are pretty expensive and who knows if they're any better.  You can't correct panning on iTunes (good job, Mr. Jobs!), so check your computer output. It's something like: Control Panel/Sound/Playback/Speakers/ Properties/Levels/Audio Output/Balance and turn the left way down.  Or just crank it thru speakers real loud after everyone's had a few.

 "Shakin' Fit"

1. Nervous - The Fabulous Playboys
2. Love-Itis - Harvey Scales & The 7 Sounds
3. The Chicken Astronaut - The Five Du-Tones
4. Standin' On The Corner - Dorothy Berry
5. I Live The Life I Love - Willie Parker
6. Whiplash - The Shells
7. Mo Gorilla - The Ideals
8. What's The Matter - The Gardenias
9. Welfare Cheese - Emanual Laskey
10. The Dog - Junior And The Classics
11. The Chicken Scratch - J.C. Davis
12. The Wallop - The Tabs
13. The Frog - Sir Guy
14. Skin The Cat - Jimmy Merchant
15. Shakin' Fit - The Pyramids
16. My Baby Likes To Boogaloo - Don Gardner
17. Ain't That Bad - Pancho Villa & The Bandits
18. Damper Down - Bobby Davis
19. Sock It To 'Em J.B. - Part 1 - Rex Garvin & The Mighty Cravers
20. Grandma Bird - Four Holidays
21. Gotta Change - Kitty Love
22. Wang Dang Dula - Donald & The Delighters
23. Whip It On Me - Sonny Raye
24. Hey Sah-Lo-Ney - Mickey Lee Lane
25. Boss With The Hot Sauce - Davis Jones & The Fenders
26. Sticky Pig Feet - R.T. & The Pot Lickers
27. The Cow - Bill Robinson
28. Heartattack - Don & Dewey
29. Get Down - Harvey Scales & The 7 Sounds