ANOTHER WEIRD-ASS CHRISTMAS

Our pal Cat A. Waller has assembled another great batch of oddities, novelties, and cheese with a yule-time spin and I'd love to break it down for you, but Cat fears the copyright nazis, and would rather you just download this beast and check it out for yourself. Actually, a lot of it is quite old, so it's probably ok, but hey, can't be too careful nowadays. I can tell you that it's ingredients include: polka, lounge, the voice of Mr Magoo, holiday hillbillies, some helpful radio Public Service Announcements, some vintage burlesque naughtyness, a well-known indie rock band covering a song-poem, and a quite inexplicable number about a prog-rock star in his own winter wonderland. A wildly entertaining assortment that helps to make the season bright.

Cat's other collections, and a great discovery (The Ghostly Trio album) are also available here:

Cat A. Waller's Xmas mixes

Thanks, Cat!

Lowbrow Vol.7: Devil Dance

Reposts! By request: Pierre Bastien's marvelous mechanical musics and Snoopy's Beatles Classics on Toys. I won't be re-upping any Twink The Toy Piano Band, as he has put all of his stuff on Bandcamp, so go there.

Due to a crashed hard drive, this volume was delayed and Vol. 8 was posted first, but now our series exploring mid-20th-century kool kulture is sequentially correct. In this volume, former nightclub accordionist-turned-killjoy preacher Jack van Impe warns us of the dangers of that devils' music, thusly illustrated by riotous, ridiculous, rhythm-and-blues, rock'n'roll rekkids (ever notice that Satan is often depicted as smiling and laughing? He's apparently having much more fun than The Other Guy). Lots of ludicrous novelties this time out, by artists gleefully unconcerned with making Profound Artistic Statements. You'll have fun fun fun even after - and I want to make this perfectly clear - even after Daddy takes the T-bird away. 

But this time, let's add "style" to our usual mix of "sin," "sex" and "sleaze". Publisher V. Vale of the legendary RE/Search books has been bemoaning the state of his home city lately, e.g: "We think it’s necessary to read as much humor as possible these days to keep our morale up, as San Francisco daily becomes more inundated with a tsunami of “techies” proud of their acultural normcore barbarism (trendy new martinis, trendy new restaurants—is that all there is?!) 

 I wasn't familiar with the term "normcore," but it's apparently a fashion statement popular among urban youth that attempts to create as bland and inconspicuous a look as possible (while still prominently wearing designer labels, of course). Baseball caps, pullovers, etc. Artist-types shunning original style to look like their dad. My God-zilla! and you thought modern culture couldn't get any more boring? Perhaps that's why in recent months I've been hittin' the thrift stores looking for real flash suits and bright-colored Hawaiian-style shirts, creating outfits like the one Don Draper is sporting here. (Shirt collars OVER the jacket, doncha know.) And paisley shirts! They might go well with my Peter Fonda "Easy Rider" sunglasses. Gotta buy a new pair of Beatle boots tho, as the ones I had when I was 20 are sadly long gone. And where can I get a medallion to adorn my chest as I wear my v-neck, wide-collar David Cassidy-type paisley shirt? It's kinda like this one, only blue. There must be someplace where one can get those loud shirts Nelson Mandela used to wear. If any shirts are worth $95, these may be them. Fashion tips in comments, please. And photo links, esp. from ladies sporting leopard skin prints.

Loud clothes - clothes that go up to 11 - need loud music. So once again, we're pouring in your earholes lots of stuff taken from my mostly 45 rpm vinyl discoveries that have not only not appeared on other like-minded compilations (so far as I know), but have never been digitally available...until now! Can find no info on some of these mysterious sides. 

Dig the AbnormCore sounds here:

Lowbrow Vol.7: Devil Dance - almost 69 minutes; (69: the dirtiest number in the world!)

1 Jack van Impe - rock music is more dangerous ("From Night Clubs to Christ") 
2 Mad Man Taylor - Rumble Tumble
 3 Bruce Johnston - Soupy Shuffle Stomp [future "replacement" for Brian Wilson with a 
retarded tribute to TV funnyman Soupy Sales]
4 Bobby Peterson Quintet - Mama Get Your Hammer [sick humor + screamin' r'n'b = what all
 music should be like]
5 Jack van Impe - rock and roll music
6 Thee Midnighters - Everybody Needs Somebody To Love
7 Spike Jones - Pimples And Braces [yes, The Master novelty bandleader did live long 
enough to parody teenagers and rock'n'roll]
8 Grace Chang - I Want You To Be My Baby [famous singing actress of Chinese cinema 
swings bilingual]
9 Jack van Impe - commie plans
10 The Lancasters - Satan's Holiday
11 Georgia Gibbs - Kiss of Fire (rock version) [this was originally an early '50s tango-type
 hit for Gibbs, but this 45 is apparently a '60s remake, judging by the swiping of Roy Orbison's
"Oh Pretty Woman" riff]
12 Jack van Impe - commie rock beat
13 Morty Jay and the Coney Island Brass - Beef-Eater [one of my absolute fave (fairly) recent instro 45 rpm discoveries]
14 Vince Edwards - Squealin Parrot (Twist) [was very surprised to come across a 45 with such a 
wacky title by teen dream actor Edwards, as most of his records are mushy ballads; was even 
more surprised to find how wacked-out hilarious it was]
15 ''Handsome'' Jim Balcom - Corrido Rock (Part 1)
16 Jack van Impe - vile filthy dirty
17 Mike Minor - Satan's Waiting [from an alternate universe where Satanists favor 
finger-snappin' lounge over heavy metal]
18 Scott Engel - Devil Surfer [future avant-crooner Scott Walker once recorded a satanic 
surf instro, under his original name?!]
19 Jack van Impe - gogo pogo
20 The Allisons - Ling Ting Tong [black girl group singing Asian stereotypes, and a way-out (slide?) guitar solo]
21 Bill Lewis - Swim Beat
22 Jack van Impe - naked!
23 The Motions - Long-Hair
24 Rod McKuen - I Dig Her Wig [one would never guess that the man behind this kooky
 rocker would go on to become a hugely successful author of sappy poetry]
25 Bobby Gregg And His Friends - The Jam Part 1
26 Jack van Impe - 4 letter word
27 Lou Monte - Elvis Presley For President [Monte was the court jester of the Rat Pack
 /Italian-Amercan scene]
28 The Sparkletones - I Dig You,Baby [I'd rather not describe here what makes the 
end part of this song, and the entirety of the next song, so, er, 'unique'; you'll hear]
29 Gene Dozier & The Brotherhood - Mustang Sally
30 Bill Haley & His Comets - Straight Jacket (Live)
31 Jack van Impe - baser animal emotions
32 David Houston - One And Only [from the film 'Carnival Rock' (thanks Youtube!);
 featuring blistering guitar work by Elvis' string-slinger James Burton]
33 Steve Allen - Memphis [tv comic plays a straight-ahead ahead Chuck Berry
 instro...but I thought he hated rock n roll?]
34 Steven Garrick and his Party Twisters - Sister's a Twister 
35 The Applejacks - Rocka-Conga
36 Jack van Impe - twisted vile perverted
37 Royaltones - Wail
38 Jack Gale & The Medicine Men - The Sloppy Madison [radio dj's parody of  
incomprehensible dance instruction records]
39 Milt Rogers & His Orchestra - Lonely Road To Damascus

Album title and artwork courtesy of burlesque queen Gene Gemay. 

THE WEIRD WORLD OF BLOWFLY

Back up by request: Zoogz Rift "Ipecac" and "War Zone."

David Bowie's death has rocked the world (as well it should), but let's not neglect to note the recent passing of another legend, albeit a very underground one: the genuinely unique, bizarre, and offensive performer known as Blowfly. As interviews attest, the man was a real character. I discovered the foul-mouthed funkster c. 1987, after stumbling across the album "Blowfly's Party" in a used record blowout sale (probably paid 50 cents at most) and wondered: what is the deal with this guy?! Some years before hip-hop got nasty and was still in it's bubblegum phase, this album featured such tunes as "Prick Rider" and "Can I Come In Your Mouth." As George Takei would say, "Oh my..." A few years later, I saw him, with Rudy Ray Moore opening, at Brendan Mullins' great post-Masque venue, the Club Lingerie, and it was the most star studded show I've ever been to. Seriously. Everywhere I looked, there was Stan Ridgway, one of the Bangles, Flea, Henry Rollins...had no idea Blowfly was such a cult figure. Little while later, he was opening for the Pixies at the height of their popularity. Crazy. Back in 2007, I reviewed on this here web-log his then-recent "Punk Rock Party" album he released on Alternative Tentacles records, which you can (and should) listen to HERE.

It's amazing how he made a career out of the most vulgar, immature potty humor, performed in pseudo-superhero costumes. Even if you don't think he's that funny, you gotta respect that. A truly singular talent.

His first album, "The Weird World of Blowfly" is a great funk record - for those of you who don't find singing "My Baby Keeps Farting In My Face" to the tune of "Raindrops Keep Falling on My Head" funny, it really is enjoyable for it's musical merits alone. Recorded live before a properly unruly audience, the band doesn't quit, with each song seamlessly flowing into the next, a la James Brown's live medleys. Blowflys' singing is surprisingly decent. His crack band included Timmy Thomas on keys, who would have his own hit with the classic organ/primtive-drum-machine classic "Why Can't We Live Together," guitarist Little Beaver (love his "Party Down" album), and bassist George "Chocolate" Perry, who, oddly enough, played with Joe Walsh, Neil Young, and Stephen Stills.

The follow-up interjects a little more comedic variety into the smutty-new-lyrics-to-hit-songs formula by framing the songs in tv show parodies. Good idea, but chopping up the tracks instead of letting it flow like the first album was not. Still, a worthy follow-up, with an almost as hot band. Both albums have a great live sleazy ambiance, like you're in the coolest basement nightclub or sweaty little bar and everybody's drunk and wild. And how 'bout them album covers?


Blowfly - "The Weird World of Blowfly" (1973)

Blowfly - "Blowfly On TV" (1974)
 

HAPPY (BAND)CAMPERS: WEIRD EDITION

"American Folk Music" is the most boring possible name for an album, but fear not! The latest release from veteran North Carolina wackos the Moolah Temple $tringband is anything but dull. They take songs from Harry Smith's venerable "Anthology of American Folk Music" and radically warp them by introducing such elements as exotic Middle Eastern-isms, clanging and banging percussion, incongruous '80s hip-hop style drum machine beatz, even a bit of rapping on one song, and mix them with the trad sounds of guitars, banjos, and a skillful fiddle that suggests that someone has been taking music lessons. The hideously/hilariously inappropriate combination of traditional folk music and Autotune (!) on "Farmland Blues" had me laffin' out loud. Also dig: the fuzz guitar crunch of "Little Moses" (even tho it goes on too long), and a version of "John Hardy" that might even be better than the Gun Club's? Scuzzy vocals are often distorted beyond recognition. "The Titanic," however, actually approaches mainstream respectability, complete with perfectly competent backing vox.

Moolah Temple $tringband: "American Folk Music"

More Bandcamp weirdness ahoy! L.A. nutters Freshly Wrapped Candies have unwrapped an old album of theirs from 1989 chock full of hermetic, inscrutable DIY obsessions that, perhaps inevitably, are sometimes reminiscent of The Residents, esp. on songs like "Grandfathers' Rug". Other standout songs like the downright catchy "Think" and the Beavis and Butthead-ish "Pitter Pat" don't immediately suggest any particular influences. Organically strange, but not off-puttingly so. It emerges from the haze with its' humanity intact.

Freshly Wrapped Candies: "I Like You" 

HI-FI SCI-FI: Vintage Monster/Space/Horror/Futurism Audio Oddities

Now up for your downloading pleasure, six (and counting) volumes of monstrous mix-tapes, perfect for these Halloween-y times we're living in. And what might their contents be? Compiler Cat A. Waller sez: "I'm afraid to say what's on them. Might get googled and busted. I'm kinda wimpy like that." Well, after checking out three volumes (so far) I can heartily recommend this witch's brew of vintage horror rock, more recent New Wave and novelty artists, and relevant sound (vampire?) bites and film dialogue, amongst other surprises.

Monstro Monster Mixes 

Still not enough for ya? "Hi-Fi Sci-Fi," the latest installment in our continuing exploration of mid-century arty-facts from the Golden Age of Cool, deals with every aspect of the fantastic: Outer Space! Monsters! Monsters from space! Not only is much of this stuff ripped from vinyl and, so far as I know, has not been compiled on other collections of vintage sleazy-listening sounds, but there's also a number of tracks recorded off of video: movie songs (and dialogue, sound fx, etc.) that were not released on record, but should have been. There will be more such movie musics in future volumes. So keep watching the skies!

Apart from the unknown garage rockers and novelty acts releasing 45s on regional labels, we also have a few big stars: Diana Ross & The Supremes, Bo Diddley, Louis Prima...and crooners. Crooners already rule, but when they sing straight-faced, sincere, utterly inappropriate 'love themes' to cheesy b-movies, they just get, er, 'rule-ier.' Bobby Rydell's finger-snappin' vocal version of "Telstar" must be heard to be believed. See also: "Journey to the Seventh Planet" on "Vol. 5".

Lowbrow Vol. 6: HI-FI SCI-FI 

01 The Crescendos - Countdown
02 Louis Prima - Fly Me To The Moon [from a private-press release by this king of Vegas lounge singers]
03 Gemini & The Planets - Copa City Promo, Miami, FL ["gyrating go-go girls dancing on a bed of nails"?!]
04 The Supremes - Dr. Goldfoot and the Bikini Machine [wouldn't it be nice to hear the oldies station play this theme song to a nutty Vincent Price film instead of "Baby Love" for the umpteenth time?]
05 Monty Johnson - Flying Saucers in the Air
06 The Sci-Fis - Science Friction
07 Ralph Young - Moon Doll [future half of very successful duo Sandler & Young croons the theme to "Nude On The Moon," a film about nudes on the moon.]
08 "Frankenstein Meets the Space Monster": Bob Crewe - Scramble All Jets
09 Big Maybelle - Egg Plant That Ate Chicago [rhythm and blues legend Maybelle recorded the original "Whole Lotta Shakin Goin On"; which is all well and good, but I prefer this]
10 "Annihilation"
11 "Beach Girls and the Monster" - suspense music [My title - like track 15, I don't know the names of the uncredited pieces of music]
12 Bo Diddley - Mummy Walk
13 "Evil Hand"
14 Frankie Avalon - Voyage to the Bottom of the Sea
15 "Beach Girls and the Monster" - spooky bongos
16  "Beach Girls and the Monster" Kinsley The Lion & Elaine Dupont - Monster In The Surf
17 Astronauts - The Hearse
18 Teddy and Darrel - Gary Ghoul Boy [pioneering campy gay humor]
19 "I am Robert Robot, mechanical man. Ride me and steer me, wherever you can"
20 Bent Bolt & The Nuts - The Mechanical Man
21 "HAL is Operational"
22 Ray Cathode - Waltz In Orbit [featuring a pre-Beatles George Martin!]
23 Buchanan & Goodman - Frankenstein of '59
24 Carl Douglas - Witchfinder General [yep, the "Kung Fu Fighting" guy; I literally did LOL listening to this one]
25 "Werewolf in A Girl's Dormitory": Marilyn Stewart/ Frank Owens - Ghoul in School
26 Frankie Stein and his Ghouls - Three Little Weirds [This sounds like it may be the song "Jerk" from "Lowbrow Vol. 2," only w/added crazy sound fx]
27 Bobby Rydell - Telstar [This song had lyrics? Believe it or don't! The vocal version was often called "Magic Star."]
28 "Frankenstein Meets the Space Monster" - capture of the earth women 
29 Travis Wammack - Theres A UFO Up There
30 Orange Groove - A Bad Trip Back to '69 [I think this song appears on the 101 Strings album "Astro-sounds": probably more budget label shenanigans, like track 26]
31 Lex de Azevedo / Doug Stewart - Zero Population [An ultra-conservative's idea of a dystopian future, from "Saturdays Warrior," a Mormon rock-opera - yes, there really was such a thing. Lex de Azevedo had a long career w/Capital records, releasing the Mrs Miller albums!]
32 Charleton Heston - "Soylent_Green"
33 Columbia Playtime Orchestra - "Rocket Ranger Song"
34 David Rose - Forbidden Planet [The man behind the huge hit "The Stripper" is a long way from the burly-q house here]
35 Count Chocula, Frankenberry, and Boo Berry - Monster Adventures In Outer Space

artwork courtesy of Mitch O'COnnell
 

ATTACK OF THE KILLER FILLER

 WILD! RAW! UNINHIBITED!

These savage young rock'n'roll instrumentals live for 'kicks'! And beware the 'square' who stands in their way!


In the 1950s and 1960s, countless records were cranked out by the "budget labels," whose releases were essentially the music industry equivalent of cheapie exploitation films. Like those groovy movies, screened at drive-ins and grindhouses away from respectable cinemas, budget records were usually not found in record stores, but in the racks of places like drugstores. They were impulse buys, sold for a dollar, at a time when proper albums went for $3-4. And like z-movie producers, budget labels used all manner of deceptive, eye-grabbing visuals to lure suckers, er, I mean customers into buying their often inferior products. Case in point: an album called "Bye Bye Birdie" with an album cover (pictured right) presumably depicting a scene from the musical film of the same name. This album features a grand total of ONE (1) song from the film (and a remake at that). Also featured here are albums by popular folk/pop star Trini Lopez, and jazz-man Buddy Tate, both featured only on side one.

So who was performing on the rest of these albums? Who knows? It is safe to say that there never were any actual bands with names like the Exotic Guitars or the Rock and Rollers Orchestra. Budget labels would acquire tapes, sometimes thru rather dubious means, and release them under a variety of phony artist names and song titles. It may seem hard to believe now, but in the '50s/early '60s such now well-regarded styles as blues, r'n'b, and rock'n'roll were, for the most part, not considered mainstream. So these tapes could be had for cheap.

It's unfortunate that we'll probably never know who performed this music, since it's quite good. The Exotic Guitars sound like session cats doing their impression of surf rock, and the Rhythm Rockers might be sessioneers, too. But I would imagine that the Rock and Rollers Orchestra was a black rhythm-and-blues nightclub band - they blow like crazy, dad. Music scientifically designed to rock a party  to da break-a-dawn. The band probably never made a penny from these recordings.

Of course, there's lots of uninteresting filler out there, too. And we're lucky with today's selections so far as sound quality is concerned, since budget labels like Crown were notorious for using the worst quality vinyl, and these sides sound pretty good. Both the Bella St Clair and the R'n'R Orch records start off fairly low key before getting increasingly crazed, so perhaps there was some actual thinking going into the sequencing at least. Those albums cover, tho...oy. That Buddy Tate one's a beauty, eh?


KILLER FILLER
(All tracks sourced from 99 cent vinyl)
Exotic Guitars:
1. Walkin Around [essentially a rock rip-off of Ray Barretto's "El Watusi," which was a great song, so fine by me.]
2. Time of My Life
3. Goin Home
4. Susan
5. Beach Party

Bella St Clair and the Rhythm Rockers:
A1 Rock A Bye [continuing in the surf-y vein]
A2 Rocking Guitar
A3 Tribute To Birdie [now it's starting to get wild, w/some screamin' sax]
A4 Rolling Theme [superb rockabilly - frantic, man, frantic!]
B1 Rolling With The Punch
B2 Teen Frenzy
B3 Jamboree
B4 Final Farewell
B5 Phone Fancy

The Rock and Rollers Orchestra:
1 - Let's Rock and Roll
2 - Romp And Stomp
3 - Long N Lean
4 - The Screwdriver No 1
5 - Cool Fool [the screwdrivers must be kicking in, cuz this song is nuts]
6 - Soda Bob [a bump-n-grinder for you burlesque dancers]