ll Mafia would like you to think that surf music never happened.
Chris Swank, a very kind and generous Maniac, has compiled four-count 'em-FOUR cds worth of wonderful tuneage: novelty, outsider, garage rock, celebrities, New Wave oddities, mashups, space age/Moog, and general weirdness, including plenty of songs that were originally posted here, but have since gone off-line.
andish bit of pulp brilliance that's easily as entertaining as any of his films. His non-fiction movie-world expose "Hollywood Rat-Race" is also quite wonderful. Check these quotes:
Since we haven't had much in the way of good news out of Asia lately, let's check out the East during some of it's better days. The crucial Sublime Frequencies label's latest edition of it's "Folk & Pop Music of Myanmar (Burma)" is called "Music of Nat Pwe." It's all fairly bat-shit crazy (to use the ethnomusicological terminology.)
appropriate name considering their classical vs. metal approach. Which reminds me of the metal-goes-classical of Estonia's Rondellus. Back in 2002 they released an album's worth of Black Sabbath covers ("Sabbatum") performed in medieval and Renaissance music styles, complete with lyrics translated to Latin. It's all quite lovely, played on things like lutes and harps, and makes Sabbath sound positively civilized. Holy, even.
Beach party! Ingredients below.
s Hamburger Penis: Commodores "Three Times a Lady," Throbbing Gristle "Hamburger Lady," audio from a documentary about mental illness that I got off of the Cake and Polka Parade blog
By request:
r Forbidden Planet was the first major motion picture to feature an all-electronic film score — a soundtrack that predated synthesizers and samplers. It was like nothing the audience had seen — or heard. The composers were two little-known and little-appreciated pioneers in the field of electronic music, Louis and Bebe Barron." From the score to Forbidden Planet:
time, Boston's dj BC has just released a dandy on-line remix/mashup tribute to the pioneers of electronic music called
From YouTube: "My nine-year-old son was diagnosed with autism at age three... and is completely nuts about 80s hi-tech musical wiz Thomas Dolby. Here he does his version of TD's biggest hit...on pretend instruments he made himself, and doing percussion, vocals and all instruments orally."
house version of "In The Mood." As silly as it gets.
It's the merriest time of year - that annual celebration of rebirth, renewal, resurrection. Some call it Easter, but we call it...Zombie Day! Jesus might be the most famous fellow to rise from the grave and walk amongst the living, but he certainly wasn't the last. 'Tis the season for getting together with family & friends, gathering around the tv and watching "Night of the Living Dead" again. Or maybe "Dead Alive" or "Shaun of the Dead" for a more "modern" non-traditional celebration. I'm hoping for Zombie Day greeting cards, parties, TV specials, etc. There are plenty of Zombie Day Carols to sing as you stroll (or lurch) from door to door, bringing holiday cheer to your neighbors, starting off with two bona-fide classics:
Monday night at the Egyptian Theatre in Hollywood I saw the Rutles - no, not just the 1978 film "All You Need Is Cash" (though they showed that too) but the actual original foursome. As a huge Python/Rutles/Bonzos fan from childhood, I just about fell off my chair when I read the Rutles were back - the Pre-Fab Four! A legend that will last a lunchtime. A millstone in pop music history.
Caninus are a Brooklyn based metal band who say about their music: "Vocals are executed by two pit bull terriers. Both were rescued days before euthanization from refuges. Caninus - all strict vegans. It has come time really to allow the animals to have their say."
"Girls Rock" is a documentary film opening in limited release tonight about a music camp for young girls. They form bands and write songs - in one week. "It doesn't have to be polished" they're told, and with genuine rockers like Carrie Brownstein of the band Sleater/Kinney coaching the kids, you get some real Shaggs-gone-punk moments of musical loveliness, like this one featuring Palace (pictured), an 8-year old hellion, on lead vocals:
Palace: "San Francisco Sucks Sometimes"
Another furious rocker finds a moppet declaiming, "With every passing day/It becomes clearer to me/That the only way to live/Is with nature's beauty/and harmoneeeeeey!"
The Bookworms: "The World Becoming A Wasteland"
"We'll Destroy Our Destination" slows things down to an atonal, rhythm-less grind.
Some critics bemoan the film's heavy-handed girls-as-victim messages sprinkled throughout the film. Perhaps the filmmakers thought that simply showing these gals singing and playing their hearts out wouldn't be enough justification for a film...
Among the "sounds of space" collected by University of Iowa instruments: the eerie sounds and bizarre features of Saturn's radio emissions captured by the Cassini spacecraft. Whooshing winds and theremin-ish wails - I love it because it sounds exactly like what I think outer space should sound like.
h the piano play itself. The organizer, Veronika Krausas, apparently thought that this would be too uninteresting, so she asked her acrobat friends from Circe de Soleil to change the rolls, throwing in some acrobatics along the way. And a (seemingly under-rehearsed) bluegrass band played occasionally as well. A couple artsy black-and-white silent short films played during some of the music. I don't think Ms. Krausas was trying to be weird, but the surreal combination of these elements certainly added up to a real head-scratcher of an evening.
1. I Wanna Be Your Girlfriend
ca comes this album of music made by taxi drivers using parts from their vehicles - not the modern electric horns Ms. Chambers uses, tho. They still use honk-horns. Car Horns Unplugged? "Por Por Horn to Horn Fireworks." Throw in some singing, chanting, and auto-part percussion along with the horns, and you got 
