VINYL-PALOOZA #10: Harmonic Synthesizer

We're stretching our all-vinyl month by a few days to accommodate this demo album of a 1974 synth (the only one made by electric piano manufacturer RMI) that featured digital capabilities. Wow, this one was years ahead of its time. I'd never heard of it, and I thought I knew my electronic esoterica, but apparently it was not successful, tho Jean-Michel Jarre used one. Sounds good, tho. I especially like the percussion effects on some tracks. "Non-pipe Organ" could be Keith Emerson at a cocktail lounge. And "Funky Wah" does indeed live up to it's name.

Of the three persons listed, only Mike Mandel seems to have had much of a career, playing jazz fusion with the likes of Larry Coryell in the '70s and early '80s.
Clark Ferguson/Mike Mandel/Carlo Curley – RMI Harmonic Synthesizer And Keyboard Computer
Thanks to Jake Lion, a cat whose own music we'll be featuring here soon, for the rip and link.

VINYL-PALOOZA #9: The Wisdom of Solomon

In 1989, Solomon Solo, a native of Ghana, Africa now living in Los Angeles, spent what must have been a big chunk of change to hire a large crew of slick session musicians for his vanity album "The Wisdom of Solomon." He did not, however, hire any singers. And that's what lifts this album from competent-but-uninteresting private press release to outsider gold. All the songs are Solo's originals, a blend of American-style r'n'b with some African influences, and if anyone else sang 'em, even with Solo's idiosyncratic lyrics, they still probably would have been fairly ordinary.

The opening track is harmless enough, but then we get the songs that feature Solo's high, thin-to-screechy and

frequently off-pitch singing that is nevertheless full of sincerity and passion - he means these songs. And some of the songwriting actually is catchy - the title song has a pretty interesting West African feel to it, and I get "White Doves of Seville" (my favorite track) stuck in my head for days, even if Solos' voice causes me to occasionally wince.

The Wisdom of Solomon

And I like his quote on the back cover: "To understand proverbs and parables is to have wisdom and understanding." So...to have understanding is to have understanding..?

VINYL-PALOOZA #8: The Occult Organ of Jimmy Rhodes

Late at night, when it's all quiet, the lights are low, cocktail in hand, nothing hits the spot like old organ records - cool, creepy, atmospheric...wistfully nostalgic and romantic, but with a darkness. Best played low in the background. Aaah...

This album sounds like the way it's '40s-ish noir album cover looks, only it was recorded in the late '60s/early '70s. Mr. Rhodes was clearly way out of step with the psychedelic generation, which isn't too surprising: according to his bio (the only thing on the 'net I could find about the guy) he went on to play with Lawrence Welk and made Christian records with his wife.

Jimmy Rhodes "My Best To You"

01 My Best To You
02 Around The World
03 Moritat (Mack The Knife)
04 Beyond The Reef-Hawaiian Wedding Song
05 Lies-The Glory Of Love
06 Alley Cat
07 The Blue Skirt Waltz-The River Seine
08 Miss You
09 Til Tomorrow-Goodnight My Someone
10 The 3rd Man Theme
11 Do You Ever Think Of Me-You Were Meant For Me
12 Avalon-The Sheik Of Araby
13 Que Sera Sera
14 The Portuguese Washerwoman
I featured other occult organs on my "Strange Interludes" collection.
This has been another fine windbag contribution.

M4M Returns To Radio Misterioso

I'm back guest dj-ing for another two hours of audio oddities on Greg "Spacebrother" Bishop's Radio Misterioso this Sunday, April 24, 8-10 pm Pacific Standard Time, on Killradio.org. Maybe it'll be archived, maybe not, so ya gotta listen, awright?

VINYL-PALOOZA #7: Music For Tree-Huggers

If you like trees - I mean, if you really like trees - well, today's your lucky day: here's an entire album's worth of songs about our leafy, barky buddies, courtesy of the US Dept. of Agriculture. Your tax dollars at work! Released in connection with the Bicentennial in 1976 (not sure what the connection is there, but, oh well) folkie Ray Schmitt and the Free State String Band play original, painfully earnest songs with lines like "Have you ever seen a tree cry? Well I did/Have you ever heard it sigh? well, I did." Beavis and Butthead's hippie teacher Mr. Van Dreesen probably has this album. On 8 track.

Just as I was starting to zone out from all the mellow vibes, along comes the song "Just A Tree," a kind of funky jazz rap song about all the things we make out of trees, with multiple vocalists, including children. Cool! And "Imagine," (not the John Lennon song) is really cool - a psychedelic jazz trip-out, with Yma Sumac-ish soaring female vocals. Imagine...Alice Coltrane making

public service announcements. I guess they ran out of ideas for more tree songs because the last two tracks are wild bluegrass instrumental jamz, played so fast I thought I had the turntable on the wrong speed. Can't blame 'em for the filler tho - I mean, how many songs about trees can one write?

 Ray Schmitt and the Free State String Band "A Forest Is..."

Schmitt is still around, mostly making documentary films, but he has a few CDs for sale as well on his site. Since we just had Earth Day, and Arbor Day is coming up (hey, remember Arbor Day?) if there was ever a time to listen to an album like this, this would be it.

Thanks again, windbag!

VINYL-PALOOZA #6: Golden Half 2

Continuing our month-long project of only posting old records previously unshared in blog-land, let's remember Japan's pre-tsunami better days. This early '70s girl-group release is full of upbeat, hap-hap-happy songs, and slick bubblegum production. These gals were probably picked more for how they looked in swimsuits then for their singing abilities - their vocals are okay, they don't harmonize, just all sing in unison. But they're cute, so who cares! And they cover the Partridge Family's "I Think I Love You" and "Proud Mary," sing in both English and Japanese, go Hawaiian and Latin, and cover an absolutely killer Lee Hazelwood song called "Movin'" that I've never encountered anywhere else. Seriously, If any of y'all can tell me anything else about this giddy gem of bubblegum Moog a-go-go, I'd be much obliged. I've looked up all of Hazelwood's albums on Amazon and can't find it on any of 'em. Maybe he wrote it for another singer? My Google-fu skills have let me down this time.

Golden Half 2


1 Movin'
2 Here Comes That Rainy Day Feeling
3 Blossom Lady
4 Proud Mary
5 Mammy Blue
6 Hey! Kapten Fahr Nach Hawaii
7 Chottoa Matte Kudasai
8 I Think I Love You
9 Hey Jude
10 Rose Garden
11 Buttons and Bows
12 Mambo Bacan

VINYL-PALOOZA #5: Slaughter on Central Avenue!!

As a companion to the collection I posted a couple of days ago, "Hollywood Stomp," here's another album of old recordings dealing with Los Angeles, but this time it's every song I could find that mentions L.A.'s Central Ave scene, either by title or in the lyrics. These jazz and/or blues tunes are primarily from the 1940s-early '50s, and swing and rock like crazy, dad, crazy. The vocal numbers often feature humorous hep-cat lyrics, and the instrumentals are smokin', e.g.: the absolutely berserk piano on the Lionel Hampton cut.

Many of the Central Ave all-stars are present and accounted for here, from a pre-crooner Nat King Cole in his earlier role as piano instrumentalist, to proto-rocker Big Joe Turner, of "Shake Rattle & Roll" fame. The madcap Slim Gaillard (also featured on "Hollywood Stomp") drops by to pay tribute, as well.

The Ave. is a pretty ordinary-to-dodgy place now, but you can still visit the Dunbar Hotel (pictured) where visiting royalty like Billie Holiday and Duke Ellington stayed when they were in town. And you can hit the annual Central Ave Jazz Festival.

Slaughter on Central Avenue

Johnny Moore & The

Three Blazers featuring Billy Valentine - L.A. Blues

Slim Gaillard And His Boogiereeneers - Central Avenue Boogie

Pee Wee Crayton - Central Ave Blues

Nat King Cole - Central Avenue Boogie

Crown Prince Waterford - L.A. Blues

Pete Johnson - Central Avenue Drag

Big Joe Turner - Blues On Central Avenue

Lionel Hampton - Central Avenue Breakdown

Private Cecil Gant - Midnight on Central Ave

Herbie Haymer Quintet - Swinging On Central

R. Green & Turner - Central Avenue Blues

Dee Williams Sextette - Central Avenue Hop

Edward "The Great" Gates - Central Rocks

VINYL-PALOOZA #4: Hollywood Stomp - Los Angeles in Song 1920s - 1940s

While still sticking to my plan of only posting records this whole month (nothing taken from digital sources) I admit I got things a little wrong - today's post comes from 78s, and they're made out of shellac, not vinyl. Oh, whatever, this is all utterly wonderful music no matter what it's made out of, all from the first half of the history of audio recordings. And all the songs are about Los Angeles, in some way. Interesting that the name "Los Angeles" is almost never used - "Hollywood" and "California" were the magic words, apparently.

There's a real warm, uplifting, and, dare I say, glamorous feel to these tunes, some of which are also very funny and/or a bit odd. Click on the artist name for info on them, if any.

Hollywood Stomp - Los Angeles in Song 1920s - 1940s

Al Jolson - California, Here I Come

Freddie Quintette Simmons - Hollywood Bound (this and Spivey's tune are some low-down bluesy jazz)

Victoria Spivey - Hollywood Stomp

Spike Jones - It Never Rains In Sunny California (Spike's novelties were so imaginative, they were practically avant-garde.)

Felix Figueroa & His Orchestra - Pico and Sepulveda (Yep, the classic that Dr Demento played on his show for years is still the most perfectly strange and fun

ny record one could hope to hear.)

Joe Raymond and His Orchestra - Hollywood

Robert Clarey - Hollywood Bowl (This Frenchman survived the Nazis, and went on to star in "Hogan's Heroes"!)

Russ Morgan - California Orange Blossom

Cleo Brown - When Hollywood Goes Black and Tan

Slim Gaillard - Santa Monica Jump

Kay Kyser - When Veronica Plays the Harmonica ("...on the pier at Santa Monica..." Some of the most ludicrously silly hep-cat lyrics EVER h

ere; oh, and Kyser was the male band leader - the female singer is Gloria Wood)

Earl Burtnett & His Los Angeles Biltmore Hotel Orchestra - If I Had A Talking Picture Of You (The Biltmore Hotel still stands in the heart of Downtown LA, and is quite the ornate, opulant pleasure palace.)

Collins and Harlan - Those Charlie Chaplin Feet

Roy Rogers - San Fernando Valley (this singing cowboy really d

id live in the Valley, not far from where I grew up)

Hoosier Hot Shots - Avalon (These guys were almost as screwy as Spike Jones)

Modernaires - Santa Catalina (Island of Romance) (This vocal group is backed by Glen Miller's big band.)

Deanna Durbin & Robert Paige - Californ-I-Ay (lyrics as nutty as it gets)

(artist unknown) - HollyWood Polka

Dorothy Shay (The "Park Avenue Hillbilly") - I've Been To Hollywood

Benny Goodman Orch. - Hooray For Hollywood (You know the tune, but check out the rather sardonic lyrics HERE.)

VINYL-PALOOZA #3: The Complete Cockatiel Training Album

As we continue our all-month thrift-store record binge......Today's album was supposed to be played for your pet bird. It would listen to the repetitious tracks and start to imitate them, whistling and talking just like the record. Side one is nothing but unaccompanied whistling of short song fragments, repeated for three minutes apiece. Side two is great if you want your bird to talk like a bored, unimaginative phone-sex operator. The most annoying album ever made??!?!?!?

Actually, the whistling is well done - it is, after all, by Muzzy Marcellino, one of the biggest whistling stars of his day, back when there was such a thing as a "whistling star." The guy even did the bird calls at Disneyland's "Enchanted Tiki Room."

Did anyone ever buy one of these records for the purpose for which it was created, and not just as a source of goofy samples? Do they actually work?

The Complete Cockatiel Training Album

Whistled Tunes
• Pop Goes the Weasel
  
• Charge - Wolf Whistle
• Dixie
• Star Spangled Banner
• Oh Susanna
• Race Track Call
• Beautiful Dreamer

Spoken Word
• Hello Baby
• I Love You
• Hello Baby, I Love You
• Hey, Good Lookin’
• Want to Play With Me?
  
• Hey, Good Lookin’, Want to Play With Me?
• Hey, Good Lookin’, I Love You, Want to Play With Me?

Thanks to windbag!

VINYL-PALOOZA #2: '60s Guatemalan Garage/Psych

Mid-to-late '60s garage/psychedelic rock seems to be some of the most expensive collectors items out there in record-land, and the more obscure, the better. Well, see how many boxes this one checks: it's so obscure, there's no mention of it anywhere on-line that I can find, it's so obscure it's from, of all places, Guatemala. You got yer heavy fuzzed-out guitar, you got yer wah-wah action, you got yer sleazy organ, and you got yer original songs (no Stones retreads here), and most importantly, you got good songs. Some great songs, actually, with a heavy surf influence - a bit late for surfing in 1969 (or thereabouts) but, hey, they're not as trendy as los norte Americanos down there in Central America. If this can't make collectors cream their jeans, I don't know what can.

Side one kicks things off with a massive fuzz-fest that is virtually a one-chord

song, allowing Armando de Leon

Flores a chance to go to town on his guitarra. The cheesy organ on the second song practically takes things into Herb Albert territory (which is fine by me), and only by the third track do we finally get some vocals, and what fine harmonies they are. The 4th song is fast and frantic, but with a definite Latin feel to the melody, distinguishing it from the usual "Louie Louie" clones. "Luna de Xelaju" is an atmospheric waltz-to-rocker with evocative tremoloed guitar, and "Genesis" is another upbeat instro.

Plenty of awesomeness right there, but the medley that takes up all of side two completely shreds - from the standards "Telstar" and "Penetration" to scads of unknown (to my gringo ears) Latin American gems, The Electronic Fountains deliver as perfect an 18 minute set of garage/psych/Latin/surf as one could hope for. Whatever the tune is that starts at around 10:30 (EDIT: actually, I meant the tune that goes from 13:30-15:00), it's now one of my favorite songs. What more could one ask for? Better sound quality, I suppose - the vinyl's worn. But you're never gonna find a copy of it. Bidding starts at..?

ELECTRONICOS LA FUENTE (Google Drive)

ELECTRONICOS LA FUENTE (The Box)


 

VINYL-PALOOZA #1: Space Age Lounge Pop A-go-go!!

It's Vinyl Month here at M4M. Yep, in an attempt to pick up the slack after technical difficulties have kept me from posting much here lately, I'm gonna go thru my 12 inch black round thingies and spend the month featuring some weird old records of drool-worthy obscurity, lovingly hand-ripped from crusty old vinyl on to my new computer (Umm...tell me if the new recording software sounds ok, ok?) Record Store Day is coming up, after all.

We post all kinds of music here, but one thing we can all agree on is the grooviness of '60s Space Age/lounge/ pop. Albums of this sort have been some of the most downloaded 'round these parts, and this one has it all: futuristic Perrey/Kingsley-like keyboards, discotheque dance energy, Roger Roger-esque wackiness, lounge jazz, Latin rhythms, and sample-able funk grooves. It was released by the British library label Studio 1, who had ties to a German company, and I do notice some rather Teutonic-looking names in the writing credits. Otherwise, there's nothing else I've been able to find out about these most talented chaps.

The George King/Joe Corney Organ Sounds

Belated Japanese Tribute Post

I don't want to tell you about this wonderful work of genius, I want y'all to be surprised. Dig:

Read All About It. 

PEOPLE LIKE US: "Welcome Abroad"

We've been singing the praises of UK's master sound collagist People Like Us for ages, but she just might have released her best work yet. Well, actually the album "Welcome Abroad" won't be released for a month (thru illegal-art), but you can listen to it streaming

HERE

The 17-song collection sustains a marvelously trippy feel throughout, with hallucinogenic fragments of old easy-listening records melting and morphing into each other, even as kitsch-fests like "Happy Lost Songs" had me laffin'. At the other end of the emotional spectrum, songs like "Lost In The Dark" are genuinely moving. And "The Sound Of The End Of Music" proves just what I've always suspected: that The Doors weren't doing much more than playing corny showtunes.

The following artists are listed, but there's plenty more: The Beatles, Ennio Morricone, Danny Kaye, Bob Dylan, Rod McKuen, Elton John, Gene Pitney, Elvis Presley, Dionne Warwick, John Denver, Julie London, and Queen. And the use of hissy old '78s is duly noted and appreciated.

Dr. Sarcofiguy

Dr. Sarcofiguy says he is "...part of a group of wonderfully bizarre people who perform as horror hosts. I have a show in Northern Virginia called Spooky Movie Television. I’ve been performing as the character Dr. Sarcofiguy (The first and only African-American Horror Host!) since 1995."

It's good to know that the regional tv horror host is one American institution that has not died out. Make that the singing regional tv horror host: like his predecessors John Zacherly, Tarantula Girl (aka Tarantula Ghoul) and Elvira, Dr. Sarcofiguy has a musical side. Check his debut album Demo(ns) The Many Moods of Dr. Sarcofiguy. It's pretty groovy r'n'b, recalling the likes of Stevie Wonder or Barry White. If Barry White sang about vampires, that is. Sarcofiguy isn't the unhinged singer that Screamin' Jay Hawkins was (he croons in a smooth baritone) but he's the closest thing to it today. The absolutely brilliant song "My Girlfriend is On Fire" is even in that lurching waltz tempo Hawkins favored for such songs as "I Put A Spell On You."

I'm in the process of switching over to a new computer, so I don't have a way to host mp3s right now (tho I should be able to resume putting albums up on Mediafire shortly). I wanted to post the song "My Girlfriend is On Fire," but since that ain't happenin', Dr. Sarcofiguy has personally posted - just for us! - a streaming version of it

HERE

along with another bizarre beauty, "Nosferatu." Oh, and Elvira's back! After 19 years. Don't know if "Movie Macabre" is available anywhere outside of Los Angeles right now, but it's worth a trip here to check it out - it's been spook-tacular so far.

R.I.P. ZOOGZ RIFT

Planet Earth just got a little more boring. Zoogz is dead at age 57 after a long illness. We posted 10 big albums by the man last year.

R.I.P. ZOOGZ RIFT

UPDATE 4/4/11: Ah, poop, the excellent performance from the 'Uncle Floyd' show was taken down. So here's another Zoogz vid, a great devolved cover of Olivia Newton-John's 'Physical':

MUSICAL FULFILLMENT FOR PEOPLE WITH DISABILITIES

My home computer has died, hence, I'm writing this from work (looks nervously around). So, for the time being, I can't post any mp3s you nice folks have been sending me, or record any vinyl. That ever-growing pile of thrift-store records will have to wait. That's okay, there's plenty of stuff a-happenin' in the vast inter-webular 'net-lands out there that I can finally get around to reviewing, e.g.:


Full-Life is a Portland, OR-based center that provides "fulfillment for people with disabilities," and one of their activities is music. Thanks to the good folks at CLLCT, they have two internet releases, the electric guitars/drums raucous rave-up "Tennessee Madonna & the Full Life All Stars," and a kind of solo album by female singer Polka Dotty, accompanied by acoustic guitar. What Dot's singing lacks in pitch is more than made up for in heartfelt lyrics and emotional performances. And I think the "oh yeah" guy's best song is the third one, with it's cool tribal drumming and powerful chord changes. Sonic Youth, step off.

After listening to stuff this pure and beautiful, I don't want to listen to "normal" music (it seems so artificial) or angry music - these are the kind of people we look upon with discomfort and pity, but the sunny outlook here makes the rest of us all seem like a buncha goddamn whiners.

The Full Life All-Stars

01 Portland is the Sweetest Things
02 I wish I was in Tennessee
03 California Girls
04 Mexico Radio
05 Grunge Rock Out
06 Start Singin'
07 Just Singing a Song
08 Workin Blues
09 Oh Yeah
10 Oh Yeah O Yeah
11 Oh Yeah Oh Yeah Oh Yeah
12 Oh Yeah Oh Yeah Oh Yeah Oh Yeah
13 Holiday Song

DUDE, YOU'RE GETTING, LIKE, TOTALLY HYPER

Hyperpiano vs HyperBass Flute: It's a steel-cage death-match between two traditional instruments that have been modified to create very strange new sounds, recorded in improvised duets. Not for the faint of heart! In this corner,

Denman Maroney and his Hyperpiano; taking Cage's prepared piano to undreamed-of extremes, Maroney assaults his instrument "...by stopping, sliding, bowing, plucking, strumming and striking the strings directly with a variety of tools including bars, bowls, knives, bells and mashers of metal, boxes and bottles of plastic, mallets of various kinds, and blocks of rubber." Needless to say, the resulting buzzing and clanging sounds almost nothing like any piano music you've heard before.

The prolific Maroney is part of the New York oddball experimental scene that includes cats like the Gamelan Son of Lion big band, but his Duologues album with bassist Mark Dresser really gives his Hyperpiano a chance to grab the spotlight.

Maroney & Dresser: Bali Nigh
Maroney & Dresser: Bendango

And in the other corner...

Roberto Fabbriciani on his gigantic HyperBass Flute, an instrument you don't hear so much as feel - it's burbles and rumbles beneath Esther Lamneck's flights of fancy on her clarinet-like Hungarian tarogato. The title of their Innova Records release "Winds of The Heart" may sound like the name of a soap opera, but there's nothing corny about these untitled improvised duets. Lamneck's Eastern European influences give the music a bit of an exotic feel.

Fabbriciani& Lamneck: track 9
Fabbriciani& Lamneck: track 12

PHILIP'S STRANGER THAN FICTION

I can find no info on Philip Stranger, but I can tell you that he is a veritable one-man weird-music cottage industry, if so much music in so many styles can be made by just one man. He covers all the bases: Residents-like quirky pop, Phillip Glass-y piano minimalism, found objects percussion, sampling/concrete musics, exotica, noise, electronics ranging from Space Age to punk intensity, and unclassifiable oddities.

He has a tremendous amount of free music up, but here's some highlights I've discovered (recommended tracks in parentheses):

Lettuce: the psych side of 60s/70s Moog intros ("A Meal To Induce Sleep")

Trilogies of the Toilet: "...recorded in a movie theater restroom (great acoustics), utilizing the musicians bodies and voices as well as things found only within the building (bottles of water, film reels, Co2 canisters, toilets, etc.) . No "traditional" instruments were used." ("Africans Can Bang A Can Or Two")

Music 4 Sleeping Babies: aggressive electronics (the Suicide-al techno punk of "Brain March")

Mount Analogue: Electronic instros with Minimalism influences (a nutty cover of Mungo Jerry's "in The Summertime")

proj. #1, 1999: I have no idea what to make of this assortment of cartoonish sounds and vocals ("Pan Toodie Hed Thrice," "Simbionic")

Plays Piano: does what it says on the tin ("Ode To Satie")

Abstract Habitat: Quirky semi-noisy electro-pop; almost danceable ("Anything You Want to I'll Let Ya", "Himane Waltz" - not a waltz, but rather Afro/exotic)

Eyeball Music: A tribute to the Residents ("Tribal Teddy," an original, and a cover of "Constantinople")

Hypnagogia: ("Frenzied Joy Erupted & Ruptured From Within" - tinkly xylophone melodies + flatulent synths)

Zanhour: (the self-explanatory "Midimalism," the twisted robot voices of "Pepe Pull-o" sounds like HAL-9000 after someone dumped a bucket of water over him)

UPDATE 3/30/11: Got a note from the man hisself, who tells us that he's from California, hasn't played live much; is planning new projects thanks to the attention this post has given his music (yay for me!), and sent along a suitably strange list of Fun-to-Know Facts:

> I have a set of Egyptian mummy teeth in a jar.
> Elton John, Paul McCartney and I have all played music on the same Harpsichord.
> I cry every time I listen to Beethoven's 9th Symphony.
> My fingers are all slightly crooked.
> I love The Three Stooges as well as the Fleischer's Popeye cartoons.
> Tribal Teddy is not an original composition, but a cover of The Residents Teddy from Prelude to the Teds.
> I have an accidental collection of clown paintings.
> Harlan Ellison once accused me of stealing books from a library (a false accusation I might add).
> I have performed exactly one stage-magic show in my life.
> I was asked to and did briefly perform on the legendary upright piano on Main Street U.S.A. at Disneyland.

So there ya go.  (I also had an interesting run-in with Harlan Ellison, by the way; but that's another story.)

RADIO MUSIC

You've heard music on the radio? How 'bout music from radio? Cage did it back in the '50s, and more recently, Chicago's Jeff Kolar has released a free on-line EP of music made from radio broadcasts. Kolar is an accomplished artist and conceptualist - I especially like the music for his Mahomet Aquifer Project - but for this project, he tells me: "...all material was generated and composed by/through the use of homemade radio receivers and transmitters. Within the pdf booklet there is a circuit diagram of the low-powered transmitter I designed. All analog material - no digital."

The first track is ambient static, eventually developing into more 'musical' tracks, including some amusingly kitschy old ads.

Other Voices

Coincidentally, I've been diggin' an album called "Radio" by Exile (no, not the guys who did that horrible '70s "Kiss You All Over" song) that is made entirely from Los Angeles radio. Excellent head-nodding avant-hip-hop that DJ Shadow wishes he made.

Exile "Frequency Modulation"

Exile "Love Line"

MARCH FORTH!

I propose that we officially make March 4th 'Alternative Marching Band Day.' March 4th = March Forth. Geddit? And if any traditional American musical style needed alternative-ising, it's the marching band. Long relegated to playing century-old standards at political events and school football games, the genre started to loosen up a bit in the '70s when university bands played the occasional irreverent pop/rock covers amidst the usual Sousa stuff.
In the '80's, a bunch of downtown New York arty-smarties called the Les Miserable Brass Band made a definitive break from both the mainstream and the far more fun (but still traditional) New Orleans styles, interjecting international, modern jazz and experimental influences, and songs like Jimi Hendrix' "Manic Depression." Meanwhile, on the opposite coast, and with the opposite intentions, a gang of drunken Northern Californians called the Ophir Prison Marching Kazoo Band and Temperance Society, LMTD came on like Spike Jones saying "fuck art, let's (polka) dance" with their colorful costumes, stage names, and between-song comedy routines.

In recent years a veritable alt-march explosion has taken place, with numerous bands popping up across the country comprised of former school "band geeks" who still wish to perform, rock and rollers, jazz musicians, non-musicians, and sometimes street performers dancing, walking on stilts, breathing fire, etc, accompanying the blaring brass and thundering drums. No longer relegated to marching across a field at sporting events half-time, they roam city streets, making unscheduled guerilla performances in parks or on subways. They play rock clubs, and show up at political rallies. Some wear a kind of uniform, e.g. red pants & white shirts of any style, and some wear traditional band uniforms, but mis-matched, of any color. Non-traditional instruments (accordions, anyone?) are sometimes thrown into the mix.

I first wrote about this phenomenon after encountering L.A.'s awsome Killsonic crew, and got a number of comments from you fine folks heppin' me to other amazingly talented bands out there (thanks, gang!). Here's a sampling of recent albums now for sale (so go buy 'em) by the new march underground displaying a wide range of styles and sounds.
Avant-March - A Music For Maniacs Compilation

01 Ophir Prison Marching Kazoo Band and Temperance Society, LMTD (Folsom, CA) - Neutron Dance [great cover of a Pointer Sisters song that I'd never really given much thought to before]
02 What Cheer? Brigade (Providence, RI) - Malaguena [Cuban song, with a surf beat - GNARLY]
03 Revolutionary Snake Ensemble (Boston) - Soul Power [hmm, how do they march with that funky poppin' electric bass? Led by a member of Birdsongs of the Mesozoic]
04 Rude Mechanical Orchestra (New York City) - Push It [Salt 'n Peppa never sounded betta]
05 MarchFourth Marching Band (Portland, OR) - Ah Ya Bibit [incredibly powerful ethnic-influenced track - but which country? - from the band that gave this post it's name/concept]
06 Killsonic (Los Angeles) - El Cu Cui [female vox en espanol]
07 Extra Action Marching Band (San Francisco) - Back That Ass Up
08 Infernal Noise Brigade (Seattle) - Gas-No Gas [we posted an entire album by this now defunct but influential outfit HERE]
09 Mucca Pazza (Chicago) - Romanian Dance No1 [Balkan influences are not uncommon with many of these bands]
10 David Byrne - In The Future [the former Talking Head made his 1985 album "The Knee Plays" with the Les Miserable Brass Band]
11 Asphalt Orchestra (New York City) - Zomby Woof [a Zappa cover, courtesy of a Bang On A Can spinoff group]