HIPPIE NOISE IN A LAUNDROMAT

The self-titled 1971 album "The Roots Of Madness" is a truly historic avant/outsider artifact. Incredibly, the recordings of this, well, madness date back as far as 1969. That beats The Residents, and the LA Free Music Society were a couple years away from forming. And needless to say, The Great Punk DIY Explosion was far off on the horizon when this bag of nutters from the wholly unremarkable Northern California town of San Jose made this home-brew concoction. 

Ingredients: tinkly music boxes, short wave radios, free-jazz, blues guitar, beat poetry, smutty poetry, a Dada sensibility, a smart-ass sense of humor, sound effects, even an actual song or two. All common strategies now, but must have been fairly incomprehensible at the time. And yes, they did do gigs in laundromats. It's not like there were too many actual music venues in town to play.

Free listen/download:

"The Roots Of Madness"

One of the members, Don Campau, went on to a still-extant experimental music and public radio career.

THE WORLD'S TALLEST MUSIC: Joseph Bertolozzi's "Tower Music"

An entire album made solely from the sounds of someone banging on the Eiffel Tower?! Now that is the kind of thing to warm the cockles of a Maniac's heart, and to thoroughly confuse, if not annoy, mainstream music consumers: "Wha..? Why doesn't he use real musical instruments?" Because, my poor, brainwashed Normals, there is a universe of unused sounds out there that cannot be conjured up with pianos, guitars, even synthesizers. Music is all around us, as John Cage would say, and sampling those sounds and using them as the raw stuff of compositions is an excellent way to make us aware of that. 

The album actually sounds like you think it would, dominated by metallic plinky pongy tones. But even tho these songs are indeed produced only by Bertolozzi's molesting of a great Parisian structure, they are not just random banging. They are structured, highly rhythmic, even weirdly melodic, with each track having it's own peculiar flavor. In other words: musical. Here's one particularly toe-tappin' sample:

Joseph Bertolozzi "Continuum" from "Tower Music"

MUSIC MADE FROM SOUND EFFECTS 2

A year we ago we wrote about artists such as The Fruiting Body who make music out of everyday sounds. I am happy to say that this trend is continuing. People of Earth!  Your musical instruments are...OBSOLETE! 

We salute you, France, for you are the country that gave us, among other things, musique concrète. And Furniker (aka Franz Schultz), who might literally be making concrete music - I would not be surprised if an actual concrete mixer was featured in the track "Construction Site." That's a song featured on Furniker's brand new, all-too-brief, 4-track 'net release that takes everyday stuff (song titles include "In The Kitchen" and "Work") and samples and loops them into a rhythmic, compelling din. You won't find too many hummable melodies here, but if you like industrial music, well..this really is industrial.

Furniker/"Furniker" (Bandcamp streaming) 
Furniker/"Furniker" (archive.org free downloading/streaming)

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I found this chap on Bandcamp:
Spannerman Dan ("instruments are made from found and recycled objects")
His short, low-key songs (sketches, more like) aren't too spectacular, but "Pailito" is nice, and "Calder Waltz" is very nice, with what sounds like alien animals vocalizing over pleasantly chiming bell-like sounds.
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Sneak previews of two forthcoming albums that I am very much looking forward to (bookmark this page!):

The great Matmos have released a track from their forthcoming (Feb 2016) album named after the only "instrument" they used to make it: a Whirlpool "Ultimate Care II" washing machine. Dig this swell percussion jam that will also make whites whiter, colors brighter:

Matmos: "Ultimate Care, excerpt 8"

And Miles Copeland (the IRS Records founder/manager of The Police, I assume?) will be releasing this Dec. 10th a collection of his field recordings of the "Sea Organ" built into the coastline of Croatia. Waves roll into tubes of various sizes, creating a theoretically endless, random piece of music. Quite lovely. Two tracks for, if you'll pardon the expression, streaming, are now up:
"Sea Organ"

Thanks to James Carroll!

When Surfing In Space, Apply MOON-TAN LOTION

46 years ago today, humans walked on the moon for the first time, as millions watched on TV (the Soviets, via their own Luna 15 craft, were no doubt angrily shaking their fists at the screen!), and some even watched with their naked eye by telescope. One British Colombian astronomer actually watched without a telescope - he knew the night sky so well that he could tell which dot was Apollo 11. The actual landing craft and American flag is still there, also visible by telescopes, and, were you to land at Tranquility Base, you could even see Neil Armstrong's footprints. Not a whole lot of weather on the moon.

Apart from the Space Race, the Sixties also gave us surf rock, and trashy rock 'n' roll in general. Two great tastes that go great together! Seems like a good time to celebrate this most holy of unions, what with the amazing Pluto mission now happening, and surf music feeling so right in this summer heat. 

These are mostly guitar instrumentals, but wacky sci-fi sound fx, keyboards, horns, and even some orchestral arrangements all add plenty of variety. And so you don't o.d. on instros, there's a few vocal numbers as well. I've always loved the Steven Garrick and His Party Twisters song (the female singer reminds me of Rusty Warren) yet for some reason I still haven't listened to much of the rest of the album. A little twisting goes a long way. There's also some rockabilly, doo-wop, some great lounge crooning ("Journey To The 7th Planet"), and one of Brian Wilson's greatest bits of lunacy (yes, it was once thought that the moon - Luna - caused madness). And then there's Sandy "King of the Surf Drummers" Nelson's "Beat From Another World," 7 bewildering minutes of studio and tape effects + drum solo that is certainly unlike anything else I've ever heard. It's more avant-garde then most stuff that thinks it's avant-garde.

I kinda cheated this time and included some modern surf bands along with the oldies, e.g.: contempo groups covering songs from the Ventures classic "In Space" album, and the "Blob" and "Dr Who" covers. They're just too good. But no Man or Astro-Man - seeing as how their entire career is surf-in-space, they would be a bit too obvious, no?
 
And once again, as we usually do when we get all mid-century lowbrow, there's some audio ephemera thrown in. This time, it's: 'B' movie ads and dialogue, a children's record, and sci-fi sound effects. And, as per usual, the collection's title and artwork (cartoonist Bill Wenzell, in this case) are courtesy of vintage men's magazines.

Lowbrow Vol.5 MoonTan Lotion - A MusicForManiacs Collection

Do I have to write out the track list? It's 30 tracks and I'm tired!
UPDATE 7/22: Thanks to a reader with a suitably sci-fi handle,
Soylentwhitetrash, the tracklist is now in Comments.

MUSIC MADE FROM SOUND EFFECTS

For newcomers looking for a crash course, or vets who want to relive old favorites, check out the now-archived 3 hour Music For Maniacs special on WFMU's Bodego Pop, a look back at ten years of blogging. On to the next decade!

My fave new discovery was recently sent to us by Australia's sound collage superstar Buttress O'Kneel, who co-recorded this in 2000/2001 with Panthera Leo (who is now the mother of the kid in Stinky Picnic) and is finally letting it out of the can. The Fruiting Body used no guitars, no keyboards, no drums...heck, no instruments of any kind. Check the ingredients for one song: 

2 rubber bands, plucked 
1 retractable ball point pen, clicking 
2 Bessemer saucepan lids, ringing 
1 elephant, thumping 
1 elephant, spraying 
1 elephant, rumbling 
1 extremely low sine wave
Sample, loop, and serve. Could have been a gimmicky novelty, or a dry piece of conceptual art, but it's really just good music. I started listening out of curiosity (what does a radar, owl, and air raid siren sound like mixed?) but ended up being quite struck by both the technical ingenuity and the musical qualities. The song "Eel Race Road" is freakin' epic. Free/name-your-price download here:

The Fruiting Body: "Nudibranch and the Moondew" (click on 'lyrics' to get each track's ingredients)

This album reminded me of the early days of sampling, when the idea of finally being able to make music out of everyday sounds was an exciting new one, e.g.: Bernie Krause' 1988 all-animal-fx classic "Gorillas In the Mix." But sampling existing musics (and tv, radio, etc) as a way to deal with our 'media environment' quickly took precedent, Ms. O'Kneel being one of it's foremost proponents (she claims that the events of 9/11 also pushed her into that direction.)  And there's also the fact that it is simply easier to make music with music then with hairdryers and trains. Still, there's a lot of potential for this approach. Back in 2005 we wrote about Matthew Herbert's yummy album that used only food sounds. It is now available to listen/purchase:

Matthew Herbert "Plat du Jour" (song notes HERE.)

The notes point put that the first song uses, among other sounds "chickens being killed for a local farmers' market and its feathers washed and plucked." Oh man, now I'm hungry. Who's up for some KFC?! 

Sounds Of The San Francisco Adult Bookstores

Thirteen minutes of supreme silliness apparently recorded on location by Gregg Turkington, the nut behind the hilarious anti-comic Neil Hamburger, and the fiendishly clever Warm Voices Rearranged anagram record reviews site. The narrator, presumably Turkington, speaks in a mock David Attenborough voice. Copies of this record came with a free tissue. 

Clicking on the title will wisk you off to DivShare-land, where a wondrous world awaits!

The Golding Institute "Sounds Of The San Francisco Adult Bookstores" (1997)

RADIO MUSIC

You've heard music on the radio? How 'bout music from radio? Cage did it back in the '50s, and more recently, Chicago's Jeff Kolar has released a free on-line EP of music made from radio broadcasts. Kolar is an accomplished artist and conceptualist - I especially like the music for his Mahomet Aquifer Project - but for this project, he tells me: "...all material was generated and composed by/through the use of homemade radio receivers and transmitters. Within the pdf booklet there is a circuit diagram of the low-powered transmitter I designed. All analog material - no digital."

The first track is ambient static, eventually developing into more 'musical' tracks, including some amusingly kitschy old ads.

Other Voices

Coincidentally, I've been diggin' an album called "Radio" by Exile (no, not the guys who did that horrible '70s "Kiss You All Over" song) that is made entirely from Los Angeles radio. Excellent head-nodding avant-hip-hop that DJ Shadow wishes he made.

Exile "Frequency Modulation"

Exile "Love Line"

WESTERN SOUNDSCAPE ARCHIVE

westernsoundscape.org/

The University of Utah has this insane idea to record all non-human areas of the American West. There are hundreds of wildlife/ambient recordings up so far. Read all about it.

Right now I'm in the Alaskan Arctic tundra (Brrrr!). At least, for 11 minutes. Some of the ambient soundscapes last for over an hour. It makes for addictive listening, and from both a scientific and aesthetic viewpoint, it's absolutely crucial.

Arctic National Wildlife Refuge-Beaufort Lagoon-Tundra (060605-81)

The recordings can be detailed, but you gotta pump up the volume - the levels are pretty low.

All this Arctic stuff reminds me of Tanya Tagaq. She's an Inuit (Are they Eskimos? Or are they not called Eskimos anymore?) from far northern Canada who makes singing/grunting/beat-boxing a capella music that ranges from scary death-metal growls to orgasmic moans, sometimes coming off like Bjork choking on a whale sandwich, electronically looped into rhythmic dementia. It's supposedly based on traditional folkloric styles, but with artsy folks like Mike Patton and the Kronos Quartet guesting on her albums, I'd say she's sled-dogging off into fairly uncharted territory. In any case, it is some deeply weird stuff, even for this blog.

Tanya Tagaq - Qimiruluapik

Her most recent album has the string quartet backing, but I prefer the stark (mostly) voice-only sound of her debut. And it goes well mixed with the Arctic ambience I posted above.
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SPOOKY SOUNDS FROM SPACE 3: The Northern Sounds

The Cluster spacecrafts record the sounds of "the interaction between the solar wind and Earth’s magnetosphere." That's what creates the Aurora Borealis, "The Northern Lights," that not only look spectacular, but sound pretty cool too - like some hard-core electronics, e.g. Morton Subotnik, David Tudor, Cage, that kinda thing.

But it's also kinda scary, like "Electronic Voice Phenomenon."

Auroral Kilometric Radiation (ESA Cluster mission)

Reminds me of a brilliant bit of retro-techno by the sadly short-lived Richard Maxfield that was inspired by the nocturnal birds and insects he heard in New York City parks. As great as this piece is, it doesn't appear to be in print - I ripped this from a 1967 album called "Music Of Our Time: New Sounds In Electronic Music" that also features famous folk like Steve Reich (the first appearance of his seminal tape-loop piece "Come Out") and Pauline Oliveras.

Richard Maxfield: "Night Music"

Maxfield's obscurity is no doubt due to his brief life and career - he jumped out a window whilst on a bummer trip in 1969 at age 42. Someone reissue this man's works, please!

PALAOA - Live from the Antarctic Ocean

UPDATE 12/8/11: Audio now back up

PALAOA is a German scientific research project whose website features a continuous audio stream transmitting live from the ocean below the Antarctic ice. It's the best ambient music I've heard lately, and it's not even music.

Sometimes it sounds like an abundance of sea life singing, howling and braying, mixed with creaking glaciers, and "...Additional broad band noise caused by wind, waves and currents adds to it on occasion. There are three sources of click-like interference: switching relays, electrostatic discharges caused by snow drift, and...thunderstorms ten thousands of kilometers away."

Here's a random recording I made off the stream recently. I really had to crank up the volume using my music software, but when I did I was startled to hear so much sonic activity and variety. It's 19 minutes long, but I could listen to it all day.

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SPOOKY SOUNDS FROM SPACE 2: Meteor Shower

Here's another absolutely fascinating bit of spooky space sounds, courtesy of a blog call ShortWaveMusic, which, as you may have guessed, features music recorded off short wave radio transmissions. Middle Eastern tunes seem to be a favorite. But one recording captured the August 12, 2005 edition of the annual Perseid meteor shower over the Marshall Space Flight Center in Huntsville, Alabama: "As each meteor produced a trail of ionized gases, it produced an extremely short-lived ionospheric "placebo," ricocheting radio waves back to Earth." This being short-wave, haunting voices from other frequencies bleed through, and the sound phases in and out. The result is 7 minutes of dense, swirling, trippy madness.

Meteor shower radio waves

SPOOKY SOUNDS FROM SPACE

Among the "sounds of space" collected by University of Iowa instruments: the eerie sounds and bizarre features of Saturn's radio emissions captured by the Cassini spacecraft. Whooshing winds and theremin-ish wails - I love it because it sounds exactly like what I think outer space should sound like.

Saturn radio emissions

Thinking of sampling this stuff? Legendary composer Terry Riley beat you to it: the ubiquitous Kronos Quartet sometimes performs his 2002 piece "Sun Rings" using some of these sounds. Couldn't find any recording info, therefore I unfortunately cannot direct you to a cd. So just play a Sun Ra album and these sounds at the same time.

PHONE RECORDING ARCHIVE

"Here are a bunch of phone company recordings that I have recorded off of my phone." What kind of, well, maniac would go to this much trouble? There's at least 200 here:

Phone Recording Archive

Including such standards as "Your call cannot be completed," "The number you dialed is not a working number," and that old sentimental favorite "Please deposit 25 cents." Fans of The Replacements will enjoy:

"Please hang up and try again"

Any creative re-mixers in da house?



Thanks again to sol!

FROM THE MIGHT-NOT-BE-MUSIC FILE...

...but is fascinating listening nonetheless, comes the Purrcast, a podcast consisting of nothing more then actual sounds of cats purring. Apart from functioning as soothing ambient music (of a decidedly bent nature), and scientifically revealing (there's actually a lot of complexity to these sounds when amplified - pump up the bass speakers and look out), it also drives cats crazy. Within seconds of playing 'em, two of our cats ran into the room, jumped on my lap, and looked around for the kitties. It was amazing.

Purrcast #3: featuring a cat named Other.

TUNES 4 TOTZ Week, Day 5: Mountain Park

Mountain Park was an amusement park in Holyoke, Massachusetts that went out of business in 1987. In it's heyday, which began in the early '50s, it had a number of fun houses and "dark rides" where park-goers rode in open roller-coaster-like cars on tracks through dark rooms past weird pictures and figures and smashed through doors as pre-recorded soundtracks played. A former employee of Mountain Park saved the looping 8-track soundtrack tapes.

The low fidelity sound of the tapes, coupled with the pictures on the site of the park in various states of decay, create a wonderfully weird, melancholy atmosphere.

The Mystery Ride: This ride featured everything from bizarre monsters and dinosaurs to visions of Hell(!) but the sound was "always a mix of incessant drums and various jungle animals."

Out of This World: A sci-fi trip accompanied by '50s-sounding electronic bloops and bleeps.

Pirates Den: This poor-man's Pirates of the Caribbean "had the most elaborate soundtrack, but it never quite worked right."

Zoltan was a fortune-telling machine that played recordings of "fortunes" in a Bela Lugosi-like accent.

"Trip The Light Fantastic" Go dancing. But don't overdo it!




Much thanks to solcofn!

The worst sound in the world

Do your democratic duty and vote for what you consider to be the worst, most unpleasant sound you've ever heard. All in the name of science. Strangely enough, they don't use anything posted here.

The worst sound in the world

To whit: "Fingernails scraping down a blackboard…the scream of a baby…your neighbour’s dog barking: what’s the worst sound in the world? BadVibes is a new science project from Salford University that aims to find out just that. People can log on to the BadVibes website at http://www.sound101.org/ where they listen and vote on a collection of awful sounds, use the horrible sound mixer and even download horrible sound effects as ringtones.

But as Professor Trevor Cox from the University’s Acoustics Research Centre explained, there’s a serious side to the research as well. "The idea behind the project is to get people thinking about the complex way we listen to and interpret sounds. For instance, you can find out why we find the sound of retching horrible. By examining people’s voting patterns we will learn more about people's perception of horrible sounds. We hope to learn about what is the worst sound in the world, and maybe why it is the worst sound. It has been a lot of fun putting together the website, but I’m glad I no longer have to edit horrible things like the sound of my snotty nose!"

The project also includes an exhibit which is at the Museum of Science and Industry in Manchester from 7th November, and the results from the website voting will be analysed over the next six months."

HOLOPHONIC SOUND

You've heard how stereophonic sound moves from left to right, but nothing can prepare you for the creepy phenomenon known as holophonic sound. Wear headphones as you listen to:

Holophonic test: Someone's shaking a box of matches not only to your left and right, but up and down, behind you and in front of you...

Now they're cutting your hair...

...now they're blow-drying it...

Science gone too far?!?

A-WHOOPIN', A-HOLLERIN' AND A-EEPHIN'

A reader asked if I had any "eefing" records after becoming intrigued by this wonderful NPR story that aired a couple of weeks ago. 'Deed I do, from an old vinyl album I got out of the library 10 years or so ago and taped called "I'm On My Journey Home." It's one of the strangest folk music collections I've ever encountered, and eephing, a vocal style that vaguely resembles a hillbilly form of human-beatboxing, is only part of it.

Has anyone made an eephing record in last 40 years? It may be, as the NPR story suggests, a lost art.

Jimmy Riddle: Eephing
Joe Perkins with Jimmy Riddle: Little Eephin' Annie - taken from the NPR story; this record actually charted in 1963

These other oddities from "I'm On My Journey Home" are vocal pieces that fall into the may-not-actually-be-music category, but are delightful nonethless:

Leonard Emanuel/"Red" Buck Estes - "Hollerin'" & "Whoopin'"
Lindy Clear/Ben Rice - "Ringing The Pig"/"Spelling From The Old Blue-Back Speller"

AUCTION ROCK

What's the fastest, most energetic music you've ever heard? Ivo Papasov's Bulgarian wedding music? Napalm Death's speed-metal? Yeah, well then you've never heard that pride of American folklore, the auctioneer. Technically, he's not a musician or singer - he has a job to do, and that's sell things at an auction. A real auction, not this eBay jazz. And we're not talking snooty silent city auctions either. Country auctioneers that sell produce, farm equipment, family estates, or, in today's case, livestock. I attended one auction in rural Colorado that sold anything that wasn't bolted down. The guy I saw there was good, but today we're celebrating the champs - the winners of the Livestock Marketing Association's annual World Livestock Auctioneer Championship. You can buy CDs and DVDs of entire shows, or just listen to mp3s of champs like 1964's

Cecil Ward - If you think this guy's insane, brace yourself for 2000's

Max Olvera - All acapella performances. Who's up for doing a remix?