PALAOA - Live from the Antarctic Ocean

UPDATE 12/8/11: Audio now back up

PALAOA is a German scientific research project whose website features a continuous audio stream transmitting live from the ocean below the Antarctic ice. It's the best ambient music I've heard lately, and it's not even music.

Sometimes it sounds like an abundance of sea life singing, howling and braying, mixed with creaking glaciers, and "...Additional broad band noise caused by wind, waves and currents adds to it on occasion. There are three sources of click-like interference: switching relays, electrostatic discharges caused by snow drift, and...thunderstorms ten thousands of kilometers away."

Here's a random recording I made off the stream recently. I really had to crank up the volume using my music software, but when I did I was startled to hear so much sonic activity and variety. It's 19 minutes long, but I could listen to it all day.

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BAGPIPES FOR HEADBANGERS

Duuuude! Have you heard Eluveitie's latest album "Spirit"?

Whoooah! Those Swiss metal monsters have a new album of Celtic thrash? Awesome! I'm majorly into bagpipes, accordians and fiddles - they rock!

Totally. The whole album's solid - when the rock crunch gets a bit too heavy, they folk things up a bit.

It's like The Pogues meet Sabbath!

Yeah! Those death-metal vocals are still hella funny, though. Sorry, but it's true, especially when he's, er, "duetting" with a folkie chick. She's like "Tweedle deedle dee!" and he's all "Rowr rowr rowwrrrr." Weird. And lyrics are in Gaelic sometimes.

Huh huh, you said "Gay lick!"

No, "Gaelic," dumbass, like the ancient Celtic culture and whatnot. You know, like Druids 'n' shit.

So crank some, dude!

For sure man. Check out this tune. Starts out all scary and ambient, then gets down to business. All over in two and a half minutes.

YES!!!

Eluveitie: Spirit

All jocularity aside, these guys (pronounced el-VEY-ti) have turned in one of my fave albums of the year. Who'd have thought that Celtic-folk-metal would ever be a viable genre?

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WORLD TOILET DAY

Did you know that today is World Toilet Day? I read that in the newspaper this morning. Guess where I was reading it.

The history of toilets is a surprisingly interesting one. As this article points out, modern indoor plumbing can be traced back to London's Big Stink of 1858, which was so bad, Parliament was disrupted and "everyone who could leave town did."

It's a serious issue, but nothing serious about today's song. Styx, yes THAT Styx, recorded this faux-calypso in their early years. It's a hidden track on the cd reissue of their 1974 album "The Serpent Is Rising," which suggest they're embarrassed (em-BARE-ASSED?!) by it and are trying to hide it. It's a dumb song all right, but catchy, funny, and certainly preferable to their later dreck.

Styx "Plexiglass Toilet"

(I used to call 'em "Stynx." How appropriate that was.)

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YMA SUMAC: The Queen of Exotica 1922-2008

Yma Sumac, the Diva Exotica, the Celine of strange, the Barbra of the bizarre, passed away recently, thus ending the original exotica era - she was the last surviving member of the Mount Rushmore of exotic music after Les Baxter, Martin Denny and Arthur Lyman had all moved on to that big tiki bar in the sky.

Sumac was one of my favorite singers. I don't mean favorite exotic or ethnic or '50s singers, I mean favorite singers, period. She possessed an otherworldly, technically astounding multi-octave instrument that moved from death-metal growl to operatic ecstasy - sometimes within one song. She often didn't even seem to sing lyrics, but created animal sounds and other indescribable special effects with her voice.

Hailing from Peru, South America, she lived here in Los Angeles and was a fixture in LA's jazz/cabaret clubs throughout the '80s and early '90s, though her reputation rested almost solely on a handful of '50s releases, beginning with the Les Baxter produced classic "The Voice of the Xtabay" (pronounced "SHTA-bay") in 1950 for Capital Records. The mixture of lush orchestrations, energetic Latin/ethnic percussion, weird atmosphere, and Yma's whooping, swirling, alien voice produced some of the most remarkable albums of the '50s.

Yma Sumac "Kuyaway (Inca Love Song)"
from "Legend of the Sun Virgin"

Yma Sumac "Five Bottles Mambo" (yes, actual bottles are used as percussion)
from "Mambo!"

Yma Sumac "Dale Que Dale! (The Workers Song)" (almost a surf/twist-rock beat to this one)
from "Fuego del Ande"

Yma Sumac "Jivaro"
from "Legend of the Jivaro"

And that was about it. She toured throughout the '60s, from whence comes an obscure live album released in the early '90s of a performance in the Soviet Union (how she pulled that off during the Cold War I do not know.) On this song, twice as long as the original version on "The Voice of the Xtabay," she really dumps everything out of her bag of sonic tricks, vocally imitating the wildlife of the Amazon.

Yma Sumac "Chuncho"
from "Live in Concert 1961"

She returned for one last album, "Miracles," in 1971, reuniting with Baxter for...wait for it...a psychedelic rock album. She still sang the way she always did, only this time over heavy guitars. Take that, hippies!

Yma Sumac "Medicine Man"

She made one last recording in 1988, a surprisingly normal version of a Disney song for a various artists comp.

Yma Sumac "I Wonder" (from "Sleeping Beauty")

from "Stay Awake"

The '90s lounge revival produced this excellent remix. I'm not usually too crazy about marketing-driven remixes of old classics, but I did really like this one:

Yma Sumac "Gopher (Mambo) [Qburns' Abstract Message remix]"
from "Electro Lounge"

From Poland of all places came this mashup from a few years ago:

El Barto & Liam B "Planet Mambo" (Yma vs Afrika Bambatta)

See Yma in action! From the 1954 Charleton Heston film "Secret of the Incas."

THIS JUST IN! Just got a note from Nick Limansky, author of the new book Yma Sumac: The Art Behind the Legend . He's a classically trained singer, and, incredibly, has been working on this project since 1980. It looks to be an essential part of any Maniac's library.

RIAA: Madnight

The inspirations for this one: Dreams, nightmares, Los Angeles noir film and literature, "lowbrow" and Surreal art, carnivals and sideshows, 78 rpm records, weird old black and white movies, autumn...

It's not all mere found-sound editing, e.g. "A Frottage Co-Sale" - the vocals are lyrics to the old tune "A Cottage For Sale" fed into a text-to-speech program, then almost every syllable was pitch-shifted to get it in tune with the melody. And the title song features live multi-overdubbed theremin.

RIAA: "Madnight"

1. The Dead Stay Awake
2. Wild California Love
3. Murderer's Polka
4. Hip in a Box
5. How Fucking Nocturnal
6. Madnight
7. I Don't Want To Set the Slogun On Fire
8. Dead Man's AYDS
9. Running With The Devil Bunnies
10. In A Masochistic Mood11. Always Another Sucker On The Vine
12. Crows Over Martha
13. Lauratrocity
14. Scatter-Brain Freaks
15. I Wish You Bullets
16. Macabre Bowel Movements.
17. Carnival Jesus Tongue
18. Well, Bust A Move
19. A Frottage Co-Sale
20. Who's Afraid In Dark Trees?
21. Got To Be In My Dreams
SOURCES:1. Criswell, from the Ed Wood film "Orgy Of The Dead," Susanne Vega " Stay Awake," Amy Winehouse "Back To Black," text-to-speech audio, Kate Bush "Waking
The Witch"
2. Alan Ladd from old-time radio version of Raymond Chandler's "Red Wind," Dr Dre "California Love," The Doors "My Wild Love"
3. Charles Bukowski "I Live In A Neighborhood of Murderers," artist unknown "Holly Wood Polka"
4. Portishead "Glory Box," Ursula 1000 "Hip Length"
5. Magnetic Fields "How Fucking Romantic," Harry James & His Orchestra "Harlem Nocturne"
6. amusement park audio, karaoke version of Cole Porter's "Night and Day" vs Mr Fab on the theremin
7. Ink Spots "I Don't Want To Set The World On Fire," SPK "Slogun," World Famous Audio Hacker "Bonus Beats"
8. 2 takes of Jelly Roll Morton "Dead Man Blues," radio ad
9. Van Halen "Running With The Devil," Twink "Hoppity Jones," Al Trace "I Love A Rabbit"
10. Glenn Miller "In The Mood," "Glen or Glenda" soundtrack, Florence and the Machine "Kiss With A Fist"
11. Tom Waits "Just Another Sucker On The Vine," Crispin Glover "Never Say Never to Always" (a Charles Manson song)
12. Tom Waits "Martha," If-Then-Else (aka The Weirdos) "Crows Over A Parking Lot," drums: John Bonham ("In Through The Out Door" outtakes)
13. Julie London "Laura," Joy Division "Atrocity Exhibition"
14. a Wurlitzer fairground organ "Scatter-Brain," Britney Spears "Freakshow," "Freaks" soundtrack, Son House "Death Letter," beat: Michael Jackson "Billie Jean"
15. Charles Trenet "Que Reste-t-il de Nos Amours?" (aka "I Wish You Love"), U2 "Bullet The Blue Sky," M. Foon "Octaaves"
16. Brenda Watson "Constipation: The 30 Day Advanced Cleansing System," Harry Breuer "Samba Macabre," Lisa Lisa & Cult Jam "I Wonder If I Take You Home"
Jimi Hendrix "ESP"
17. audio from Children's Fairyland amusement park; Mormon kids "Jesus Wants Me For A Sunbeam," Combustible Edison "Carnival of Souls"
18. Captain Beefheart "Well," Young MC "Bust A Move" (original version and remix)
19. Guy Lombardo "A Cottage For Sale" with text-to-speech vocals, Kate Bush "The Dreaming"
20. Brian Eno "In Dark Trees," school filmstrip audio: "Who's Afriad?"
21. Les Paul & Mary Ford "I'll See You In My Dreams," Michael Jackson "Got To Be There," Sal Mineo "Love Affair," Lawrence Harvey "This Is My Beloved"

Miscellaneous bits 'n' beats by RIAA

THANKS! to: Solcofn, Otis Fodder & the 365 Day contributers, World Famous Audio Hacker, the guy from Tortoise who did a drum breaks album, whoever the nice GYBO person was who made the "Glory Box" 'pella available, CORPORATION.

MY DICK

My Dick are a song parody group who state their mission thusly: we take famous songs and change the lyrics so we're singing about my dick.

If you're male you're probably laughing. You may hate yourself for doing so, but you're laughing. Stupid, stupid, immature! But funny. Admit it. And all the ladies in the house are rolling their eyes.

The reality isn't quite as funny as the concept, but it's still pretty good. They play and sing really well, quite pro, actually. And I like how they slaughter sacred cows of music by seemingly taking the most offensive choices of songs to use, e.g. John Lennon ("Imagine Dick") and Eric Clapton ("Dick In Heaven.")

Some songs available on their MySpazz page.

At a recent performance in Boston they unveiled such new treasures as the Mexican standard "La Dicka," and the Hall & Oates classic, "My Dick Is On My Dick."

Stop smirking. I see you!

WELCOME TO THE TERRORISTDOME

Fun-da-Mental are a veteran rap group based in England whose 2006 song "Cookbook D.I.Y." was banned there because it gave explicit instructions on how to make a bomb. Bandleader Propa-Ghandi is a Pakistan-born Muslim. Though the song is open to interpretation as it is narrated from a number of points of view, Mr. 'Ghandi didn't come off too well when he was interviewed in the new Bill Maher film "Religulous." When Maher asked him about the fatwa against writer Salmon Rushdie, the rapper (aka Aki Nawaz) appeared to condone it. Is he a fun-da-mentalist?

So far as I know, this song is still banned in the UK, and has never been released in the US.

I always liked Fun-da-Mental's music. They were a kind of Indo-British Public Enemy, decrying social injustice and racism over Bollywood-sampled beats. And I dig the music of this tune. But, as I said to my wife, I don't know if the real Ghandi would appreciate having his name appropriated by a group who named their album (from whence comes this song) "All Is War (The Benefits Of G-Had)." She replied, "Yeah, but you liked "Cop Killer"!

Fun-Da-Mental: "Cookbook D.I.Y." (mp3)
Fun-Da-Mental: "Cookbook D.I.Y." (video) - As if the point could be missed, the lyrics/instructions are spelled out on the bottom of the screen.

Weird trivia: Aki Nawaz played drums in Southern Death Cult, who became one of my favorite guilty-pleasure bands, The Cult. I'll leave any "death cult" jokes up to you, dear readers...

LESBIAN SEAGULL

One day in the early '90s, I was looking through one-dollar records in a thrift store when I came across one called "Gay Name Game." With a song entitled "Lesbian Seagull" listed among it's contents, how could I resist? The album is a typical sensitive singer-songwriter acoustic relic of the '70s, though the out-and-proud lyrics certainly set it apart from, say, James Taylor.

So imagine my surprise when in 1997, in the middle of a mainstream Hollywood film ("Beavis and Butthead Do America"), one of the characters starts singing "Lesbian Seagull." And legendary crooner Engelbert Humperdinck sings it over the closing credits! Eh, what?! I guess Beavis and Butthead creator Mike Judge must have stumbled across this record, too.

Thus, a strange curio from the original gay-rights movement enters the mainstream. It is an amazing tune. And it's original performer, Tom Wilson, is alive, well, and still selling vinyl copies of "Gay Name Game" on his website.

Tom Wilson: "Lesbian Seagull"

Caw, caw, caw!

NIGHT OF THE LIVING MONSTER MASH-UP

If you're like me, you want it a little spooky all year long, so why wait 'til the 31st? Get creepy NOW! with this collection, the fifth annual international mashup/sound-collage various artists fest compiled by England's DJ Cheekyboy. .

Night of the Living Monster Mash-Up official page

DOWNLOAD

Disclosure: I'm one of the mix-ologist involved in this big ol' heap of '60s garage rock, horror film dialogue & soundtracks, candy, lesbianism, satanism, hissy old 78s, mambos, boomin' beats, kiddie records, spooky sound bites and fx. And, of course, Bobby 'Boris' Pickett.
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David Liebe Hart: Artist & Creator

David Liebe Hart believes he was abducted by aliens, hosts a public-access TV program called "The Junior Christian Bible Story Puppet Show," draws pictures and performs music for tips on the streets of Los Angeles, and is looking for a woman.

He has recorded 2 albums: the first (Christian Hymns and Songs of Praise) featured his religious songs from his tv show and was recorded on a tape recorder at a friend's apartment. Taken in small doses, I find the hypnotic droning songs strangely compelling. And this, like many Angeleno's, was my first exposure to Hart's weird world - flipping thru the tv wasteland, I chanced upon the incredible sight of a ventriloquist's dummy named Chip The Black Boy in an already-dated Jeri-curl wig apparently lip-synching to an odd religious song, but not coming close - the dummy's lips rarely synched up with the song being performed, as this video demonstrates.

"Public Access" is his fine follow-up, recorded with a sympathetic soul named Adam Papagan, who had added more sonic color to Hart's previously no-fi production. The song's lyrics, however, are entirely by Hart, and they deal with such subjects as his lack of success with women, people who won't let him play his music, space aliens, his nice apartment, his church, racism, the importance of public-access television, show-biz folks he has worked with (Gary Marshall "used" him, and Robin Williams won't return his calls) and, in the 13-minute "Story of David Liebe Hart," his entire life's journey. He remains upbeat and optimistic and looks forward to a long life and future songs. From his web site: "He is also looking to meet young, attractive, single women. If interested and you meet these qualifications, please call him at 213 3810791. If he is not there, leave a brief message and what you'd like to say with your return phone number and the best time he can call you. Say it slowly and clearly and repeat it twice, and he will return your phone call as soon as he comes in. (serious calls only)."

The album's opener is a dandy minute-long statement of purpose; "Korendian Honk" is a disturbingly sincere ode to aliens, complete with an actual phone message intro announcing his plans to visit the "Korendians."

David Liebe Hart: Artist and Creator
David Liebe Hart: Korendian Honk

MY TRIBUTE TO TONY ALAMO

Today's mp3 is the most spectacularly awful music I've heard in a while, a kitsch epic. But there's more to it then just that.

That's because today's music is by the infamous Tony Alamo, in the news yet again, this time for kiddie porn. The FBI raided his Arkansas compound. Sure, he's in the South now, but I remember when we had him here in Los Angeles. I discovered one of his tracts on a school bulletin board over 20 years ago and have been following the man's exploits ever since.

The tract was a conspiracy theorist's wet dream, claiming that the Catholic Church controlled all the major media outlets, and told every big business and politician what to do. As someone raised as a Catholic, I was outraged! What! I exclaimed, Where's my major tv network or magazine that I can control?!? All the years we spent on parochial school, going to church every Sunday, giving who knows how much money to the collection basket - why weren't we in on the conspiracy? Not fair!

Alamo used child labor to make ugly jackets for rich idiots, was wanted on tax charges, and fled town, leading the FBI on a cross-country chase that, at one point included stealing his dead wife's body from a tomb and carrying it with him while still on the lamb!

Like so many religious/cult leaders, he makes music, much of it country, with gospel-style vocals, all dominated by Alamo's warbly baritone. Doesn't get much better then this tune, which might be a more recent recording, judging by his aging voice. He bellows out the lyrics like a drunk hollering "Wind Beneath My Wings" at a karaoke bar, while the increasingly bombastic music overwhelms the listener, like a Phil Spector production for the deranged.

Tony Alamo: My Tribute - To God Be The Glory

His website is a monument to paranoid madness. A supposed Jesuit oath claims that, in their war against non-Catholics, Jesuit priests are sworn to '...hang, burn, waste, boil, flay, strangle, and bury alive these infamous heretics; rip up the stomachs and wombs of their women, and crush their infants' heads against the walls," and an interview with a mafioso claims that "Bush, the Pope and other top Vatican and U.S. government leaders had prior knowledge and help organize 9/11...to get their hands on all the gold that was hidden below in the Twin Towers." Golly! No wonder the powers that be are always persecuting Pastor Alamo.

King Of The Road - A Bastard Pop Tribute To Dean Martin

Compiled by DJ Clivester, "King Of The Road" is a brand new variety show mixing Dino with rock, electro, reggae/ska/dub, kooky samples, excerpts from Rat Pack shows, even some swing. My favorite might be this gem from Austria's DJ Schmolli, giving Mr. Martin a '60s soul groove:

DJ Schmolli: My Girl Is King Of The Road

And then there's this mutation, featuring a barnyard's worth of Beatle-besotted animals backing Nancy Sinatra, Dean, and a spot of the Beach Boys.

RIAA: "I Saw Her Things (Pet Sounds mix)"

The whole woozy cocktail party, inc. 14 tracks and artwork is here:

King Of The Road - A Bastard Pop Tribute To Dean Martin

ROAD MUSIC

The Honda car company cut grooves into a California highway so that it produces the "William Tell" overture (aka the "Lone Ranger" theme) as you drive over it. Saw this video on the news last night and found it on Advertising Age's website:

My Tires Must Be Flat, the 'William Tell' Overture Sounds Out of Tune

Japan already did this last year, as this article reveals. There's something rather flatulant sounding about the music in the video. A similar concept, an "asphaltophone," was created in Denmark in 1995, and Korea has a road that plays "Mary had A Little Lamb."

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The California road was supposed to be paved over yesterday so I guess I missed it. Cool idea, hope more music like this gets created. How about a big area out in the desert somewhere with lots of these grooved song-roads, all in tune with each other, where anyone can go and drive around on 'em all day?

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BARACK 'N' ROLL

Regardless of what you think about Barack Obama's politics, you must admit that the man is a pop-cultural phenomenon. Has there ever been an American politician who has had so many tribute songs written for him? I've been collecting as many of them as I can find, figuring they're going to be a weird piece of history. And, believe me, it doesn't get much weirder then this one.

Don't know who Buddy Lewis is, but this tune is the funniest, retarded-est bit of Barack 'n' roll I've heard thus far. Because Obama is of mixed race, he did a parody of Cher's '70s hit "Half Breed." Tasteful, eh? Wait, it gets even better: he sounds like a middle-to-old aged Texas trucker, his karaoke backing track is pure cheese, and the video is ridiculous (I recorded the audio from the video). His lyrics are funny, and he sounds like he's having a good ol' time.

Bucky Lewis "Half Breed" mp3
Bucky Lewis "Half Breed" video

I won't describe this one - you just gotta hear it. Not as "outsider" as "Half Breed," but still very odd and funny:

Clare and the Reasons "Obama Over The Rainbow"

"Half Breed" got me thinking - if Obama is only half black, why is he called "black"? If you're half-white, couldn't we just as easily call him "white"? Let's try it! We'll get everyone asking:

Is America ready for a white president?

Won't he just be pushing the "white agenda"?

MORE MUSIC FOR WEIRDOS

He promised, he delivered. Last June, a Maniac of the highest order named Chris made available a treasure-trove of musical sickness for all of you good people, and said there might be more on the horizon. Sho' 'nuff, he's compiled another CD's worth of novelty, outsider, groovy oldies, celebrities, New Wave oddities, mashups, and unclassifiable audio oddities.

Music For Weirdos Volume 5

Thanks again, Chris!

A Kaleidoscope of Meaningless Ectoplasms pt.2

We first wrote about filmmaker Ed Wood here, but let's get into his 1953 feature debut, "Glen or Glenda." "Plan Nine From Outer Space" is the film Wood is most famous for, but "Glen or Glenda" might be my favorite. It's not genre sci-fi/nudie/exploitation like Wood's other stuff. Actually, I don't know what the hell it is. It's usually described as a ground-breaking look at cross-dressing. Well...sort of. Documentary realism is mixed with pure surrealism that doesn't really have anything to do with the subject, such as the weird devil guy (pictured), a taunting little girl, and Bela Lugosi in a mad scientists' lab. These characters don't seem to be real figures in Glen's world, or even figments of his dreams, but rather are symbols of...something.

Wood isn't ranked with the film world's prime surrealists, but these scenes are pure David Lynch, complete with ambient drone soundscapes. Divorced from the visuals, they make for fascinating listening.

"Bevare!" (Bela Lugosi)
"Pull The String" (Bela Lugosi)
Little Girl

Contrast the above clips with this amusingly straight-faced narration describing Glen's dilemma:

Glen or Glenda narration

UPDATE: LARGE HADRON RAP

Thanks to this page, we now have a good quality mp3 of the particle physics rap song we wrote about here, as well as the lyrics, and the vocal track (!) for you remixers/mashupers. I took down the crappy quality mp3 and uploaded the good quality mp3.

THE FLY: THE OPERA

Playing now in Los Angeles until Sept. 27. David Cronenberg (!) directs; conducted by Placido Domingo(!!); music by Howard Shore, who did the score to "Ed Wood", among others. Not a musical, not a joke, but an actual fat-ladies-in-Viking-hats opera. About a dude who turns into a fly. Could I make this stuff up?

Cronenberg, of course, directed the '80s film remake, but the opera's set in the '50s, a la the original Vincent Price film.

The Fly: The Opera

No word yet about a soundtrack album, and there's no music on the website (except heard in the background of some documentary clips) so here's a classic piece of early '60s rock'n'roll sickness inspired by the film:

The Monocles: "The Spider And The Fly"

French lounge combo's weirdly sultry femme fatale Cramps remake:

Nouvelle Vague: "Human Fly"

There's even a song saluting the sequel to the original '50s film, by '80s horror rock legends:

The Misfits: "Return of the Fly"

Finally, a killer spooky surf instro from one of Northern California's premier '60s garage revivalists:

The Mummies: "The Fly"

HAPPY HAPPY JOY JOY!!

The '90s cartoon "Ren and Stimpy" was great for many reasons, and one is the music. So I was delighted to read that some industrious fans have compiled two volumes worth of music used in the show for your free downloading pleasure - an absolutely ridiculous seven (7) hours worth! It's mostly '50s library scores of every possible genre, from noir to ethnic to sci-fi to (of course) cartoonish silliness. Haven't heard all of it (will I ever?) but a lot of it seems to be cheerful suburban background music, full of post-war Space Age optimism, perfect for school documentaries.

I couldn't find any mention of him on the show's imdb page, but I think I read somewhere that WFMU's Irwin Chusid was the music consultant. Can anyone confirm this?

Ren & Stimpy Production Music Part 1
Ren & Stimpy Production Music Part 2

This treasure trove comes to us courtesy to two pretty rad looking blogs: DigitalMeltd0wn and Secret Fun Blog. While listening to the music, you might want to peruse the incredible archives of '50s ad art at Plan59.com. I recently blew at least a half hour of work time checking out pics like this one:













Yet another big thanks to solcofn!

THE CHRISTIAN RAMONES

"All-acoustic hybrid of evangelical Christianity and the Ramones." Can this possibly be for real?

The Christian Ramones

"Gabba-gabba pray."