HAPPY ZOMBIE DAY 2008!

It's the merriest time of year - that annual celebration of rebirth, renewal, resurrection. Some call it Easter, but we call it...Zombie Day! Jesus might be the most famous fellow to rise from the grave and walk amongst the living, but he certainly wasn't the last. 'Tis the season for getting together with family & friends, gathering around the tv and watching "Night of the Living Dead" again. Or maybe "Dead Alive" or "Shaun of the Dead" for a more "modern" non-traditional celebration. I'm hoping for Zombie Day greeting cards, parties, TV specials, etc. There are plenty of Zombie Day Carols to sing as you stroll (or lurch) from door to door, bringing holiday cheer to your neighbors, starting off with two bona-fide classics:

The Cramps: "Zombie Dance" - the all-time punkabilly zombie favorite, from their classic 1980 album "Songs The Lord Taught Us."

Jan Davis: "Watusi Zombie" - faux African voodoo drums and tribal chanting, crazed surf guitars - truly one of the greatest '60s instrumentals ever. From Boss Guitar!

The Magics: "Zombie Walk" - groovy '60s girl-group action; from the essential "DOO WOP HALLOWEEN"

Zombie Girl: "Jesus Was A Zombie" - contemporary Canadian group delivers a song truly in the spirit of the season, a Gary Glitter/Alice Cooper "School's Out" stomp with an electro twist.

Here's wishing a very merry Zombie Day to you and yours on this most joyous holiday season.

RUTLEMANIA!

Monday night at the Egyptian Theatre in Hollywood I saw the Rutles - no, not just the 1978 film "All You Need Is Cash" (though they showed that too) but the actual original foursome. As a huge Python/Rutles/Bonzos fan from childhood, I just about fell off my chair when I read the Rutles were back - the Pre-Fab Four! A legend that will last a lunchtime. A millstone in pop music history.

The hilarious and musically spot-on Beatles parody band, which started as a sketch on an Eric Idle post-Python TV series, has strangely taken on a life of it's own with a series of Rutles tribute shows in LA and New York featuring Beatles impersonaters The Fab Four covering Rutles songs, mixed with video clips and live theater - yup, not the real Rutles but an incredible simulation. A bit confusing, isn't it? As the ads say, "Nostalgia for something that never existed."

Rutlemania! Through the 21st in Hollywood, then 4 more shows in New York.

Eric Idle and Neil Innes are working togther again, some 33 years after they first unleashed the Rutles on the world via the short-lived series "The Rutland Weekend News." A companion album, "The Rutland Weekend Songbook" is out-of-print, never on CD (except an obscure Japanese pressing), but thanks to Mrs Fab's copy she brought back from England years ago, we can now hear the original versions of songs that later appeared on proper Rutles albums, like:

"I Must Be In Love" - complete with the screams of Rutlemaniacs.

"Children of Rock'n'Roll/Startime" - 50 seconds or so of what would later be "See How The Good Times Roll."

Other non-Rutles related, but still quite good songs from the album:

"Accountancy Shanty/Football" - Years before it's appearance in the 1983 Python film "The Meaning of Life," here's the original pirate's shanty about high finance on the high seas, then a goof on soccer/football 'ooligans.

"Protest Song" - wicked Dylan parody; Innes performed this onstage with Python. But not at Che Stadium (which was named after Cuban guerilla leader Che Stadium.)

"Communist Cooking"/"Johnny Cash Live at Mrs Fletchers"
"24 Hours in Tumbridge Wells/The Fabulous Bingo Brothers/In Concrete" - parodies of: the Sinatra/Gene Kelly musical "On The Town," aged vaudvillians, modern rock.
"I Give Myself To You" performed by the Alberto Vascetomy Singers.
"Song O' The Insurance Men/Closedown"

And more HERE, courtesy of the I'm Learning To Share blog, including the Stevie Wonder-goes-to-the-laundromat funk of "Front Loader," and the new disco move "The Hard To Get."

And surviving members of the Bonzo Dog Band released a reunion album last December, but that's for another time. Ouch!

CANINUS - Dogs Sing Heavy Metal

Caninus are a Brooklyn based metal band who say about their music: "Vocals are executed by two pit bull terriers. Both were rescued days before euthanization from refuges. Caninus - all strict vegans. It has come time really to allow the animals to have their say."

Caninus: "Victim In Pain"

Metal is funny. I didn't used to think so. I used to hate it as a kid before eventually realizing how hilariously kitschy much of it is and started enjoying it on that level. Of course, I wasn't the first - metal has to be the most satirized music in history. But most metal satire isn't, like "Spinal Tap," focused on the music. It's target is the fans. Think "Beavis & Butthead," "Wayne's World," "Bill & Ted" etc. And that is key to metal's camp appeal - the fans take it so seriously. Anyone else who samples dog barks would just play it like a goofy novelty record, like the Singing Dog's "Jingle Bells." But the utter sincerity of headbangers, the straight-faced psuedo-political justification of something so ridiculous - now THAT'S funny!

Caninus: "United States of Emergency"
Caninus: "Brindle Is As Brindle Does"

GIRLS ROCK

"Girls Rock" is a documentary film opening in limited release tonight about a music camp for young girls. They form bands and write songs - in one week. "It doesn't have to be polished" they're told, and with genuine rockers like Carrie Brownstein of the band Sleater/Kinney coaching the kids, you get some real Shaggs-gone-punk moments of musical loveliness, like this one featuring Palace (pictured), an 8-year old hellion, on lead vocals:

Palace: "San Francisco Sucks Sometimes"

Another furious rocker finds a moppet declaiming, "With every passing day/It becomes clearer to me/That the only way to live/Is with nature's beauty/and harmoneeeeeey!"

The Bookworms: "The World Becoming A Wasteland"

"We'll Destroy Our Destination" slows things down to an atonal, rhythm-less grind.

Some critics bemoan the film's heavy-handed girls-as-victim messages sprinkled throughout the film. Perhaps the filmmakers thought that simply showing these gals singing and playing their hearts out wouldn't be enough justification for a film...

PLAY AN ON-LINE TOY PIANO!

HERE! Clink on the keys with your mouse and go plink plink plink. If you record anything with it, let me know.

Courtesy of French composer Pascal Ayerbe.

SPOOKY SOUNDS FROM SPACE 2: Meteor Shower

Here's another absolutely fascinating bit of spooky space sounds, courtesy of a blog call ShortWaveMusic, which, as you may have guessed, features music recorded off short wave radio transmissions. Middle Eastern tunes seem to be a favorite. But one recording captured the August 12, 2005 edition of the annual Perseid meteor shower over the Marshall Space Flight Center in Huntsville, Alabama: "As each meteor produced a trail of ionized gases, it produced an extremely short-lived ionospheric "placebo," ricocheting radio waves back to Earth." This being short-wave, haunting voices from other frequencies bleed through, and the sound phases in and out. The result is 7 minutes of dense, swirling, trippy madness.

Meteor shower radio waves

SPOOKY SOUNDS FROM SPACE

Among the "sounds of space" collected by University of Iowa instruments: the eerie sounds and bizarre features of Saturn's radio emissions captured by the Cassini spacecraft. Whooshing winds and theremin-ish wails - I love it because it sounds exactly like what I think outer space should sound like.

Saturn radio emissions

Thinking of sampling this stuff? Legendary composer Terry Riley beat you to it: the ubiquitous Kronos Quartet sometimes performs his 2002 piece "Sun Rings" using some of these sounds. Couldn't find any recording info, therefore I unfortunately cannot direct you to a cd. So just play a Sun Ra album and these sounds at the same time.

BY REQUEST: WHAT'S POLISH FOR CREEPY?

By request, I've re-upped the mp3 of bizarro '60s Polish soundtrack music

here.


In other news: Thanks to WFMU for making us one of their favorite music blogs, and hello new readers!

THE PLAYER PIANO PROJECT

Last week, I attended a concert on the campus of USC that featured new music written for that century-old oddity, the player piano. Before recordings were popular, folks bought a player piano, which was as real and playable as any piano, put it in the living room, inserted a pre-punched roll of paper and, voila! The latest rag, boogie-woogie, or Tin Pan Alley hit was automatically performed, keys pounding away like an invisible man was playing.

So what's a player piano concert like? Someone puts in a piano roll, and you watch the piano play itself. The organizer, Veronika Krausas, apparently thought that this would be too uninteresting, so she asked her acrobat friends from Circe de Soleil to change the rolls, throwing in some acrobatics along the way. And a (seemingly under-rehearsed) bluegrass band played occasionally as well. A couple artsy black-and-white silent short films played during some of the music. I don't think Ms. Krausas was trying to be weird, but the surreal combination of these elements certainly added up to a real head-scratcher of an evening.

She had nothing to worry about. It was actually quite fascinating to watch the piano play itself - some songs created geometric patterns on the keyboard, and compositions that simply could not be played by humans could be dazzling both visually and musically. Don't have any video unfortunately, but I bought the CD "The Player Piano Project" that featured all the works performed that night, such as this dizzying demolition of John William's "Raiders of the Lost Ark" theme:

Ceiri Torjussen "Raiders March"

The big name featured was James Tenney, who died in 2006, but not before creating this incredible piece. It starts slowly and deliberately, then builds to an increasingly astonishing chaotic crescendo. Whew!

James Tenney: "Spectral CANON For CONLON Nancarrow"

Yes, electronics can also be used to make impossible-to-perform music, but hearing (and seeing) it coming from an acoustic, and usually predictable, instrument like the piano is different, like seeing a doll possessed by demons come to life and start talking to you.

So who was this Conlon Nancarrow? Why, only the granddaddy of creative player piano abuse. Throughout his long 20th century career he, more then anyone else, revealed the artistic possibilities of an instrument most others had long since relegated to the antique store.

Conlon Nancarrow - "Study For Player Piano # 21" - Absolute insanity; makes my head swim in the best possible way.

From the album "Player Piano 3: Conlon Nancarrow Vol. 2 - Studies 13-32"

"Risque, Illicit and Adult"

"Risque, Illicit and Adult" is RIAA's 2007 collection - single tracks, compilation cuts, and miscellany, including such nuttiness as The Violent Femmes "Blister In The Sun" mixed with "Smoke on the Water." Not the Deep Purple original, but Senor Coconut's kooky electro-Latin version.

RIAA: "Risque, Illicit and Adult"

1. I Wanna Be Your Girlfriend
2. Smoke on the Sun
3. Smells like your Muddah
4. Sexy Pipeline
5. sshhaakkee yyoouurruummpp
6. Everytime You Touch Titties
7. Pacifica Fish Dance
8. Revelation Fever
9. Down at Mississippi
10. The Harder They Party
11. Candy Enema Shok
12. (Models Gotta) Fight For Their Right (To Mambo)
13. Coming To Get Bloodstains
14. Wake Me Up When Sept 11 Ends
15. Mind Control CIA
16. Guess I'm Falling Into Bubbles
17. Walking on the Moog
18. Gristle Calypso
19. Lord Only Knows (with People Like Us)

TRACK SOURCES: 1. Avril Lavigne vs The Rubinoos 2. Senor Coconut vs Violent Femmes 3. Alan Sherman vs Nirvana 4. Lords of Acid vs The Chantays 5. Beastie Boys vs Reuben Wilson 6. Gravy Train!!! vs Moby vs Rusty Warren 7. Chemical Brothers vs Los Straitjackets 8. Peggy Lee vs Son House 9. Howlin Wolf vs. Violator & Doughbelly Stray 10. Manu Dibango vs Rocker's Revenge 11. Village People vs Wayne Newton (title is an anagram of "Danke Shoen" and "YMCA." ) 12. Beastie Boys vs Tito Puente vs Kraftwerk 13. Agent Orange vs The Who Boys 14. Rudolph Giuliani vs Green Day vs Nader (winner of the Remix Rudy contest!) 15. Stone Roses, Curtis Mayfield, The Last Poets vs tv documentary "Mind Control: America's Secret War" 16. Velvet Underground vs U.S. Army Airborne 17. The Police vs Fred Weinberg 18. Throbbing Gristle vs Kon Tiki steel drum band 19. George Harrison vs Beach Boys vs My Life With The Thrill Kill Kult (with People Like Us)
Additional beats and sounds: RIAA
Artwork by Shag

CAR TUNES

Who's in the Music For Maniacs parking lot?

The Car Music Project: Believe it or not, sounds produced are made using automotive parts. Guitars, bass, even what sounds like a sax is done by blowing thru tubes: "Noodles Test Mix 1"
Wendy Chambers: Back in the early '80s, this New Yorker invented the Car Horn organ, which is exactly what you think it is. She plays popular favorites like Christmas standards, "New York, New York" and "The Star Spangled Banner."
The La Drivers Union Por Por Group - From Ghana, Africa comes this album of music made by taxi drivers using parts from their vehicles - not the modern electric horns Ms. Chambers uses, tho. They still use honk-horns. Car Horns Unplugged? "Por Por Horn to Horn Fireworks." Throw in some singing, chanting, and auto-part percussion along with the horns, and you got

"Otsokobila."

I'm sure most of you know who Negativland is, but a survey of car music isn't complete without a mention of their 2002 album "Deathsentences of the Polished & Structurally Weak," which not only made electronically-processed music from wrecked cars found in junk yards, but also included a booklet of objects found in the actual cars. Unnerving.

"Only You Can Rock Me."

Happy motoring!

Request: The Politics of Dancing

Okay, you masochists, you asked for it, you got it: By request, I'm re-upping the painful patriotic polyphony of

John Ashcroft, and

Orrin Hatch

It is election season here in the USA after all. But the greatest release by an American politico would have to be Arnold Schwarzenegger's workout album, where he shouts out commands and encouragement over such songs as

"It's Raining Men" - Uh, who's the girly-man, Ahnold?



Thanks, WFMU!

Do The Funky Didgeridoo

I've always been fascinated by non-Western approaches to Western pop. I could write entire books on Nigerian funk, Cambodian rock, Eastern European rap, Antarctic death-metal, etc. I thought I'd heard it all, but this bizarre, wonderful recording of a native Australian performing a funky James Brown tribute is a new one to me.

The didgeridoo is a traditional Australian Aborigine wind instrument that's considered to be one of the oldest instruments in the world. It's groany sound is pretty weird to begin with, but it's usually only used in traditional musics, or by hippies. Tjupurru, however, is clearly no traditionalist - hippie/folkies might be distressed by his use of a "Didjeribone," which slides "through different notes and tones - a cross between a didj and a trombone."

Furthermore, he plays through a "sensor implanted inside his mouth. With the addition of sampling and electronic effects, Tjupurru has enabled himself to perform as a one man band creating live samples and looping them."

Well, Tjupurru is an Aborigine himself, so he has as much of a right to mess with a sacred traditional instrument as anyone, I suppose.

Tjupurru: "Unkol James Brown" - Play this for funky hip-hoppers, and watch big question marks appear over their heads.

LEAGUE OF ROBOT MUSICIANS

The League of Electronic Musical Urban Robots.

Sounds like something out of a comic book, eh? But it's a real, Brooklyn-based organization that create ..."exotic, sculptural musical instruments which integrate robotic technology. LEMUR's philosophy is to build robots that are new types of musical instruments, as opposed to animatronic robots that play existing instruments. LEMUR's growing ensemble includes over 50 robotic instruments."

That odd object you see pictured is the GuitarBot. The four strings can be controlled separately, picking and sliding to create a sound that, indeed, would never be confused with a "real" guitar. Unfortunately, there's only one recording available on their site (and no CDs for sale), and it gets cut off:

Joshua Fried: "EmergencyBot"

To really get an idea of the wonder of these instruments, check out the videos. The vid on the bottom left is a "performance" of George Antheil's 1924 composition "Ballet Mecanique" using a veritable robot orchestra. I counted at least 14 player pianos alone. "Ballet Mecanique" was originally scored to include airplane propeller, not used here, but player pianos are certainly appropriate for this kind of group - they're among the oldest surviving forms of self-played musical instruments, dating back to the late 1800s, and have been used by avant-pranksters practically ever since.

VAMPIRA

Heath Ledger? Who!? The real tragedy that rocked my Hollywood was the recent death of Vampira. TV's original horror host, Ed Wood starlet, inspiration for this groovy slab of 1958 rockabilly:

Vampira

by Bobby Bare, whose late '50 rock recordings weren't very commercially successful, but was a fixture on the country charts in the '60s and '70s. I'd say this is his best song, were it not for the fact that he also recorded that Klassic Kountry Kristian football goof "Dropkick Me Jesus (Through The Goalposts Of Life)," a 1976 Grammy nominee!

JEWFACE

"The most offensive album ever made!"

Well, don't know about that, but "Jewface", a various-artists collection of vintage recordings, certainly is one Jewish stereotype after another, many seemingly perpetrated by Jewish performers themselves. These antiques, some dating back to 1905, were part of the ethnic stereotype humor that was wildly popular in the early days of recording. Apart from blackface minstrel shows (hence the album title) there was German, Irish, Italian, you-name-it, all performed with exaggerated accents and broad humor.

Some of these songs, like "When Mose With His Nose Leads The Band," are funny, but not in the way it's creator's intended - it's because they're just so awful! It's hard to believe this was mainstream American entertainment and that times have changed so much. But I don't think too many people will really be offended - it's all so good-natured and innocent, and we can't really judge the past by today's standards. And besides, this is such a fun tune:

Edward Meeker: "I'm A Yiddish Cowboy"

Speaking of offensive, here's an upbeat Ku Klux Klan march that makes the Klan seem like a wholesome patriotic organization mainly concerned with fighting Communism. Race isn't even mentioned! What a fine upstanding group of young men...

Johnny Rebel: "Stand Up and Be Counted"



Thanks to Spacebrother Greg for the Rebel yell (I don't even want to know where you got it!)

MORT GARSON R.I.P.

Very sad to read today that Mort Garson has died. As this LA Times article points out, Garson had plenty of mainstream success in the music biz, even co-writing a number one hit in 1963 (Ruby and the Romantics' "Our Day Will Come"), but is primarily remembered today for his bizarre '60s/'70s Moog synth records. There were lots of Moog-sploitation records being cranked out in those days, but what made Mort a strange-music superstar was his refusal to do too many cheezy remake records. Rather, like Dick Hyman and Perrey & Kingsley, he wrote most of his own material. Unlike most Moog-masters who preferred to let their instruments do all the talking, however, he also prominently featured vocalists.

"Electronic Hair Pieces" is the first album of his that I found, for 48 cents in the late '80s (it probably goes for at least 48 dollars now.) Selections from the "Hair" soundtrack done electro-stylee, it's the only Moog remake album of his that I know of. Liner notes by Tommy Smothers!

Mort Garson: Walking In Space

I think some of his best songwriting is on the "Wozard of Iz" Wizard of Oz-inspired concept album, with vocals by no less then Nancy Sinatra (recording under another name). The lyrics for this tune are a kind of beatnik anti-conformist spiel, but still relevant to today. This shouldn't work - someone who sounds like they're from the older generation trying to lay a hip rap on the kids could have been squares-ville, daddy. But it rocks.

Mort Garson: "Never Follow The Yellow Green Road"

I have a 45 of his from the soundtrack to Son of Blob (aka Beware! The Blob) that's also all-synths and rinky-dink early drum machines, but punctuated by breakdowns with screaming people, presumably being eaten by that pesky Blob.

The Blobs: Son of Blob

Garson also recorded albums with black-magic themes. I featured Mort's tune "The Unexplained" on the "Disco Sickness" collection I put together for the 365 Project. Electro-disco...in 1973? If that's not the definition of visionary, I don't know what is.

Mort Garson: "The Unexplained"

One of his albums, "Music For Sensuous Lovers," consisted of two side-long instrumentals featuring a woman's ostensibly erotic moans and groans. In a fittingly strange finale to a career steeped in strangeness, Garson's last album was music intended to be played for your plants. The record, "Plantasia," was given away by a mattress company. Okay...well, it was the '70s...

Mort Garson: Baby's Tears Blues

More Mort: Egg City Radio has six albums available here and here. Office Naps has singles he did with "The Time Zone" and "The Big Game Hunters."

He was writing music 'til the day he died: a suite about San Francisco. Let's hope it gets released.

O Nightingale!

Stop whatever you're doing, and listen to this song now:

O Nightingale

The uncredited female singer, accompanied only by piano, starts off like Mrs. Miller's evil stepmother. And that would have been good enough right there, but the explosive finale, which suggests Nina Hagen being tortured, is the greatest thing I've heard in ages. It comes to us courtesy of an amazing website called:

Those Unbelievable Believers: The Blessed Sounds of Incredible Christian Song Demos

that is nothing but, as you might have guessed, demos by aspiring songwriters/performers. Crudely produced songs by barely-talented would-be superstars have been clogging record company a&r mailboxes for decades, and this is truly the cream of the crap, er, crop. They're not all Christian songs, tho, like "O Nightingale" and this candidate for Worst Rap Song Of All Time:

"The Safe Sex Is Just a Fantasy Rap"

But all the tunes posted are worth a listen, like the heavily-accented Casio mess "Holy Jerusalem," the ludicrous, almost cartoonishly country-twangin' "Hot Summer Nights," the vocoder in "Come Back, America!" making the singer sound like a bad Barry White impersonator...

Just wish I knew the names of these performers so they could get the credit they deserve.

THE STALACPIPE ORGAN OF LURAY CAVERNS

Hail, Maniacs! Hope y'all had a weird holiday. I sure did - I visited the Museum of Jurassic Technology and bought an album of music made out of cave rock formations. But I'll get to all that later. First some announcements:

I won't be posting as much anymore, once a week probably. When I started this here web-log, there really weren't any other strange-music blogs. There was Basic Hip, which posted vintage vinyl (not necessarily strange), Comfort Stand, a net-label that featured some outsider-music and...that was about it. And now? Well, just check my links. I still think there's a place for M4M, though.

But to make up for the fewer amount of posts, I'll start adding pictures like everyone else. Deal?

I also won't be able to host songs indefinitely. Dodgy mp3 sites have been linking directly to me, generating thousands of hits in a brief period, which lead to my host shutting me down Christmas Eve (er, Merry Christmas to you, too, guys...), which lead to me removing all my mp3s. I'll still re-up tracks by your request, they just won't be up forever.

ANYWAY. The Great StalacPipe Organ, "The World's Largest Musical Instrument," is why we're all here today so let's get to it. Put on your lantern helmet and repel with me down into Luray Caverns, Virginia, where an engineer named Leland Sprinkle noticed that striking the cave's rock formations produced musical tones. So, in 1954, he conceived of an organ with little hammers that strike a hollow rock when the organ's keys are depressed. It's quite musical, though with a limited sonic palette. Rather then the usual pipe organ bombast, the Stalacpipe Organ is quiet, ghostly. The reverberating splashes of dripping water in the background sounds like sporadic electronic percussion, adding to the ambient feel.

Organist Monte Maxwell recorded a cd in 2001 called "Midnight in the Caverns" full of popular, classical, gospel, and patriotic standards played on the Organ, which you can only get at the Cavern's gift shop. Or at the gift shop of Los Angeles' legendary Museum of Jurassic Technology. The Museum is a must-visit if you're in LA, a moodily-lit series of winding hallways and strange displays that more resembles a Victorian cabinet of curiosities, or even one of P.T Barnum's exhibits, then any modern history or science museum.

Monte Maxwell: "Amazing Grace"

Older recordings can be heard here (the original 365 Project), and Week 15 of Tape Findings.

We Wish You A Scary Solstice

I'm taking some time off and will be returning in the new year. Thanks to all you great Maniacs out there - so much of what gets covered here comes from you, so keep them tips coming. And give yourselves a round of applause.

I'll leave you for the year with this really weird holiday number by some enthusiasts of early 20th century horror writer H.P. Lovecraft performed, for some reason, in the style of Tom Waits. If you wanted to hear a version of "The First Noel" with new lyrics regarding foul-smelling fish-people, well hey, merry Christmas!

H.P. Lovecraft Historical Society: "The Worst Hotel"

From their album "An Even Scarier Solstice," the sequel to the first album. Yes, two whole albums of Lovecraft-inspired Christmas music. As Louis sang, what a wonderful world.

PHONE RECORDING ARCHIVE

"Here are a bunch of phone company recordings that I have recorded off of my phone." What kind of, well, maniac would go to this much trouble? There's at least 200 here:

Phone Recording Archive

Including such standards as "Your call cannot be completed," "The number you dialed is not a working number," and that old sentimental favorite "Please deposit 25 cents." Fans of The Replacements will enjoy:

"Please hang up and try again"

Any creative re-mixers in da house?



Thanks again to sol!

365 Days - Borborygmi

My latest (and last) contribution to the quickly-winding-down 365 Project is a collection of songs by amateur singing doctors singing about hemorrhoids 'n' stuff. Hey, it was all for charity.

Borborygmi

FROM THE MIGHT-NOT-BE-MUSIC FILE...

...but is fascinating listening nonetheless, comes the Purrcast, a podcast consisting of nothing more then actual sounds of cats purring. Apart from functioning as soothing ambient music (of a decidedly bent nature), and scientifically revealing (there's actually a lot of complexity to these sounds when amplified - pump up the bass speakers and look out), it also drives cats crazy. Within seconds of playing 'em, two of our cats ran into the room, jumped on my lap, and looked around for the kitties. It was amazing.

Purrcast #3: featuring a cat named Other.

Wake Me Up When September 11 Ends

Station Manager Ken of WFMU hosted a "Remix Rudy Giuliani" contest in which contestants made music from sampled quotes of the former New York mayor and current presidential candidate. Out of over 50 entries, here's the winner: it features Green Day's "Wake Me Up When September Ends," an instrumental version by Nader (appropriate band name!), and some NPR.

RIAA: "Wake Me Up When Sept 11 Ends"

But there were plenty of other class entries, like Gary Lambert's Beatles-inspired Revolution No 9/11. And my own missus made one! Her first one, she's so proud. It uses Ok-Go (you know, those treadmill-video guys).

Mrs Fab: "Here He Goes Again"

IT IS TO LAFF

"It Is To Laff" is an outrageous, gleefully tasteless various-artists free download album not for the easily offended. The guilty parties are all using pseudonyms, and for good reason. There's actually some well-produced stuff here, and some serious songs thrown in (as anti-comedic relief?) I wonder if people writing "LOL" really are laughing out loud, but I actually did with some of this stuff, like:

DJ M.Aynot Feed "Get Ur Typewriter On" - Leroy Anderson's "The Typewriter," one of the great '50s sound-effects novelty records, goes ghetto. The opening seconds really did give me involuntary guffaws.

DJ LOL "Voicemail This Way" features a hysterical phone message; Is this for real? If so, where's it from?

SoulWacker "Smells Like Your Muddah" - Allan Sherman goes grunge.

"Turd Night!" deserves special notice as the most over-the-top insanely filthy piece of musical excrement to be flushed down the internet in recent memory, as Gwen Stefani and the formerly wholesome Bay City Rollers find their lyrics chopped up and re-arranged for scatological effect, amidst a flurry of rude sounds, song parodies, and deranged conversation. A messy masterpiece.

DJ Breakfast Burrito: "Turd Night!"

"It Is To Laff" (also available here.)

Download it, print out the artwork, and makes copies for your loved ones - your holiday shopping problems solved!

YULETIDE ZEPPELIN

"Yuletide Zeppelin" is a medley of Led Zeppelin songs played Christmas stylee by a guy I'd never heard of before but am now a big fan. This track is ingenious. Mojochronic is a dude from Berkeley, CA who sez: "I happened to be playing a family heirloom glockenspiel when Zep's "Babe, I'm Gonna Leave You" came on the TV...God Rest Ye Merry Gentlemen was a something I had learned as a boy. It fit like hand in glove with Jimmy Page's guitar playing. That got the ball rolling..." And I believe this marks the first appearance of glockenspiels on these pages.

mojochronic: "Yuletide Zeppelin"


From the excellent new various-artists download album "Santastic III," compiled by djBC.

EVIL, EVIL, EVEL KNIEVEL

Another boyhood idol rides off into the sunset: daredevil stuntman Evel Knievel, a name uttered in hushed awe on the playgrounds of my youth. Well, among the boys at least: when I was gushing over Evel to my too-cool big sister, she said she didn't really care for him. "Wha...what?," I gulpled. "Why don't you like Evel Knievel...?" "Too flashy." Pshh. Girls.

Years later, when I was interning at a company that sold videos of Evel documentary footage, I, as well as my boss and other interns, forged his autograph for the 8 x 10 glossy pictures of Evel we gave away if you joined the "Evel Knievel Fan Club" set up to promote the videos. Wonder how much those are going for on eBay..?

As this site proves, there's been a lot of Evel-inspired music. Here's some cheezy '70s vinyl I ripped last night by an utterly unknown singer:

Eddie Carr: "Evil, Evil, Evel Knievel" "He's not a bird, he's not a plane/Is he a fool who's gone insane?"

The Bran Flakes: "Evil Knievel" Expertly samples words of wisdom from the man himself. Next year we should be hearing the first new album from the Bran Flakes in 5 years. Woo-hoo!

HUNG UP ON MADONNA

I just love it when an over-exposed pop star gets put through the meat grinder. Not literally, of course (though I've had my fantasies). And that's what happens to Madonna in today's tune. The executioner of this lovely bit of electronic chaos is solcofn, a Washington DC radio show host, composer of soundtrack-y instrumentals, dj, and masher-upper. Sez he: "I tripled up her vocal and had one pitched way high, the other a little low and then the third has all kinds of effects on it."

Good news: when I asked sol if we can expect more of this kind of madness from him in the future, he replied, "indeed my friend...indeed!"

Solcofn: Halos and Hang ups

I knew a guy who used to work at a media company who used to have to answer the phone when Princess Ciccone herself would call. Demanding to speak to someone, she would hiss "Do you know who I am?!" Ha, classy! I'd put her on hold and play this as the on-hold music. Over and over.

RUSSIAN DOLL THEREMIN ORCHESTRA

It's hard enough to get one person playing the theremin in tune, but nine? This group even harmonizes with each other. As Bill and Ted would say, "MOST unprecedented." This achievement is made even more unusual by the fact that the theremins everyone's playing are inside what appear to be Russian nesting dolls. Which might make sense if they were playing the works of a Russian composer, but this video shows Japan's Masami Takeuchi and company performing music from Czech composer Dvořák, so I don't know what's going on. It's pretty great, tho. From Dvořák's The Symphony No. 9, in E Minor "From the New World" (Op. 95):

Masami Takeuchi: video
Masami Takeuchi: mp3

He calls the instrument the "matryomin" - a matrioshka-shaped theremin. Here's a lovely duet for matryomin and ukulele, covering The King:

Masami Takeuchi & Akiyo Hmaguchi: "Love Me Tender" video
Masami Takeuchi & Akiyo Hmaguchi: "Love Me Tender" mp3




Thanks to DJ Earlybird!

LES IS MORE

Les Paul is truly a man who needs no introduction. But, although his electric guitar and multi-track recording innovations have made him a living legend, his music is rarely heard. And that's a shame - a casual listen to his late '40s and '50s hits reveal a true mad genius at work. There's a whacked-out, almost Spike Jones or Carl Stalling-like level of lunacy to some of his records, often done with no-one else but Les, his guitars, and gadgets performing. Years before the Chipmunks, he was playing guitar solos at half-speed, then speeding them up for novel effect. Building his own studio, creating his own guitar effects, playing proto-rockabilly years before Elvis - this was pretty avant-garde stuff, yet he played everything with a light touch that made it accessible to mainstream America.

He was never really pegged as a novelty or experimental artist because he always made sure his wife, singer Mary Ford, was on hand to lend a smooth, romantic sheen to many of his records. Indeed, they were one of the biggest selling artists of their day. Ask any older relative who remembers America in the '40s and '50s. Believe me, they've heard of Les Paul and Mary Ford, and could probably sing a bit of "High High The Moon" or "Vaya Con Dios" to you.

These two records are Les at his intrumental best. "Lover" starts off low-key, (if eccentric with those Chipmunk guitars) then after a minute, explodes into Esquivel-like lunacy. And "Brazil" almost sounds like glitchy electronica played over an exotica rhythm section. It's hard to believe that these were recorded by one man, and in 1948.

Les Paul: "Lover"
Les Paul: "Brazil"

Les and Mary had a radio show in 1949-50 that allowed them to stretch out beyond pop song formula and into surreal humor, as this short excerpt demonstrates:

The Les Paul Show "The Case Of The Missing Les Paulverizer"

The above tracks are taken from the excellent collection The Best of the Capitol Masters: 90th Birthday Edition. Mary Ford died in 1977. Les Paul is 92 years old, and still performs weekly in New York City.

TESLA COIL TUNES

Tesla Coils do more then just look cool shooting up electrical arcs in mad scientist's laboratories. The Austin, TX based science society known as The Geek Group can actually get them to play music. As this video demonstrates, output from two towering Teslas have been modulated from a control unit in order to generate the tones you hear. All that means is you get a light show and sounds from the same instrument. The buzzy music is kinda what you'd expect from a giant electrical gadget.

The Geek Group: Super Mario Theme

More Tesla music from another group of enthusiasts:

Steve Ward: video
Steve Ward: music

Now if only these guys would get together and jam with the 1-bit and tape-record folks...

MUSIC FOR (AND BY) ROBOTS

Calling DJ HickoryDickoryDoc and Strictly Kev's two hour-long robot-themed extravaganzas "dj mixes" doesn't really do justice to them. At times they're really densely-layered sound collages as much as anything. Kev (of DJ Food fame) and DJHDD mine the fertile field of '50s/'60s Space Age records, layering spoken-word/comedy, movie/tv clips, children's records, Dictionaraoke, old new wave, sound effects, '70s funk, and other recorded ephemera over the likes of Jean-Jacques Perrey, Bruce Haack, and Frank Comstock. On HDD's "Robots R Computers" some modern beats hold it all together, but Kev's is more strictly retro-licious.

Robot mixes - Downloads and tracklisting (which don't begin to list everything used) available here.

ONE-BIT MUSIC

You've heard the rinky-dink sounds of 8-bit video game music? Howzabout one-bit music?

Tristan Perich is an artist and composer from New York who takes the most primitive Radio Shack-type electronics imaginable and packages them in empty cd cases, which can then be listened to with heaphones. One would think it would be too primitive to be musical. One would be wrong. He's posted some mp3s on his site, like this thoroughly danceable cover of a Fischer-Spooner song:

Tristan Perich: "Just Let Go"

The One-Bit Groovebox crew from the Boston area can actually tell you how to make one-bit music of your own. Too bad there's not much music on their site because the one mp3 sample they did provide is wild:

One-Bit Groovebox: demo


Thanks to J-Unit 1!

JALTARANG: BOWLING FOR MUSIC

Jaltarang, one of the world's most obscure musical instruments, is a collection of 16 bowls filled with varying amounts of water that are struck with sticks. It's sound is delicate, but rhythmically propulsive. Really quite lovely.

Indian tabla percussion-driven ragas are commonly performed on jaltarang, but so are Indonesian influenced gamelon-style sounds. I can't really figure out where it comes from, actually - it's so ancient, we may never know.

India's Milind Tulankar is one of the few virtuosos still playing jaltarang and has a number of cds but, fittingly for such an esoteric tradition, I'll be darned if I can figure out how to order them. At least he provides a number of samples and video clips on his "Sounds" page. Listen to:

Puriya Kalyan: Exciting, fast, hypnotic; and that tabla player's going nuts...

365 PROJECT: DISCO SICKNESS

Only two months left in Otis Fodder's 365 Project! I contributed todays' post, an album's worth of "Disco Sickness." Lounge singers, ethnic acts, rock'n'rollers, easy-listening band leaders, children's music makers - everyone went disco in the late '70s, and this is my bottom-feeding collection of the best of the worst.

SATAN'S TOY PIANO

One more for Halloween: Twink, The Toy Piano Band, has posted a version of the "Theme To Rosemary's Baby" on his site, and it's a treat, not a trick. Krzysztof Komeda (as Christopher Komida) composed the score to the classic 1968 shocker and died a year later. Coincidence?!

A toy piano might seem an odd choice for a spooky soundtrack theme, but children's instruments have been used in horror scores before, e.g.: a wind-up children's music box set against slightly atonal music = creepy.

And while you're on his "MUSIC" page, be sure to check out the other bonus songs on the bottom of the page: covers of Devo's all-time classic "Beautiful World," and Harold Faltomeyer's "Axel F."

It's a limited-time offer, probably coming down sometime in early November, so grab it now.

Twink: "Theme To Rosemary's Baby"

IT'S MONSTER SURFING TIME

There are those little things that make life worth living, things that make you want to drop down onto your knees and thanks your lucky stars that you're alive. Things like knowing that there's an actual '60s rock record called "It's Monster Surfing Time."

Ah, yes, how I love early rock - think Coldplay could come up with a title that cool? Monsters, surfing, that's all you need to rock 'n' roll. It's been kinda awful lately here in southern California, so let's celebrate Halloween with one of Los Angeles' great gifts to the world, surf music, and listen to all the greatest songs ever recorded with both "monster" and "surf" in the title.

Deadly Ones - It's Monster Surfing Time
Gene Moss And The Monsters - Surf Monster
The Phantom Surfers - Monster From The Surf
Sex With Lurch - Monster Surf Party
Don Hinson & The Rigamorticians - Monster Surf Stomp
The Abominable Surfmen - Monster Surfer

DIGITAL DEBRIS

Tim from RadioClash has a new podcast that's right up our alley: "It's a new eclectic experimental music & art podcast...orphan audio and charity shop/thriftstore finds, outsider art and podsafe music. And intermixed is various finds from the Internet and elsewhere - YouTube, performance, spoken word records, radio and TV, stories and poetry."

The first show is up and it's quite properly mental. No playlist up yet, but I recognized some things from the 365Project like a school marimba version of "Popcorn," Ken Nordine, Al Tijuana & His Jewish Brass (Ha! I actually have that one on vinyl) and some home recordings. Also: an electronically processed version of that "leave Britney alone" rant, some hilariously awful Japanese pop, Ergo Phizmiz (I think), hissy old 78s - you get the idea. Weee! My head is swimming.

Digital Debris

VIDEO GAME SYMPHONY

Bob Ostertag has been an avant-garde composer and improviser for over a quarter-century, but he has just released what might be my fave piece of his yet - w00t, a 50-minute recording using only sampled sounds and music from some 20-odd video games. Non-geeks, take note - even if you don't recognize any of it, it's still an amazing bit of utterly mental madcap 'tard-tronica. Impatient? Then fast-forward to around 26 minutes in for a real fun glitchy noise-pop blowout.

Sez Bob: "The w00t music began as the sound for Special Forces, a live cinematic performance by Living Cinema (Pierre Hébert and Bob Ostertag), which addressed the Israeli invasion of Lebanon in 2006." Huh?!

Bob Ostertag: w00t


Thanks again to solcofn!

HAPPY BIRTHDAY SPUTNIK pt2

"Space Songs" is an absolutely wonderful late '50s album that was part of a series of "Singing Science" records that a very nice chap named Jef Poskanzer has put on-line for your downloading pleasure. Thank God(zilla) for the internet - my big sis had this album when I was a kid and I was thrilled to find it again.

Tom Glazer (the guy who wrote "On Top of Spaghetti") and Dottie Evans sing such swell songs as "Why Does the Sun Shine," a song that should sound familiar to you They Might Be Giants fans. To commemorate the 50th anniversary of (as the Russians pronounced it) Shpootnik, I recommend listening to "Beep Beep."

The Vinyl Frontier: Mashups from Outer Space is an excellent various-artists collection of sci-fi themed toe-tappers that includes a tune that samples one of Glazer & Evans' "Space Songs."

Juxtaposeur: Space Dictation

HAPPY BIRTHDAY, SPUTNIK pt1

Yep, it's been exactly a half-century since the first spacecraft was launched. The Soviet Sputnik satellite not only kicked off the space race, it also inspired a San Francisco newspaper columnist to dub members of the Beat Generation "beatniks." And where would we be without beatniks, dad?

The Duece Project, an awesome radio show that specializes in sounds of the Space-Age, wrote us requesting some hi-fi sci-fi (we love requests, by the way) so let's blast off, space cadets.

We'll turn first to the astounding 6-disk collection of '50/'60s Cold Era era artifacts "Atomic Platters." Among the songs about nuclear war and those dastardly Commies are a few tunes about our birthday boy:

Jerry Engler and the Four Ekkos: Sputnik (Satellite Girl) - Rockabilly! Squares beware.
Roosevelt Sykes: Sputnik Baby - Solid r'n'b, baby.
Al Barkle with the Tri-Tones: Sputnik II - Another rocker for space-age greasers.
Ray Anderson and the Homefolks: Sputniks And Mutniks - I don't know what a "Mutnik" is, but I do know this hillbilly country toe-tapper features the least correct use of the word "ironic" until Alanis Morrisette came along.

To be continued...

ELVIS LIVES! (UNLESS HE DOESN'T...)

Back on Elvis Death Day (August 16), I posted a dead-Elvis tribute album on WFMU's Beware of the Blog, which yesterday prompted a nice Maniac to point out an Elvis song-poem written by one N. Ruth Mills, who posts her poems on a site called Whispering Pines Poetry. From what I gather by reading her poems, she's a grandma, likes eagles, and is presumably Southern, since a Nashville cat named Buddy Sherriff sang it for her.

There were a million dead-Elvis songs, but this is one of the few that suggests he might still be alive: "Elvis oh Elvis/You have been seen here and there/In a crowd on a street/A glimpse of you most anywhere"

Buddy Sherriff/N. Ruth Mills: "Elvis Is The King"

HOW TO PLAY CASSETTES ON YOUR TURNTABLE

Michael Oster is mental. And good for him. We need more visionaries like him with perhaps more then a few screws loose.

Whilst looking for some sound effects, I came across Oster's website F7Sound which does, in fact, sell sound effects CDs, but what caught my eye was a page on his invention, the tape-record, and how to make one:

- Unspool some of your old cassettes (come on, you're never gonna play that Nu Shooz cassingle anymore, are you?)
- Glue this big random mess onto a piece of cardboard - this is your "tape-record."
- Replace your turntable needle with a cassette deck head.
- Put tape-record on turntable and play.

Don't you want to know what it sounds like? I thought you did.

Michael Oster: Tape-Record #2

So what are you waiting for, people? I expect a full tape-record compilation album in a year. Get going!

PEOPLE LIKE US & ERGO PHIZMIZ

Singing original lyrics over sampled music is routine in the rap/r'n'b world, but, strangely enough, not elsewhere. Well, imagine a band of circus dwarfs breaking into an antique store, playing 78s on all the Victrolas, and singing whimsical lyrics about monkeys ringing the dinner bell and one's granny being on fire.

Okay, that was a pretty silly description. But, hey you try to describe "Perpetuum Mobile," a full-length album collaboration by two singular British eccentrics - People Like Us (who we first wrote about here), and Ergo Phizmiz. Despite the state-of-the-art computer recording/editing techniques used to make this album, there's a timeless feel to the music, as banjos plink and plonk, accordions wheeze, and Hawaiian guitars sway in the breeze. The mashup world may favor modern dance beats, but polka and chacha rhythms are more likely to be heard here. The density of these collages rewards numerous and careful listens - there is a lot of stuff going on here.

A few of these tracks are available on a free download EP, "Honeysuckle Boulevard," where you can hear such peculiarly catchy ditties as:

"Fat Henry's Mambo"

But otherwise you have to get the CD, and well you should - the packaging (printed in India) is as handsome and unique as the music.

People Like Us & Ergo Phizmiz: "Air Hostess" - snatches of "Suspicion" and Nelson Riddle's "Lolita" theme give this one somewhat of a '60s go-go feel. Irresistible.