AJNA: A Giant, Strange Mechanical-Music Contraption

From Sweden comes some fantastic new videos of AJNA, a large musical robot that looks like Dr. Who's police box tricked out with drums, sound-making thingies, and visual artworks. The first video is a minute-and-a-half intro to the beasts' wonders, but the second video sports a full band - a contemporary chamber group, really - getting down to business with AJNA to produce some truly striking, lovely sounds and sights that are rich in dark, esoteric atmosphere.

The song "Karlak" was written by Jens Peterson-Berger of the great band Originalljudet, and features the harmonium, one of my favorite obscure musical instruments. Known mainly for its use in Sufi music (e.g. Nusrat Fateh Ali Khan) and Nico's post-Velvets solo albums, it sounds somewhat like a goth, droney cousin to the accordion.

MAS & HOPE: Words and Music For the Now Generation

Imagine if the Shaggs wrote songs for a christian Mrs. Miller...

Some years ago, I posted a few choice cuts off this mind-boggling private-press release that my brother found in a thrift-store, writing:

"Love...Wider Than The Ocean" is a 1972 private pressing by Mas & Hope Kawashima, two Japanese-Americans who sing and play their own hymns on side one. This one's ["the Road of Life"] my fave, clunky rhymes over primitive piano...
Though perhaps not as charming as "The Road to Live," this tune ["Demonstrate, Demonstrate your Faith" - advice for the student protesters] is of interest for it's sheer ineptness: ham-fisted guitar, lyrics that don't scan - I literally cannot make either rhyme or reason out of this one.

Side two finds them massacring the classics - in Japanese.

Quothe the liner notes: "Following the trend of the current Jesus Movement, these new, original songs express the feelings of young people searching for something to believe in and to hope for. The words and music are written for the Now Generation with their concerns for love, pollution, ecology, war, racial tensions and frustrations of living in a technological age." 
 The address listed on the back cover: 666 (!?!) NW 4th Ave., Ontario, OR.

By request, I've recorded the whole thing, and side one really is wonderful - nine nutzoid tracks of female warbling, low (and I mean really low) fidelity guitar and/or piano music, and charmingly amateurish songwriting. Side two features a different (male) singer, is all in Japanese, and except for the swell "Ode To Joy," I don't recognize the songs.  I think they're mostly hymns.

Mas & Hope Kawashima - "Love...Wider Than The Ocean"

There is no info on the 'net about this album. Mas & Hope were married and were reverends working with Japanese-American churches, mainly in Northern California, but otherwise I could find no info about this or any other musical projects they might have had.

I Will NOT Be Appearing On Radio Misterioso...

...this Sunday nite. Two hours of radio hijinks will be postponed to a later date. But the good news is, thanks to super-swell maniac Phil C., "The Lavender Jungle" comp is back up. 

And there's some great stuff up on the youtubes. Another valued tipster, Niels, hepped me to this clip of "Flying robot quadrotors perform the James Bond Theme by playing various instruments including the keyboard, drums and maracas," a spectacular example of the ever-evolving genre of mechanical music.

HERE is a 16-minute explanation for you techies.

And I didn't have a March Fourth post this past March 4th re: alternative marching bands, because I didn't have any material.  Well, I got one now: this swell vid about a band I wrote about HERE, a 5 minute documentary on the mysterious, highly experimental Itchy-O Marching Band, revealing their home/custom-made instruments.

JUNK ORCHESTRAS Pt 3

I'll be guest dj-ing once again this Sunday, 8pm PST on Spacebrother Greg's "Radio Misterioso," bringing up another batch of wild sounds that have mostly not been featured here. Listen live at http://killradio.org/ so you can call in and/or go on Greg's facebook page and leave comments 'n' stuff.

And now...on with the show:

My recent posts about musicians who build their instruments out of junk reminded me of similiar artists I'd written about, whose songs posted ages had long since gone off-line.  I was also reminded of a recent single re-release, and miscellaneous records I'd had for years.

Junkyard Bands

The Junkman - 'Beat The Can' [both from his album 'The Junkman 2," available from his site - the liner notes break down exactly what objects are used for each song]
The Junkman - 'Drug Puppet' [bit of a Residents kinda thing going on here]
Electric Junkyard Gamelan - 'Bigbarp' [pictured above]
Car Music Project - 'Noodles'
Gamelan Son of Lion - 'Bang on a Tin Can'
Electric Junkyard Gamelan - 'Nutbutter Challenge'
The LA Drivers Union Por Por Group - 'Por Por Horn-To-Horn Fireworks'
Electric Junkyard Gamelan - 'Space Kitty' (excerpt)
Staff Benda Bilili - 'Sala Mosala'
Wendy Chambers - 'Star Spangled Banner' [on the legendary car-horn organ, pictured right]
Wendy Chambers - 'The Kitchen' [not only are kitchen implements used as instruments, but an actual meal is supposed to be prepared during the performance of this piece!]
The Junk Yard Band - 'The Word' [killer Def Jam single from the '80s - a group of children playing gogo funk from DC; that lead singer rivals the young Michael Jackson]
The Watts Little Angel Band - 'Nik Nak Paddy Wack' [same concept as The Junkyard Band, but from a decade prior; this must-have single, whose b-side is an oldies medley 'New Orleans/Land Of A 1000 Dances,' has recently been re-issued]

All of this had me thinking about Test Dept (none of whose music I can recall off the top of my head) and Einstürzende Neubauten (think I did like some of their stuff), two '80s bands whose use of found percussion was popular with the industrial crowd, as it was seen not only as a way to be real noisy, but to seem shocking and rebellious and what-not.  

Also from the '80s: the L.A. band Savage Republic used things like an oil drum and a railroad tie - anyone else use junk percussion mixed with conventional instruments, in the service of actual songs? Think I read David Byrne saying that he and Eno played junk on "My Life In The Bush Of Ghosts."

And did the Bang On A Can group ever actually bang on cans?

JUNK ORCHESTRAS Pt 2: A Child's Garden Of Junk

(Now back up: Capt. Beefheart "Clear Spot" instrumental tracks, and the Caribbeana Esoterica of Elmore Stout, and The Lashing Dogs.)

"The flipflopaphon – the tromballoony – the springy tuby thingy – the gardenhoseatoot": such are the tools of Saul Eisenberg aka Mr. Junk Man, who not only travels around his native England performing on his home-made junk instruments, but also works with kids to help them build and perform on (and dance with) their own recycled sounds. He seems to be the kind of "cool teacher" that I wish I had when I was a wee lad. 

He has a resource page for other teachers that features and instrument-building demo video. Teachers, heck, I want to make these!  And he will build for your park/recreation area a "soundgarden," which has nothing to do with any old Seattle grunge bands, but are rather children's play areas with instruments built into them. Just fantastic.

There are free streaming/download songs on his site:

http://www.thejunkorchestra.co.uk/

Wonderful stuff, but I have one complaint - some of the tracks are too short, some lasting barely a minute. C'mon, Mr. Junk Man, why so chintzy? We want a proper album!

JUNK ORCHESTRAS Pt 1: The Gas Tank Orchestra

I haven't been posting anything new lately, cuz I've been trying to re-up albums that were victims of the Great Mediafire/Rapidshare Takedown of 2013 by request. Which I'm happy to do, but I wasn't able to find: The Full Life All-Stars, The Lavender Jungle, "Ya No Hay Beatles," The Musical Betts, March Fourth 2012. 'Til then, dig these crazy sounds made not by guitars, not by keyboards, not by trap-drum kits - man, that old-fashioned stuff is for squares - but by stuff. Junk. 'Found objects,' and what-have-you.

The Gas Tank Orchestra does what it says on the tin, making their instruments out of discarded auto parts. The now-defunct New Orleans combo has an excellent posthumous free download album now available that does wander around somewhat aimlessly at times, as improv groups are wont to do, but really hits the gas (sorry) on nifty toe-tappers like "Making Way," "Bunnys Bolero" and "Desire Project." The GTO don't make the kind of racket that groups like Einstürzende Neubauten used to make - their sound is subtle, atmospheric even, with a keener sense of rhythm. They are from one of the world's funkiest cities, after all.

The Gas Tank Orchestra - "Homeshed"

Another album of theirs is available for streaming/purchase that features a more sampled/cut-n-paste production at times. Pick to Click: "Oilspeak."

The Gas Tank Orchestra - soundclick album

More junk orchestras to come in future posts.

Re-Up Requests

The following albums are now back up:
UPDATE 5/7/13:
The George King/Joe Corney Organ Sound 
FORBIDDEN 45s!! (windbag edition)
CAPTAIN BEEFHEART KARAOKE PARTY
Lew Davies and His Orchestra - Strange Interlude
Caribbeana Esoterica #2: Junkanoo & Goombay
 
http://musicformaniacs.blogspot.com/2012/11/the-first-man-on-moog.html
UPDATE 5/7/13:
Slaughter on Central Ave
The Occult Organ of Jimmy Rhodes
Golden Half 2
Deb Hyer - One Man Band
Avant-March
(still looking for a couple of other requests)
UPDATE 5/6/13: John Cage
UPDATE 5/4/13: Now up by request are RMI Harmonic Synthesizer album, and four from Zoogz Rift: Ipecac, War Zone, and Water II, and Torment.

L. RON HUBBARD SPLURGES ALL OVER YOU

"Force yourself to smile and you’ll soon stop frowning.
Force yourself to laugh and you’ll soon find something to laugh about. Wax enthusiastic and you’ll very soon feel so. A being causes his own feelings. The greatest joy there is in life is creating. Splurge on it!"

If you don't have those words memorized, you will, after hearing them repeated over and over on this ghastly 2001 album released by the Church of Scientology, voiced by a semi-all-star team of singers. It sets the poems of the cult's late founder L. Ron Hubbard over crappy music that sounds way too dated to have been recorded only 12 years ago.  I genuinely figured this was from the mid-'90s at the latest. So what's it's all about, Alfie?

- We kick things off with an intro from soul legend Isaac Hayes, who unfortunately only has a couple of quick cameos on this album. Hearing Hayes' trademark baritone speaking voice trying to give this drivel a bit of gravitas is pretty great - as funny as his "South Park" work.
- Anyone who thinks joining Scientology will give your showbiz career a boost should ask "fresh new singer" Shannon Star Roberts, or L.J. Jackson - this album is their sole Discogs credit. One of Roberts' boring songs references Scientology mythology: "Theta, Theta, See You Later." Catchy, eh?
- Carl Anderson apparently was one of the original stars of "Jesus Christ Superstar" and had some pop hit in the '80s "that endeared him to soap-opera fans" (gee, wonder why I never heard of him?); one of his two songs here is a mindbogglingly awful 16-minutes long. Two minutes would be bad enough, but, holy hell, sixteen interminable minutes? He should be shot! Oh wait, he died of an illness a few years after this album. Never mind.
- I always respected Doug E. Fresh as a hip-hop pioneer who recorded the classic single "The Show"/"La Di Da Di." But one of the low-lights of this album is the appalling apocalypse fantasy "We're Going Up While The World Goes Down," which Fresh futilely tries to pump up into a wave-your-hands jam despite lyrics like:
"I was in a Safeway row
of housewives and no chow
Who said they'd been forsaken
by even moldy bacon
The manager's cruel cry
Was the actual why
They'd ate up all the animals
And now must turn to cannibals"
Apart from retarded grammar ("The manager's cruel cry Was the actual why"?!?) Hubbard's attitude of: you're-all-gonna-suffer-and-die-but-we-won't-ha-ha! is hideously immoral for someone claiming to be a spiritual leader. It reminds me of the Xian fundies' 'rapture' fetish. Needless to say, the generic music has gone thru the Scientology washing-machine, bleaching out any chance of black funkiness.
- Someone named Pamela Falcon has the thankless task of translating one of Hubbard's free-verse poems into music, to whit: "CUPIDITY/Cunning mind/Which unnerves the eye/Unclean lancet." Come on everybody, sing along!
- Another low-light: albino blues-rocker Edgar Winter is one of those well-known figures I'd never really had an opinion on one way or another. Well, I have one now: I fuckin' hate him! His "The Joy of Creating" begins with him saying "Y'all know about the joy of creation? Well, this is how we do it down in Texas." He then proceeds to insult the entire Lone Star State with hysterical gurglings that pass for singing over pseudo-enthusiastic music that has all the soul of John Tesh. I have a hard time having much respect for someone  who would allow this abortion to be released under his name, with his consent, while calling himself an artist.
- Chick Corea, the guy who contributes the only boring parts to otherwise-classic Miles Davis albums, drops by with under two minutes of pointless piano noodling and recitation.

A former Scientologist known on-line as Tiger Lily wrote on an ex-Scientologist message board: "At the time I was in, those albums were touted as being so theta-infused that just listening to them was supposed to key you out. They had the songs on their phone system "hold", and played them in the lobby over and over (how the staff stood that I'll never know).

I took that to heart and listened whenever I could. I lived 2 hours from the Org so I would listen to those *&^%$%# things for 4 hours on course days trying to internalize them. I memorized all the words. I sang along.

I remember thinking it was pretty cheesy , but they told us that Ron's music was way ahead of it's time, so I just decided I must be stuck in the 70's or something and made myself like it."

Listen to the "way ahead of it's time" music here:

The Golden Era Musicians and Friends "The Joy of Creating"

1	Isaac Hayes–	The Joy Of Creating Prelude	0:48
2	Shannon Star Roberts–	Theta, Theta, See You Later	3:22
3	Shannon Star Roberts–	From Sea Of Dreams	2:46
4	Carl Anderson and Brenda Eager * –	The Love Of A Man	3:58
5	Doug E. Fresh–	The Joy Of Creating	2:39
6	Doug E. Fresh–	We're Going Up While The World Goes Down	5:55
7	Howard McCrary and L.J. Jackson–	The Joy Of Creating	1:12
8	Pamela Falcon–	The Sum Of Man	5:40
9	Edgar Winter–	The Joy Of Creating	2:32
10	Edgar Winter–	Blue Endless Sea	3:55
11	Elena Roggero–	The Joy Of Creating	1:41
12	Elena Roggero–	Stamboul	3:38
13	Chick Corea–	The Joy Of Creating	1:46
14	Carl Anderson and Elena Roggero–	Song Of The Bard	16:58
15	Isaac Hayes–	Envoi                                                           00:32

Two More Requests Now Up

Dig it!
Nick O'Lodeon - Kaleidocosmicorgrig
M4M Sampler - From The Sublime...
UPDATE: ...and here's two more by request:
Zoogz Rift: (Nonentity) Water III
Zoogz Rift: Island Of Living Puke

SIX ACCORDIONISTS GO RIDING ON A CAROUSEL...

...No, that's not a joke set-up. It really happened on the Santa Monica Pier in 2010. Daniel Corral and his group the Free Reed Conspiracy actually sat on carousel horses that went up 'n' down, up 'n' down, playing a near-30 minute powerful drone piece - like Glenn Branca for squeezeboxes. "...the audience listened as the music spun past them." Watch it here (can't see the musicians much, unfortunately):

NEOTROPE

or download the mp3 from Corral's website if you scroll down a bit

HERE

tho it's not as densely loud. The acoustics of the 80-year-old carousel building no doubt caused much reverberation, which I prefer to the pristine studio version.

There was apparently an entire evening of music and performance on the carousel and, as I live in Los Angeles, am bummed that I wasn't there. Encore, encore!

Taking Your Re-Post Requests on the Request Line...

UPDATE (4/29/13): Borrah Minovitch & his harmonica Rascals 

UPDATE: the Russian Horny Choir is back. Much thanks and praise to hybridelephant for sending it our way! Which reminds me: he sent me a link to his own band And More, I was listenin' and diggin' it...and never got around to writing about.  So everyone should go check 'em out.

Esso Trinidad Steelband: "Calypso Christmas"
"Flowmotion"

I can't repost the Filipino Village People album as it is now available on Amazon and iTunes. But I was able to re-up:

Alen Robin "Naked, Really Naked"
RIAA "Wonderful World Of Sound"
RIAA "Risque, Illicit And Adult"

Sisqo's "Thong Song" for Music Box And Theremin

I'm sure we all have our own favorites, but my pick for best cover of Sisqo's ubiquitous 1999 hip-hop hit "The Thong Song" for antique-sounding music box and theremin would have to be the one by British duo Eccentronic. It's short, maybe too short (not to be confused with the rapper Too Short, har har), funny, and really quite nice. One of those audio anomalies that shouldn't exist in our universe, much less work as well as it does. It's a free download:

Eccentronic  "Thong Song"

Speaking of audio anomalies, can someone explain why I was driving down the freeway yesterday evening listening to the radio when a robo-voice came thru my speakers telling me that the Vermont off-ramp was in two miles...and I don't have GPS?!

Never heard from the phantom voice again. Freaky.

SUPERSHRINK!

Alen Robin, a comic with a droll, very nasal voice, took the Buchanan & Goodman "Flying Saucer" concept - intercutting found recordings with original comedy - and applied it to political speeches. His "Welcome To The LBJ Ranch" hit the top of the pops in the mid '60s, and can be found in approximately 84% of American thrift-stores.

This album continues the concept, with American politicos Humphrey, Thurmond, Rockefeller, Lindsay, Nixon, LBJ, Agnew, Buckley, Reagan, and Daley finding their voices ripped out of their original context, now making various bizarre and neurotic statements to Robin, playing their psychiatrist. It's still quite funny and clever, even if you don't know much about the speakers. Even more impressive: it's recorded live. Not sure how he did it in the days before laptop samplers. Maybe he had all the voices, and pauses allowing for him to speak, pre-recorded on a long tape. If so, his timing's amazing.

The above review was taken from my review of another Alen Robin album I posted few years back, with the names of of the sampled parties changed.  There is one difference with this album, tho - the groovy psych rock of Billy Mure that abruptly cuts in and out of the funny faux-interviews.

Both sides of this album are pretty short (side two's only ten minutes long) so you just get two tracks here, one for each side:


 Alen Robin: "SUPERSHRINK!"

More From The Boston Typewriter Orchestra

We've written about The Boston Typewriter Orchestra a couple of times before, but it's been a few years since we last checked in with them, and, as there is some crazy shit going down in Boss-Town right now, it seemed like a good time to think good things about that city and dig the BTO's latest free download single...which is already two years old (sorry, I'm not always right on the beam.) Again, this quartet amazes me with their propulsive percussion performed entirely on obsolete office equipment. Get it here:

The Boston Typewriter Orchestra: "Entropy Begins At The Office"

The OTHER Singing Ricin Terrorist

The recent news about the wack-job Elvis (and others) impersonator sending politicians envelopes laced with deadly ricin reminded me of the pioneer of this genre, Robert Alberg.  When we wrote about him some years ago, he was being sentenced to five years' probation, mental-health treatment and placement in a group home, and his album was no longer available, so I posted it.  Incredibly, he's back, selling both his original collection, and a new one.  And he sounds even worse than he did on his miserable first album (as you can see, he isn't looking too hot either). Still, let's hope he sticks to singing/song-writing, and doesn't go back to ricin-cooking.

"Purple Amethyst," available thru Amazon and iTunes, is ten "songs" of lethargic, monotone vocals; obsessive/compulsive lyrics (about sand, beaches, rocks); and atonal guitar "playing" that makes Jandek's sound like Eric Clapton.  Need I tell you that this is outsider-music gold?

Robert Alberg: "Quartz Creek"

As he is back to selling copies of his first album, I'll just post of couple of tracks from it:

Robert Alberg: "I Want To Fly"
Robert Alberg: "Walking Alone On The Sand"

The videos of Alberg's young protege, Kevin Curtis, are striking in their banality - he's just some guy singing over karaoke tapes, occasionally adopting ludicrous fake mustaches. He gets paid to do this stuff?  Jeez, I could do that. Curtis needs to get together with Alberg, so he can learn a thing or two about originality.  They could cover "House of the Ricin Sun."  Or Johnny Cash's "Five Feet High and Ricin." I got a million of 'em , folks!

APRIL IS BAD MUSIC MONTH

Back in the Jurassic era of the internet, the year 2000, L.A. radio personality April Winchell started putting up mp3s of bad/strange/funny music and audio - an early music-blog, if you will. Readers and listeners started sending in more and more tracks, resulting in a remarkably large library of unprecedented awesomeness.  Easy to take for granted now, but at the time, it was a truly mind-boggling resource for us weird-music freaks. It's been a few years, but it's all back up now:

http://www.aprilwinchell.com/audio/

Don't think she's added much since, but if you weren't there back in the day, you've got a lot of catching up to do. Much thanks to Ms. Winchell for re-opening the archives. And if any of you-all have a diaper/baby fetish, and would like a hypnosis tape to help you wet your bed, you now know where to go.

(Speaking of re-ups, RIAA's "Risque, Illicit, and Adult" album is now back up, by request.)

WHY YOU SHOULD CARE ABOUT ANNETTE FUNICELLO

You may have heard that The Queen of the Beach, Annette Funicello, recently died at age 70. And, yes, she was a Mouseketeer on "the Mickey Mouse Club" tv series, and starred in the 'beach party' films of the Sixties. But what you gremmies and hodads must dig is that she ticks off a lot of strange-music boxes: exotica; Space Age; novelty music; funny/dumb/clever lyrics; bizarre musical hybrids (e.g.the Cuban/Hawaiian "Surfers' Luau," "Rock-a-Polka,") wild, highly energetic surf/early rock; lounge cheese; explorations of sleazy/kitschy Americana; collaborations with hipster faves like Dick Dale, Fishbone, and the Beach Boys; and songs about circus freaks and mad scientists. And, tho she was most certainly a Big Show-Biz insider, she did everything with the guileless innocence of an outsider - since Annette never intended to be a singer (Walt Disney just pushed her in that direction) she had no agenda, no aspirations, no bitterness about the roles she was offered, and so sang everything with an equal amount of sincerity, whether it was a forlorn love song, or a ridiculous tale about a freak named Jo-Jo The Dog-Faced Boy.

Why haven't punk bands been covering these songs?! She seems to have been overlooked among Crampsian devotees of early mondo-rock collections like "Las Vegas Grind" and  "Wavy Gravy." Maybe because the rap on Annette was that she was another not-too-talented 'teen idol' making bland commercial pap, like Connie Francis, Fabian, and her co-star Frankie Avalon. But even a cursory listen to these songs shoots down that characterization. The berserk energy level and general weirdness of these songs clearly distinguishes her from the likes of, say, Shelly Fabares.

All these songs are from her late '50s-to-mid '60s heyday, except for the last two tracks: her 1985 appearance with Fishbone from the film "Back To The Beach" (I saw it when it came out!) and an early '80s tribute to Annette from LA pop-punk stalwarts Redd Kross. And it was indeed my LA punk youth that first got me into Annette, where she was a kind of den mother figure - never a part of, but beloved by the local surf punks. I still listen to these crazily entertaining songs after all these decades, and I certainly can't say that about everything from my youth. 

A Net Full Of Jello [Thanks to an old Mad Magazine bit for the title]

01 swingin' and surfin'
02 surfin' luau
03 the maid and the martian
04 secret surfin' spot
05 Jo-Jo the Dog-Faced Boy
06 monkey's uncle (with The Beach Boys)
07 California sun
08 draggin' u.s.a.
09 beach party
10 That Crazy Place In Outer Space
11 Merlin Jones
12 Don't Stop Now
13 Rock-a-Polka
14 The Rock-a-Cha
15 Lonely Guitar
16 Tall Paul
17 Pineapple Princess
18 Jamaica Ska (with Fishbone)
BONUS:
Redd Kross - Annette's Got The Hits

Reup: The Devil's Music

Back up, by request:

Satanic Panic

PLEASE ACCEPT THIS FREE GIFT

Aren't ALL gifts 'free'? Isn't that what makes it a gift? Hey, if the advertisers and marketers of the world say it, then it must be true. So here's a goodie-bag of free inter-webular downloads that have grabbed my ears lately:

- A C Slate no r makes interesting sound collages by looping instrumental tracks as beds for spoken-word samples that are strung together in ways to suggest a kind of narrative.  My faves are the apocalyptic "Angels Watching Over Me," and "$ money piano $," an examination of materialism. Check the tracks called 'tape stories.' Negativland fans will want to peep this.
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- Buttress K. O'Kneel has a new release that layers multiple versions of that most ultimate of classical music cliches, Vivaldi's "The Four Seasons." Any new music from this Australian outlaw is worth a notice, but this one represents a completely new direction, forgoing the usual breakcore mashup madness for a dizzying mix of wedding music, Steve Reich-like phase-shifting, and mind-fucking psychedelia:

B'O'K  "The Four Four Seasons"

Which reminds me of this similar mix:

Beethoven Dada - unfortunately only a minute-long clip.  We want the whole thing!
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- mw ensemble, a New York-based avant-classical crew, have a 40-second track for piano and vacuum cleaner that is, in fact, called "I, for piano and vacuum cleaner ~A." It is really quite cool.  Available on this collection:

mw ensemble "6 Green Songs"
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- Music For The Muted is a German ambient/noise/drone combo with a new EP whose tracks all have numbers for names.  I particularly like "7," seven minutes of slowly-growing dark clouds of electronic sound dramatically rolling across the sky; somewhat reminiscent of the "Forbidden Planet" soundtrack.

Soundcloud
Mediafire
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OH/EX/OH are seriously bringing the ambient/noise/drone thang. Str8 outta Manchester, this prolific artist traffics in some pretty dark 'n' spooky stuff at times. This name-your-price EP is suitably atmospheric: 

OH/EX/OH "Entropic"

Some really nice stuff - I love the slowly-shifting chords of "The Holy Fallout." But this collection of audio vérité, however, isn't that scary at all:

OH/EX/OH "Tokyo Field Recordings"

I was alerted to this artist when they sent me an actual postcard in the mail.  Which I promptly lost for a few months. Glad I found it again.

I'm Pretty Sure This Blog Posts More Zither Music Than Most...

Gene M., one of our super-swell readers who contributed the lost files of Ruth Welcome's "Zither Magic" album recently, has gifted us with another album called "Zither Magic" that couldn't be more different. In contrast to Welcome's minimal one-(wo)man-band arrangements, old-world folkiness and classy '50s cocktail lounge feel, Karl Swoboda's "Zither Magic" is a big, brassy, fully orchestrated, swingin' Sixties album that reduces the role of the zither to a kind of almost surf-y lead guitar over twist/swim/frug-able versions of hit pop songs.


Don't dread yet another version of "Yesterday" - this one swings like a rusty gate, dad, played at a breakneck tempo that Mr. McCartney probably never envisioned. "Theme From A Summer Place" could be a Dean Martin backing track. A beautifully dreamy "Ebb Tide" takes a break from the craziness to take us on a stroll down a lonely beach. "The In-Crowd" is wild enough to get Twiggy workin' that mini-skirt. Outta sight!

Karl Swoboda - "Zither Magic"

Thanks Gene!

"Lullabies From Outer​-​Space": The Casiotone Orchestra of Carton Sonore

An entire 20-track album performed on nothing but the much-maligned keyboards made by Casio (a company that previously had been more famous for manufacturing things like watches) might not sound too promising, but in the hands of France's master of toy- and naive-pop, Carton Sonore, the Casio is not used as a joke, or for '80s nostalgia, but is overdubbed into an orchestra of widely varying moods and textures. The Casio, of course, has a "little" sound, so Carton Sonore wisely works within its parameters to create lovely instrumental miniatures that do indeed suggest the album's name. Listen/purchase:

Carton Sonore: "Lullabies From Outer​-​Space"

This gorgeous tune, filled with all kinds of Space-Age magic, is a free download:

Carton Sonore: "Berceuse 07"

The beautiful "Berceuse 13" is another fave, as is the round-like "Berceuse 6." None of which are funny or gimmicky (not that there's anything wrong with that!) See, Cage was right - anything can be music. Nighty-night...

Reposts...

By request, the Caribbean awesomess of Raw Spouge.

The New Wave Covers For Oldies Lovers collections are back up now too, thanks to a wonderful maniac.

RETARDED UMPIRE

Baseball season has officially begun, so let's pay tribute to America's Pastime the MusicForManiacs way:

Deranged Umpire - "Umpire's Call"

Deranged is right: a free download of some guy in a Cookie Monster growl exclaiming nonsensically about how happy he is to be at a baseball game, even enthusing about the food ("Clap for the food court /clap, clap...The foods and the beverages/clap, clap") over a low-rent synth that does sounds like a ballpark organ, if the organist was all goofed up on cough syrup.  It just goes on and on for 7 minutes, with no rhyme or reason. Will profoundly annoy most people.  Made me laff!

Lynn Rockwell - One Man Band

Over the cheapest possible drum machine, Mr. Lynn Rockwell, from parts unknown, plays and sings everything on this private press wonder from 1970.  An instro version of the James Brown classic "Night Train" kicks things off with plenty of swingin' horns, followed by the sweet clarinet blowing of "Blue Prelude," which also introduces Lynn's somewhat homely but lovable vocals. Wilbert Harrison's proto-rocker "Kansas City" is remade as a finger-snappin' jazzy lounge tune. Roller-rink organ joins the fun on such songs as "String of Pearls," originally by Glen Miller's big band, now rendered here by a very, very little band. And dig that hipster jive on "Satin Doll"!

Side two's first four songs are originals by Rockwell, highlighted by the bizarre "Spiders": "I got spiders in my bathrobe, baby/there's no escape for you." Suddenly we're in a dark, remote cocktail lounge somewhere in David Lynch territory. I'm really liking the moody clarinet work on this album. Closing out the album are remakes of the country standard "Oh Lonesome Me" and Engelbert Humperdinck's "Release Me," tho I don't recall Engelbert's version having horns that wander from channel to channel for no apparent reason.

This album comes to us courtesy of Jaouad, our only known Moroccan reader.  Where my North African peeps at?!

Lynn Rockwell - One Man Band


Much thanks to Jaouad.

StSanders Shreds All Fool's Day

You probably know StSanders' 'Shred' videos - they received millions of views before YouTube yanked most of 'em off.  Well, they're all in one place now on the mad Norseman's (or is he Finnish?) own site, and I can't think of a better way to do April Fools' Day then to spend the afternoon watching "classic" rock acts videos get re-dubbed. As Buttress O'Kneel (whose own shenanigans we'll be covering soon here) said to me:

the band ones are so so so good. not only is it GENIUS to compose music and lyrics BASED ON THE ACTIONS AND MOUTH-SHAPES OF OTHER MUSICIANS (like, this is something even john cage never imagined!), but then to layer the pieces in heaps of cultural references as well (notice the 'simpsons' section in the eagles one, and the 'luke's theme' in the springsteen one - there are SO MANY!)... good golly, this is high fucking art. and all that stuff comes AFTER the fact that i'm sitting here with tears in my eyes, unable to breathe with laughter.

st sanders may actually be making the highest - and most powerful (and most original) - art of the 21st century. i bow down to his greatness.

StSanders Videos

Yes, a genius of the avant-'tard. He has his imitators now of course (someone even did a Captain Beefheart one), but it doesn't get any better then this Eagles one.  The music's so good I'm gonna buy the mp3 (you can do that now, too.)

SUNDAY MORNING SOUND COLLAGE

For a maniac's Easter morning...

The history of sampling the sounds of preachers is pretty much the history of sampling in general, as many of the most prominent names in sound collage, from the avant/electronic world to mashup/dance djs, have used 'em.  And considering the classic status of so many of these tunes, how can you blame them?  Passionate, loony, exciting, hilarious religious orators make for great (inadvertent) guest vocalists. The '80s industrial crowd seemed particularly fond of this strategy. I remember reading (the L.A. Weekly, probably) around '87 or '88 that the sampling of preachers had officially become a cliche.  No way - we weren't even half-way there yet! Part 2 takes us up thru the Internet/mashup era. [Preacher's name, if known, included in brackets.]

SUNDAY MORNING SOUND COLLAGE 1

1 Steve Reich [Brother Walter] - It's Gonna Rain (Part II) [1965]
2 John Oswald [unknown preacher - R.W. Schambach maybe?] - Power [1975]
3 Brian Eno and David Byrne [Kathryn Kuhlman] - Into The Spirit Womb [1979]
4 Chris & Cosey [Dr Gene Scott] - Put Yourself In Los Angeles [1981]
5 Cabaret Voltaire [Dr Gene Scott] - Sluggin Fer Jesus (Part One) [1981]
6 Zoviet France [R.W. Schambach] - Ram [1984]
7 Adam Cornford and Daniel Crafts - Fundamentals [1985]
8 Tackhead - Mind At The End Of The Tether [1985]
9 Front 242 [R.W. Schambach] - Angst [1987]
10 Negativland [Rev. Estus Pirkle] - Christianity Is Stupid [1987]
11 John Adams/Edo De Waart: San Francisco Symphony Orchestra - Christian Zeal & Activity [composed in 1973/recorded 1987]

SUNDAY MORNING SOUND COLLAGE 2

1 Praga Khan [R.W. Schambach] - Injected with a Poison [1991]
2 KMFDM - We Must Awaken [1992]
3 The Tape-Beatles - Home Problems [1993]
4 Lecture on Nothing - Truckload Of Bibles [1997]
5 Reality Engine - Blame The Kingdom Of God [1999]
6 Escape Mechanism - Worship [c. 1999-2001]
7 Fatboy Slim [Reverend W. Leo Daniels] - Drop The Hate [2000]
8 The Evolution Control Committee [Elder Marshall Taylor] - Don't Miss the Great Snatch [2003]
9 Celebrity Murder Party [12 year old preacher Rev William Hudson, III] - God vs the Gays [2007]
10 dj lobsterdust [Pastor Gary Greenwald] - It's Fun To Smoke Dust (Queen vs. Satan)  [2009]
11 CutUpSound - God In a Linoleum Roll [recorded ?; released 2013]

I was amused to find out that two British acts, Chris & Cosey, and Cabaret Voltaire, both sampled L.A.'s infamous, frizzy-haired, cigar-chomping, foul-mouthed televangelist Dr Gene Scott. I wondered: how in the heck did they know about him?  Turns out that Werner Herzog, no less, made a documentary about Scott called "God's Angry Man" in 1981 that provided much yucks (and sample fodder) for those wacky industrialists:

HI-FI ZITHER!

"Zombie Jamboree" has been re-upped, by request. And speaking of requests: I hate to keep asking, but does anyone have the Ruth Welcome "Zither Magic" album I posted here a few years ago? Frequent contributor windy sent me another of her albums, and my review for "Zither Magic" can pretty much be repeated here: 

"Did you know that it was once possible to be a pop star without having to play the guitar? Or with electronic production? You could get a major label deal by playing, say, a zither. Exhibit A: Ruth Welcome, whose 1950s zither albums for Capital Records display remarkable virtuosity...there are no other instruments. She's a one-(wo)man band.

On this album, the bended notes suggest Hawaiian guitars or exotica without actually being exotica or Hawaiian music. But there is a foreign, if not other-worldly feel to these instros."

This was her first album, and it reflects her then-current status as a hotel lounge performer, essentially making background music.  Not as dynamic as "Zither Magic," but it's still quite lovely, boasting some ace tunes (always liked "Moulin Rouge"), and, in any case, it's an entire album of zither music. A hi-fi zither album, at that. And when was the last time you listened to one of those, eh, eh?! 

Ruth Welcome "HI-FI ZITHER!"


(Thanks to the zither-iffic windy!)

The Everyday Film: "New Skin Wine"

I believe it was Winston Churchill who once described The Everyday Film as "a riddle, wrapped in a mystery, inside an enigma." After taking last year off (incarcerated? institutionalized?) he/they/it have released a new album and an ep, both available thru iTunes and Amazon. There's a whole lot of music out there in this great, big universe, but there is still nothing like The Everyday Film.

"New Skin Wine" is 11 tracks in a mere 22 minutes, but those are some pretty dramatically charged 22 minutes. The wide dynamic range of the album ranges from subliminal ambient drones and whispered vocals, to nightmare-ish noise that will have you jumping out of your skin if you're not riding the volume levels (look out, headphone wearers!) The album ends with over 2 minutes of static drone that might have you checking your stereo to see if it's grounded. 

After receiving the new album, I was wondering if TEF had anything new to say after all their releases, or if they still had the power to shock. Hoo boy. The track "Want Cycles" features electronics so terrifying that they make Throbbing Gristle sound like Air Supply.  Bravo!

TEF's trademark demonically harmonized vocals are not as present here, in favor of dark electronic soundscapes. But when they do appear, the old body-horror themes are still present in dimly-heard surreal snippets like "My cancer's gone, but you can't seem to put me back together," or "It should be enough to be my own dessert."

"Goool" is a three-track EP that features a nearly 13 minute long track.  Pretty amazing, considering most TEF tracks last less then one minute. TEF has given us the short version of "Goool" that's found on "New Skin Wine" to post here:

The Everyday Film: "Goool"