Showing posts with label rock: surf/garage. Show all posts
Showing posts with label rock: surf/garage. Show all posts

Wednesday, June 18, 2014

Les Dauphins: Just Another French/Algerian '60s Rock Band

One of the first French-language rock groups was this intensely obscure band with a near-unsearcheable name.  Look up "Les Dauphins" and you'll get lots of French sites about actual dolphins. I did find one site in Russian that offered this brief blurb:
"Dolphins" - a group of French Algerian port city of Oran (Oran). Created brothers Gerard and Robert Shatelenami together with Alain Martin, Andre Castro and Gilbert Hullo. Existed in the years 1964-1966, longpleya not released, was 4 EP's, released via Columbia ... Almost all of the band's work has been collected in 1993 on this compilation. Vocals - exclusively in French." Thank you, Google Translate!


It's another curio from the days when non-Anglo-American cultures were grappling with the rock 'n' roll behemoth that had just washed up on their shores, and were struggling to find a way to integrate it into their culture. At least these guys didn't try to sing in English. But French just isn't a rock 'n' roll language, even when sung Elvis-style. Tho on one of the best songs here, the Isley Brothers-esque "Ne Pars Pas," they do sing the word 'baby' a lot.

It's all a lot of twistin', rockin' fun, with some recognizable covers strewn amidst the originals, e.g.: "Whole Lotta Shakin' Goin' On," and the Gene Pitney/Ricky Nelson hit "Hello Mary Lou." "Le Voyageur" is Nelson's "Travelin Man." Highlights include the early-Beatles-ish "L'Amour Nous Dira Oui," the wtf? harpsichord solo on "Celle Qu'il Me Fallait," "Non, Ne Me Dis Pas" (fuzz garage rocker) and, my fave, "Serrons-Nous La Main."

A big merci to Count Otto Black!

Les Dauphins "Tout, Tout, Tout"
 
01. Baby, Pleure Pas (1964)
02. Hello Mary Lou (1964)
03. Après La Pluie (1964)
04. Tu Brises Mon Cœur (1964)
05. Le Voyageur (1964)
06. L'Amour Nous Dira Oui (1964)
07. Celle Qu'il Me Fallait (1964)
08. Ne Pars Pas (1964)
09. C'est Pour Demain (1964)
10. Pas Aujourd'hui (1964)
11. Je Ne Peux L'oublier (1964)
12. Je Ne Veux Pas (1965)
13. Tout, Tout, Tout (1965)
14. Petite Fille (1965)
15. Ça Serait Trop Beau (1965)
16. Tu Marches Et Tu Pleures (1965)
17. Je T'Écris Ce Mot (1965)
18. Avant De La Rencontrer (1965)
19. Il Y A Tant De Chemins (1965)
20. Non, Ne Me Dis Pas (1966)
21. Va T'En Maintenant (1966)
22. Priez Pour Moi (1966)
23. Serrons-Nous La Main (1966)
24. Whole Lotta Shakin' Goin' On (1964) 


Personnel:
- Gérard Chatelain - lead vocals, guitar, piano, harmonica
- Robert Chatelain - bass, piano, guitar
- Alain Martin - lead guitar
- André Castro - rhythm guitar, percussion
- Gilbert Gullaud - drums



 

Friday, May 30, 2014

Brain In A Box: 5 Disks of Science Fiction Sounds!

You don't get the beautiful 3D hologram packaging that originally enclosed this stupendous set, but hey, it's out of print, so better to have lots of good listening than nuthin', eh? And I've been too busy (and will probably continue to be so for the foreseeable future) to update this blog as regularly as I'd like, so hope this will keep all my li'l maniacs happy 'til I get back.

WARNING: these tracks (113 in all) are encoded as m4a (a lossless file),not mp3. They're bigger, which is why I had to split up the disks, and I don't know if m4as play on everything.


An astronomical amount of thank-yous to maniac James C. for sending this our way.

Brain In A Box: The Science Fiction Collection [Disc 1] : Movie Themes pt 1
Brain In A Box: The Science Fiction Collection [Disc 1] : Movie Themes pt 2
Brain In A Box_ The Science Fiction Collection [Disc 2]  TV Themes pt 1
Brain In A Box_ The Science Fiction Collection [Disc 2] TV Themes pt 2
Brain In A Box_ The Science Fiction Collection [Disc 3] Pop pt 1
Brain In A Box_ The Science Fiction Collection [Disc 3] Pop pt 2
Brain In A Box_ The Science Fiction Collection [Disc 3] Pop pt 3
Brain In A Box_ The Science Fiction Collection [Disc 4] Instrumental/Lounge pt 1
Brain In A Box_ The Science Fiction Collection [Disc 4] Instrumental/Lounge pt 2
Brain In A Box_ The Science Fiction Collection [Disc 5] Novelty pt 1
Brain In A Box_ The Science Fiction Collection [Disc 5] Novelty pt2


Disc: 1


1. The Rocky Horror Picture Show: Science Fiction/Double Feature - Richard O'Brien
2. 2001: A Space Odyssey (Introduction) - The City Of Prague Philhamonic/Nic Raine
3. Forbidden Planet: Main Titles - Overture - Brain In A Box: The Science Fiction Collection
4. The Day The Earth Stood Still: Prelude/Outer Space/Radar - Bernard Herrmann
5. It Came From Outer Space: Visitors From Space - Dick Jacobs
6. Creature From The Black Lagoon: Main Title - Hans J. Salter
7. The Incredible Shrinking Man: Main Theme - Dick Jacobs
8. The Time Machine: Main Title/Credits - Russell Garcia
9. Them!: Main Title - Brain In A Box: The Science Fiction Collection
10. The Thing Aka The Thing (From Another World!): Prelude - The National Philharmonic Orchestra/Charles Gerhardt
11. First Men In The Moon: Main Title - London Studio Symphony Orchestra/Laurie Johnson
12. The Beast From 20,000 Fathoms: Main Title - Brain In A Box: The Science Fiction Collection
13. Fantastic Voyage: Radio Spot Announcement - Brain In A Box: The Science Fiction Collection
14. Fantastic Voyage: Main Title Sound Effects Suite - Leonard Rosenman
15. Planet Of The Apes: Main Title - Jerry Goldsmith
16. The Andromeda Strain: Desert Trip - Gil Melle
17. Close Encounters Of The Third Kind: The Conversation - John Williams
18. Aliens: Ripley's Rescue - The London Symphony Orchestra/James Horner
19. E.T.The Extra-Terrestrial: Three Million Light Years From Earth - John Williams
20. Robocop: Robo Vs. Ed-209 - The Sinfonia Of London Orchestra/ Howard Blake
21. Robocop: Main Title - The Sinfonia Of London Orchestra/ Howard Blake
22. Terminator 2: Judgement Day: Trust Me - Mark Ayres
23. Outland: The Mine - The National Philharmonic Orchestra/Jerry Goldsmith
24. War Of The Worlds: Main Title & Introduction - The City Of Prague Philhamonic/Nic Raine
25. Predator: Main Title - Brain In A Box: The Science Fiction Collection
26. The Fly: Main Title - London Philharmonic Orchestra/Howard Shore
27. Mars Attacks!: Main Title - Artie Kane
28. The Matrix: Anything Is Possible - The City Of Prague Philhamonic/Nic Raine
Disc: 2
1. The Twilight Zone, Main Title: First Season - Brain In A Box: The Science Fiction Collection
2. Lost In Space: Main Title/Main Title - Season 3 - John Williams
3. My Favorite Martian: Theme - The Warner Bros. Orchestra/Carl Brandt
4. Doctor Who: Dr. Who - Eric Winstone & His Orchestra
5. The Jetsons: Theme - Brain In A Box: The Science Fiction Collection
6. The Time Tunnel: Main Title - John Williams
7. One Step Beyond: Fear - The Berlin Symphony Orchestra/Harry Lubin
8. The Outer Limits: Control Voice Introduction - Vic Perrin
9. The Outer Limits: Main Title - Dominic Frontiere
10. Men Into Space: Theme - The Buddy Morrow Orchestra
11. The Thunderbirds: Theme - Barry Gray
12. Stingray: Theme - Barry Gray
13. Astro Boy: Theme - Brain In A Box: The Science Fiction Collection
14. Voyage To The Bottom Of The Sea: Main Title - Brain In A Box: The Science Fiction Collection
15. Land Of The Giants: Main Title - Season 1 - John Williams
16. Star Trek: Main Title & Closing Theme - The Royal Philharmonic Orchestra/Fred Steiner
17. Star Trek: The Next Generation: Main Title - The Royal Philharmonic Orchestra/Daniel Caine
18. V (The Series): Main Title - Brain In A Box: The Science Fiction Collection
19. Babylon 5: Main Title - Christopher Franke
20. The Simpsons: Treehouse Of Horror I (Kang & Kodos Medley): Holy-Moly/We Offered You Paradise - Brain In A Box: The Science Fiction Collection
21. The X-Files: Main Title - Mark Snow
22. Changing Channels - Brain In A Box: The Science Fiction Collection
Disc: 3: Pop
1. Telstar - The Tornadoes
2. Blast Off - Jimmie Haskell And His Orchestra
3. Out Of Limits - The Marketts
4. Have You Seen The Saucers - Jefferson Airplane
5. Waiting For The UFO's - Graham Parker & The Rumour
6. Spaceman - Nilsson
7. Space Child - Spirit
8. Flying Saucer Safari - Suburban Lawns
9. UFO - Soul, Inc.
10. Rocket - Jow Bennett & The Sparkletones
11. Rocket To Nowhere - Webb Wilder
12. For Science - They Might Be Giants
13. Machines - Lathar & The Hand People
14. Beyond Tomorrow - Stan Ridgway
15. Theme For The Creature From Under The Sea - Milton DeLugg
16. Humans From Earth - T-Bone Burnett
17. One Step Beyond: Fear - Main Title - The Ventures
18. Rocket Ship - Vernon Green & The Medallions
19. Radar Blues - Chris Conner
20. Creature With The Atom Brain - Roky Erickson
21. Rocket Ship - Kathy McCarty
22. After The Gold Rush: Prelude - Prelude
Disc: 4
1. Frozen Neptune - Russ Garcia & His Orchestra
2. Lunar Rhapsody - Les Baxter
3. Man From Mars - Ferrante & Teicher
4. On The Dark Side Of The Moon - Frank Comstock
5. Saturday Night On Saturn - Les Baxter
6. Welcome To Tomorrow - Attilio Mineo
7. Space Reflex (Blues In 5/4) - Dick Hyman
8. The Planets: Mars, Bringer Of War - The City Of Prague Philharmonic/Nic Raine
9. Theremin Solo - Dr. Samuel Hoffman
10. Guitars In Space - Billy Mure
11. Nova (Exploding Star) - Russ Garcia & His Orchestra
12. Space Is The Place - Sun Ra
13. Twilight Zone - Raymond Scott & His Orchestra
14. Cosmic Ballad - Perrey-Kingsley
15. Moon Gas - Dick Hyman
16. Monsters Of Jupiter - Russ Garcia & His Orchestra
17. She Likes Me - Jerry Goldsmith
18. Tone Tales From Tomorrow - Frank Coe
19. Alien - Leonard Nimoy
20. On Planet X - David Garland/John Zorn
Disc: 5
1. The Flying Saucer (Parts 1 & 2) - Buchanan & Goodman
2. Beep! Beep! - Louis Prima
3. The Blob - The Five Blobs
4. Martian Hop - The Ran-Dells
5. Music To Watch Space Girls By - Leonard Nimoy
6. Planet Claire - The B-52's
7. Gigantor - The Dickies
8. Two Little Men In A Flying Saucer - Ella Fitzgerald
9. Flying Saucer Attack - The Rezillos
10. Flyin' Saucers Rock 'N' Roll - Billy Riley & His Little Green Men
11. UFOs, Big Rigs & BBQ - Mojo Nixon & World Famous Blue Jays
12. We're Going UFO'ing - Jimmy Durante
13. Surf Trek - The Rubinoos
14. Mister Spaceman - The Holy Modal Rounders
15. Meet Space Pilot Jones - The Satellite Singers
16. The Purple People Eater - Sheb Wooley
17. Knocked Out Joint On Mars - Buck Trail
18. Tiny Space Man - Bill Carlisle
19. (When You See) Those Flying Saucers - Buchanan Brothers & The Georgia Catamounts
20. Unfunky UFO - Parliament
21. You Came From Outer Space - The Kirby Stone Four

Thursday, May 15, 2014

PRAISE THE LORDS: 3 ALBUMS OF GERMAN BEAT/PSYCH

Recently we posted an album by "The Rattles," a curious early German take on rock-n-roll. The Lords were another band from the '60s pre-Krautrock era, very famous and successful in their homeland, but more likely to rise eyebrows and cause mutterings of "WTF..?" from elsewhere. Their English lyrics in particular are, er, interesting. And how 'bout those fashion-challenged album covers?

"Some Folks By The Lords" (1967) is largely a collection of covers, many of them strangely inappropriate for an alleged rock band to be performing. Perhaps they and/or their audience simply didn't know enough about American music to make genre distinctions. Or maybe they were geniuses who realized it didn't matter: "Miss Otis Regrets" may be a Cole Porter showtune, but it's still a great song.  Much of it, like "East Virginia" and "Sing Hallelujah," are inspired by 'down-home' folk and gospel. "San Miguel" is sung in a ludicrous Spanish accent on top of their usual sometimes-thick German accent. And I must admit: "Greensleeves" made me giggle.

"Ulleogamaxbe" (1969): No more fake-folk Americana covers - it's fake UK psych this time. Tho it's two years after the fact, they finally betray a 'Sgt Pepper' (or at least a BeeGees) influence, what with all the strings, horns, and "poetic" ambition. After six songs of this, we get an unexpected proto-metal garage fuzz blast in the excellently apocalyptic "The World Is Falling Down". The frantic "Fire" could be a Roger Corman exploitation film theme song. Musically, "Poor Chin-Lee" is a Pet Sound-alike; vocally and lyrically, however, not even Brian Wilson was this weird. On "Cut My Hair" they "get back" to basic rock n roll, tho I don't recall Little Richard ever penning lyrics that detail instructions to his barber. The bonus single "John Brown's Body" goes back to the American folk/gospel of the first album, but now with added flutes and intrusive sound-collage elements. And it's b-side is a cover of Eddie Cochran's "Somethin' Else" that out-punks the Sid Vicious version of a decade later. Apparently, these guys will do any style at least once, and do it strangely. Does anyone have any idea what that album title means?

"Shakin' All Over '70" is a bit of a hodge-podge, with a few tracks repeated from "Ulleogamaxbe." The title track recasts the rockbilly swinger into a "heavy" acid-rock-with horns biker stomper. "Feeling Chicago" is a response to modern bad-man ballads like "Rocky Racoon" or "Bad Bad Leroy Brown." "Four O'Clock In New York" is a swell bit of Bay City Rollers-ish bubblegum, while the chicken-squawking "Talk About Love" from 1970 might be the most ridiculous thing these guys did, and that's saying something. Needless to say, it's one of my favorites. 

Elsewhere, the flower-power sounds continue as if it were still the Summer of Love. The fact that they cover not one but two songs from the "Hair" soundtrack suggest that they either never really understood what rock'n'roll was all about, or they were just went straight for mainstream commercialism. I actually love "Hair," but it's purely musical theater, hippie culture depoliticized and sensationalized for tourists. In any case, it's pretty awesome to hear 'em try to wrap their accents around the wordy nugget, "Manchester England." 


A big danke to Count Otto Black!



Friday, May 02, 2014

The Big Beat A-Go-Go Sound of DYMAXION

This intensely obscure band recorded these songs between 1995-1998 using methods I cannot quite figure. Clearly, there's a mixture here of sampled sounds, low-tech electro beats, and live instruments...but the samples are all instrumental, and of things I can't identify. And I'm not even totally sure that there are live instruments. I'm just assuming, as the same twangy-surfy guitars do seem to pop up quite a bit. One song covers The Fall's "U.S. 80's - 90's," and indeed there's a bit of off-kilter post-punk influence here, too. Bloops, bleeps, peppy beats, and the afore-mentioned guitars give the whole thing a retro '60s discotheque feel, but the somewhat lo-fi sound removes any Space Age optimism from these tracks.  Rather, there's a gritty, black-and-white feel that negates any Technicolor beach party atmosphere. Bummer in the summer. 

This, their only album, collects everything they did. They thank Stereolab in the liner notes, which isn't too surprising, but otherwise, there's no info, tho according to Internet sources, two New Yorkers named Jeremy Novak and Claudia Newell are the responsible parties, and Newell dropped out half-way thru, and has not returned to music.

Pick Hit: "I-Man Transport", the one song with (sampled) vox, apparently from a dance instructional record, mixed with a synth reminiscent of Pere Ubu's "Blow Daddy-O."

Dymaxion x 4 + 3 = 38:33


Monday, February 24, 2014

Better Than The Beatles! 26 Tunes That Failed to Oust the Fab-Four From the Charts

Four things learned from this album of recordings released  1963-1965 as a reaction to the Beatles U.S. invasion:

1. The "greatest band of all time" was widely resented/disliked.
2. Some thought they were from London, or apparently didn't know there was a difference between Liverpool and London.
3. Ringo was the most popular Beatle.

Obviously, history has altered our view of the Fabs (no relation) a bit since then. And although the Rolling Stone magazine/rock critic mafia would disagree, I also learned that:

4. The American rock'n'roll scene did not need "saving": there's plenty of great surf, garage, hillbilly, r'n'b, novelty, and girl-group sounds here that sadly would be kicked to the curb until its punk revival more than a decade later.


Better Than The Beatles!


Friday, January 24, 2014

The Space-Age Surf Lounge Sounds of KAI WINDING

"More" (or is it called "Soul Surfin'"?) by Denmark's trombone-toting bandleader Kai Winding is one of my favorite thrift-store finds, a thoroughly unique mixture of EZ orchestra rockin' to a surf beat, and featuring the pre-Moog electronic keyboard, the Ondioline.  Huh? Who came up with that combination?  Perhaps it was an attempt to cross over from the youth rock market to the adult pop world and grab a potentially huge audience.  If so, the plan worked - the single "More" was a big hit in 1963 and this album followed. Which is pretty unusual, as most adult pops bandleaders didn't get into the dirty world of rock'n'roll, and if they did, they'd cover a rock song in a jazzy big band style. But not here - actual electric guitars and 4/4 drumming keep it cool for the kids. The arrangement here of the surf standard "Pipeline" isn't all that radically different from the Chantay's original.

Quite a fun album, perfect for lunar pool parties and tiki lounges, but I'm posting it today because the composer of "More," the great Italian soundtrack composer Riz Ortalani just died at age 87. Kai's instrumental version became Riz's biggest hit in the States, and countless others, from Sinatra on down, would cover "More," esp. after lyrics were added. If you buy enough EZ/lounge records from the Sixties, you will become very familiar with this haunting theme for the Italian "shockumentary" "Mondo Cane." "Mondo" is the Italian word for 'world,' (the film title translates to 'A Dog's World'), but after 'Mondo Cane,' the word came to mean anything weird and sensational, e.g.: Russ Meyer's "Mondo Topless." I have Riz's original soundtracks to "Mondo Cane" and its sequel, and they're quite nice.  Nothing too crazy about them.  Has anyone actually seen "Mondo Cane," and is it really that weird and shocking? I kind of doubt it.

Kai Winding "More!!!"

The wiki article on Kai Winding suggests that it was none other than legendary Moog-master Jean-Jacques Perrey performing on the Ondioline, tho Winding claims that he played it himself. I've been meaning to check out Perrey's book.  Maybe the mystery is solved within it's covers...


Friday, November 22, 2013

STRANGE/OUTSIDER/NOVELTY JFK SONGS

John F. Kennedy inspired a lot of music. This is some of the weirdest. Song-poems! A Frank Zappa composed/produced surf record!  A singing psychic! Mexican music! And all 6 tracks from the great "Sing Along With JFK" album that featured pre-sampling tape manipulations of Jack's voice "remixed" with original music and a vocal chorus. You've heard of musique concrete?  This is musique ridicule.

http://www36.zippyshare.com/v/23219444/file.html
Sing Along With JFK

1. George Atkins and Hank Levine: Begin Anew For Two (from "Sing Along With JFK")
2. George Atkins and Hank Levine: Let Us Begin Beguine
3. George Atkins and Hank Levine: Alliance For Progress Bossa Nova
4. George Atkins and Hank Levine: Ask Not Waltz
5. George Atkins and Hank Levine: The Trumpet 
6. George Atkins and Hank Levine: Let The Word Go Forth
7. Los Conquistadores: Homenaje a John F. Kennedy
8. Brian Lord & The Midnighters: The Big Surfer (written/produced by Frank Zappa, recorded in his Cucamunga studio, 1963)
9. Frances Baskerfield, "The Singing Psychic" - The Grassy Knoll
10. Johnny Tucker - Mr. Kennedy
11. Mike Macharyas - Lee Harvey Oswald (from the 2005 album "Ashlee Simpson" in which all Macharyas does is repeat famous peoples names over and over; he has 17 albums of this insanity)
12. Lee Roy Abernathy: John F. Kennedy The Greatest Of All (like the Johnny Tucker song, this is an indie country/folk record, but this guy seems really worried about Texas' reputation as much as anything else)
13. Norm Burns and the Five Stars: John F. Kennedy Was Called Away
14. Norm Burns and the Five Stars: John F. Kennedy's Election Race (Song-poems! This one's the more inept/funnier of the two)


Thanks for some of these to WFMU's Beware of the Blog, and master blogger Bob Purse.

Monday, October 28, 2013

PRIMITIVE: LOU REED'S PRE-VELVETS RECORDINGS

I first encountered the early works of the recently-departed Lewis Reed as a youngster obsessed with all things Lou/Velvets (I even bought "Sally Can't Dance"!) in the '80s visiting New York City. I slipped away from my family long enough to check out a lower Manhattan record store, made a bee-line to the VU section, and found two bootlegs entitled "The Velvet Underground Etc." and "The Velvet Underground And So On," compiled by Phil Milstein. Yes, the same man behind the song-poem resurgence, and the crucial Probe! music blog. The albums featured, apart from Velvets rarities, some surprisingly normal pre-Velvets Reed recordings. When I brought the records to the counter, I asked the guy to play them because with boots, you never know what you're gonna get.  He happily obliged, exclaiming: "The Ostrich by The Primitives is one of my favorites!" That song, featuring an early lineup of the VU, and featuring the "ostrich guitar" cited on the "banana" album (all strings tuned to the same note) quickly became a fave of mine as well, tho I had a hard time convincing my school chums of the coolness of this, well, primitive recording. When I bought an electric guitar, I tried tuning it to all one note. Sounded great!  Sounded a lot like Sonic Youths' guitars, actually. Which of course, should come as no surprise.

Since then, I've found other early rarities, as other early recordings came to light, inc. the previously-unreleased "Lewis Reed" songs from the same producer who put out a 45 by his high-school band, the Jades. The presence of the then 16-year-old Reed isn't too apparent on the Jades record, singing backup and playing guitar behind smooth singer Phil Harris, the star of the show. R'n'B sax star King Curtis, no less, is one of the session cats brought in. It's an okay, sorta generic doo-wop record. The Lewis Reed recordings, however, find Lou taking his first lead vocals, and they're great.  "Merry Go Round" should have been released, it's a sweet little rocker.

After university, Lou joined cheesy "budget" label Pickwick Records, and co-wrote a number of songs churned out to meet the current crazes, e.g.: surf, soul, etc. His distinctive lead vocals are featured on some of these, tho not on the hypnotic garage/psych classic "Why Don't You Smile now," a song that would be covered a number of times by other artists over the years (inc Moe Tucker).

There are other records Lou co-wrote for Pickwick performers Roberta Williams, The J Brothers, and Terry Phillips, but I don't have those.  So far as I know, these are all the pre-VU records with Lou's lead vocals. Nothing that would shake the earth the way the Velvets did, but many of these sides are good, fun early rock 'n' soul nuggets that are worth hearing for their own merits. Linger on... 

Primitive Lou Reed

1. Jades - Leave Her for Me
2. Jades - So Blue (time-1002, 1958)
3. Lewis Reed - Merry Go Round (1962)
4. Lewis Reed - Your Love
5. The All Night Workers - Why Don't You Smile Now
6. The Beachnuts - Cycle Annie (1965)
7. The Beachnuts - I've Got A Tiger In My Tank
8. the Hi-Lifes - Soul City (1965)
9. The Primitives [pictured right]- Sneaky Pete
10. The Primitives - The Ostrich
11. The Roughnecks - You're Driving Me Insane

Tuesday, October 22, 2013

MONSTER BEACH PARTY

At last!  All the greatest songs with "monster"/"creature" + "beach" /"surf" in the title. Most of these records are from rock 'n' roll's glorious sleazy-listening era of the early '60s. The rest from recent years/decades, but still trying to catch that surf-rock wave, inc. 2 bands from Japan (The Surf Coasters, and Hell-Racer) and what has to be the world's only goth surf band, the theremin-licious Vampire Beach Babes. And, really, isn't Sex With Lurch just about the greatest band name ever?

1. Surf Trio - Monster Beach
2. The Surf Coasters - Beach Monster
3. 'Monster on the Beach' movie - radio ad
4. Deadly Ones - It's Monster Surfing Time
5. Gene Moss And The Monsters - Surf Monster
6. The Phantom Surfers - Monster From the Surf
7. The Abominable Surfmen - Monster Surfer
8. Vampire Beach Babes - Surfing Swamp Monster From The Planet Zon
9. Sex With Lurch - Monster Surf Party
10. Sloppy Seconds - The Horror Of Party Beach
11. Deadly Ones - There's A Creature In The Surfer's Lagoon
12. Dead Elvi - The Creature Stole My Surfboard
13. Don Hinson And The Rigamorticians - Monster Surf Stomp
14. Hell-Racer - Monster Beach
15. The Dynotones - It's Monster Surfing Time

Dubious Bonus - my mashup from 2006: Mr Fab and His Bag O' Heads - Go! Surf Monster [Gene Moss vs Go! Team]

MONSTER BEACH PARTY


(artwork courtesy of Steam Crow)

And hey, all you Halloweenies: I put the popular "Zombie Jamboree" back on-line earlier this year, for more sun-drenched darkness and horror. A real cool ghoul has created a streaming playlist for it now, too.


Friday, April 12, 2013

WHY YOU SHOULD CARE ABOUT ANNETTE FUNICELLO

You may have heard that The Queen of the Beach, Annette Funicello, recently died at age 70. And, yes, she was a Mouseketeer on "the Mickey Mouse Club" tv series, and starred in the 'beach party' films of the Sixties. But what you gremmies and hodads must dig is that she ticks off a lot of strange-music boxes: exotica; Space Age; novelty music; funny/dumb/clever lyrics; bizarre musical hybrids (e.g.the Cuban/Hawaiian "Surfers' Luau," "Rock-a-Polka,") wild, highly energetic surf/early rock; lounge cheese; explorations of sleazy/kitschy Americana; collaborations with hipster faves like Dick Dale, Fishbone, and the Beach Boys; and songs about circus freaks and mad scientists. And, tho she was most certainly a Big Show-Biz insider, she did everything with the guileless innocence of an outsider - since Annette never intended to be a singer (Walt Disney just pushed her in that direction) she had no agenda, no aspirations, no bitterness about the roles she was offered, and so sang everything with an equal amount of sincerity, whether it was a forlorn love song, or a ridiculous tale about a freak named Jo-Jo The Dog-Faced Boy.

Why haven't punk bands been covering these songs?! She seems to have been overlooked among Crampsian devotees of early mondo-rock collections like "Las Vegas Grind" and  "Wavy Gravy." Maybe because the rap on Annette was that she was another not-too-talented 'teen idol' making bland commercial pap, like Connie Francis, Fabian, and her co-star Frankie Avalon. But even a cursory listen to these songs shoots down that characterization. The berserk energy level and general weirdness of these songs clearly distinguishes her from the likes of, say, Shelly Fabares.

All these songs are from her late '50s-to-mid '60s heyday, except for the last two tracks: her 1985 appearance with Fishbone from the film "Back To The Beach" (I saw it when it came out!) and an early '80s tribute to Annette from LA pop-punk stalwarts Redd Kross. And it was indeed my LA punk youth that first got me into Annette, where she was a kind of den mother figure - never a part of, but beloved by the local surf punks. I still listen to these crazily entertaining songs after all these decades, and I certainly can't say that about everything from my youth. 

A Net Full Of Jello [Thanks to an old Mad Magazine bit for the title]

01 swingin' and surfin'
02 surfin' luau
03 the maid and the martian
04 secret surfin' spot
05 Jo-Jo the Dog-Faced Boy
06 monkey's uncle (with The Beach Boys)
07 California sun
08 draggin' u.s.a.
09 beach party
10 That Crazy Place In Outer Space
11 Merlin Jones
12 Don't Stop Now
13 Rock-a-Polka
14 The Rock-a-Cha
15 Lonely Guitar
16 Tall Paul
17 Pineapple Princess
18 Jamaica Ska (with Fishbone)
BONUS:
Redd Kross - Annette's Got The Hits






Friday, September 07, 2012

Rodney On The ROQ vol. 5


When I created and posted "Rodney on the ROQ Vol 4", a reader commented: "This is one of the greatest compilations ever created by man, woman, or beast." So there! I probably shouldn't try to top that, but a super awesome reader named L9 sent me the Ventures/GoGos collab song "Surfin' and Spyin", thereby making a follow-up necessary. So, once again, here's a sampling of (for the most part) rare, obscure punk, power-pop, synth, novelties, oldies, reggae, and experimental oddities that legendary freeform radio DJ Rodney Bingenheimer used to play in his 'late '70s/'80s heyday on KROQ Los Angeles. Lot's of non-lp 7" singles/EPs here.

Took quite a bit of doing trying to track down some of these tunes that I remembered fondly from my youth but had seemingly dropped off the face of the earth. (The Untouchables tune, in particular was a real bee-yatch to find.) But, no matter, here 'tis - Radio as it should be! 


Rodney On The ROQ vol. 5 (Zippyshare)

01 Longarm - Wall of Voodoo
02 Want You - The Bangles [They used to be good, really!]
03 Little G.T.O. - Rodney and the Brunettes [Rodney himself sings (sort of) this surf oldie]
04 Surfin' & Spyin' - The Ventures covering, and joined by, The Go-Gos
05 Shes Fallen in Love With a Monster Man - The Revillos
06 Beyond and Back (Live) - X [From "The Decline of Western Civilization" soundtrack, I believe]
07 Helium Bar - The Weirdos
08 Beer - Unit 3 And Venus [feat. 8 year old lead singer!]
09 Too Young To Date - D-Day [There was a lame censored version of this song, as well]
10 California Paradise - The Runaways [in a Runaways doc film from a few years ago, Kim Fowley revealed that Rodney would cruise the Starwood club where he dj-ed to recruit future members of The Runaways by approaching young girls and asking them if they played an instrument]
11 Kookie's Mad Pad - Edd ''Kookie'' Byrnes
12 Sit on my face Stevie Nix - The Rotters [Rodney said that he had to get special permission from station management to play this naughty tune]
13 Janitor - Suburban Lawns [Where in the world is Su Tissue?]
14 Shoulder Pads - The Fall [Rodney would play this song, then offer his assesment of '80s fashion by opining: "I like this song, but I don't like shoulder pads!"]
15 Vox Wah Wah ad - feat. The Electric Prunes
16 Blues' Theme - Davie Allan & the Arrows [theme to the classic '60s biker-sploitation flick "The Wild Angels"]
17 The General - The Untouchables
18 Punky Reggae Party  - Bob Marley & The Wailers [co-written by Lee "Scratch" Perry]
19 Anything, Anything (I'll Give You) - Dramarama
20 Disneyland - The Eyes [feat. future Go-Go Charlotte Caffey]
21 Springtime for Hitler - Mel Brooks [Rodney would say that every time he played this, some girl would call up to complain; he never stopped playing it, tho]
22 Pay To Cum - Bad Brains
23 I Hate The 90's - Rodney & The Tube Tops [another single featuring Rodney's vocal , er, "skills," this one featuring Thurston from Sonic Youth]
24 Porpoise Song (theme from "Head") - The Monkees [Rodney's traditional closing theme]



Tuesday, August 14, 2012

SAVAGE Exotica!!


This collection of '50s-'70s sultry, steamy, jungle moods taken from 45s or otherwise-non-exotic albums is all I feel like listening to lately - day after day of triple-digit heat (with a dash of humidity thrown into the cocktail) has us all wilting here in L.A.  Sitting by the ocean, Mai-Tai in hand, listening to this lovely music sounds really good right now.

You'll notice some big stars not known for exotica here, like Bo Diddley, The Ventures and Link Wray, all famed for their pre-surf guitar rockers; crooners Nat 'King' Cole, Sammy Davis Jr, and Frank Sinatra; and jazz divas Anita O'Day and Pearl Bailey. There's also plenty of hopelessly obscure regional acts who never made it past their local tiki bar. This isn't all Martin Denny-type cocktail lounge stuff, either - zippy ukulele instros ("Lover"), Jamaican rocksteady ("Angie La La"), goofy novelties ("Watusi Wedding," Tobi Rix) and at least three Hammond/pipe organ tracks are included here as well.  The common denominator is that it's all music designed to suggest, to quote from Sammy's percussion-charged version of Cole Porter's "Begin the Beguine," "...a night of tropical splendor...".

Most of this is recorded off my thrift-store vinyl, but thanks are in order to the late, great site Bellybongo for "Quiet Village '67" and the amusingly x-rated version of "Jungle Drums" and to toestubber.com for the radio ad.  "Tiki Hut" is an excerpt I made off of the "Teenage Diary" album posted by Otis Fodder's (who has a new blog) 365 Project, hosted by WFMU's "Beware of The Blog," from whence also comes the excerpt from "Seduction." And, of course, thanks to Bettie Page.

SAVAGE Exotica!! A MusicForManiacs Collection
(After clicking the above, scroll down for downloading options. You may have to wait a few secs.)

Alternate (zippyshare) link


1 Tiki Hut - "Teenage Diary"
2 Quiet Village '67 - Theophile & Bernard
3 Poinciana - Ethel Smith
4 An Occasional Man - Anita O'Day & Cal Tjader
5 Kiki -  Link Wray & The Wray Men
6 Caravan - The Nat King Cole Trio
7 Call Of The Jungle - Carl Stevens
8 Sassa Boumbit - Uele Kalabubu
9 Moon Over Manakoora - The Ventures
10 Seduction! (Act Two - Scene One) - Gregg Oliver and Lois Cooper
11 Jungle Drums - Sound Of X
12 My Shawl - Xavier Cugat-FrankSinatra
13 Brazil - George Wright
14 Haiti - Pearl Bailey
15 Wow - Russ Garcia
16 Islander - Kampus Kinsmen
17 Island of Lost Girls/Nice Girl radio ad
18 The Japanese Temple - Bobby Christian
19 Jungle Fever - Creed Taylor Orchestra
20 Accessory demo-Surfer Control - Concert Organ Co.
21 Lover - Perry Botkin
22 Angie La La - Nora Dean
24 Siboney - Desi Arnaz
25 Watusi Wedding - Hugo And Luigi
26 Bali Hai - Jesse Crawford
27 Uska dara  - Tobi Rix
28 Begin the Beguine - Sammy Davis, Jr.




Friday, June 29, 2012

Rodney On The ROQ vol. 4

It's the weekend!  It's summer!  It's almost July 4th!  Man, I just want some fun music right now. So let's set our wayback machine to the early '80s: we're gonna cruise around, turn on KROQ-FM, eat Oki Dogs, go to that liquor store where they never card the under-aged, drink, puke, and crank up Rodney. 

You don't need me to tell you about the legendary freeform radio dj Rodney Bingenheimer. He's often been called John Peel of America, but after seeing his bio-doc film "The Mayor of The Sunset Strip", he reminded me more of Andy Warhol - quiet, shy, surrounded by superstars but kind of in his own world.  A genuinely strange person, but, as much as anyone, helped drag American culture out of it's "malaise" (as Jimmy Carter called it). He not only played the Ramones before New York radio, he played (and interviewed over the phone) the Sex Pistols when UK radio couldn't (they were banned), and countless other alterna-stars and obscurities when the rest of commerical radio was still mired in The Eagles, Led Zep, Debby Boone and disco.  He now has a star on Hollywood Blvd.

Which is all well and good, but why this all matters to me is the fact that discovering Rodney's show (and, to a lesser extant, KROQ in general) made me a music fan.  Yep, it was (almost) as simple as that.  I liked my hippie big sister's Beatles records, the novelty music Dr Demento played, and my mom's Johnny Cash records.  But, generally, I thought modern music was mostly stupid Van Halen and Kiss nonsense. Post-Rodney, I became an avid radio listener, started buying records, talked music with my friends, reading reviews, etc... It was a thrilling time that you can't really understand unless you have ever lived in a time or place where there was little alternative culture, and suddenly, there was.  So, thanks Rodney!

Is this a nostalgia trip, where I sigh and say wistfully about how "innocent" it all was?  Hell, no. Listening to these songs again, sometimes for the first time in years, I'm struck by how decadent and depraved so much of it was. And to think that I would listen to stuff like Kim Fowley's evil-sounding "Invasion of The Polaroid People," or songs with titles like "I Want To Be A Prostitute," and it didn't faze me at all. This was my youth? When was I ever innocent? L.A. (America?  The world?) was a dirtier, smoggier, more crime-ridden,  immoral, and politically corrupt place then it is now. We thought Ronnie was gonna start World War III. And it's all in these grooves. 

In the early '80s, Rodney compiled three albums for Posh Boy records that have been featured all over the internets (Look! This nice person posted all of 'em).  They spread the gospel of the enormous SoCal scene far beyond KROQ's signal, and, thus became vastly influential to zillions of kids who maybe knew about, say, Patti Smith or the B52s but had no idea how widespread, diverse, and hardcore the rock underground had become. Here then is a theoretical hypothetical fourth volume.

What you won't find here: the famous groups, songs from the previous Rodney comps, or much hardcore punk, since that's been amply covered elsewhere (I'm pretty sure you all know what Black Flag sounds like.)  This is more like a typical Rodney show, where he'd throw in unfashionable oldies (e.g.: early '60s surf), novelties and avant-weirdness amidst the power-pop and punk. From local private-pressings to foreign imports. So much stuff that, in those pre-internet days, you simply couldn't hear anywhere else. It was difficult to find some of these records in the shops. Keep in mind, KROQ wasn't some little college station, but a commercial outlet with a strong signal and high ratings, reaching millions of people. One of those interesting moments in culture when the radical was actually kinda cool and trendy for a while.
[UPDATE 8/27/14: new download link:]
Rodney On The ROQ vol. 4

01 Let's Go to the Beach - The Gears
02 The Cramps - Do The Clam [Rodney played the entirety of a Cramps live album when he heard that Lux Interior had died.  He hadn't. Oops. But I taped the album off the radio, and discovered this great Elvis cover.]
03 The Monkey's Uncle - Annette & The Beach Boys [Rodney played '60s beach party movie queen Annette Funicello so much on his show that Red Cross/Redd Kross were inspired to write their classic "Annette's Got The Hits"]
04 Summer Fun - The Barracudas
05 Are There Any Girls Here? - Rodney Bingenheimer
06 Riboflavin-flavored, Non-carbinated, Polyunsaturated Blood - 45 Grave [This number, featuring The Germs' Don Bolles (see track 14) would get played every Halloween. Boy, was I surprised when I walked into a thrift store one day in the '90s and saw this album - I had assumed that this song was a 45 Grave original]
07 Romeo's Distress - Christian Death ["death-rock" we used to call this kinda thing, before "goth" became a popular term]
08 Velvet Goldmine - David Bowie [a "Ziggy"-era UK-only b-side; were it not for Rodney I would have had no idea that this record existed]
09 Invasion of The Polaroid People - Kim Fowley [cool music backing by Rich La Bonté]
10 The Human Chicken - The Dancing Did [I always heard Rodney calling these guys "The Dancing Dead," and thought that that was such a good band name; only when doing research for this post did I discover this band's true name!]
11 I'm in Love With a German Filmstar - The Passions [when Rodney would play this, he would say: "I AM in love with a German filmstar - Nastassja Kinski!";  a bandmate of a pre-Clash Joe Strummer in The 101ers was in this group.]
12 Robot (7" Mix) - The Plastics [This catchy bit of Japanese techno-pop is the first song I remember hearing on Rodney's show, a true wtf? moment]
13 I Want To Be A Prostitute- Alisa
14 My Tunnel - The Germs [an unreleased demo that I remember taping off the radio back in the day; this killer song didn't get an official release until the '90s.]
15 Mohawk Man - Mr. Epp And The Calculations [funny how the hardcore scene had already become fodder for parody by the time this came out in '82; features future Mudhoney members]
16 Oki Dogs - Youth Gone Mad [Ah, Oki Dogs...two weiners, pastrami, wrapped in a chili-filled tortilla; I had one for the first time in 20 years at Cine-Family's Post-Punk Junk film fest last year. SO good.]
17 Kinky Boots - Patrick Macnee & Honor Blackman [Celebrities singing badly! From the great '60s tv show "The Avengers]"
18 Are There Any Girls Here? - Rodney Bingenheimer
19 Foolish Girl - The Mo-dettes [Rodney sure loved the ladies - no shortage of female performers featured on his show]
20 Richard Hung Himself - D.I. [a few more death-rockers]
21 Death On The Elevator - Super Heroines
22 Skeletons - Inflatable Boy Clams
23 Randy Scouse Git - The Monkees [I seem to recall one night Rodney played every song the Monkees recorded...in alphabetical order]
24 American Society - Eddie and the Subtitles
25 Satan's Stomp - The Flesh Eaters
26 Lets Make the Scene -  Rodney Bingenheimer [I think a pre-hair metal Lita Ford, still a Runaway, did the music, but can't find confirmation]

I saw Rodney mc a Blondie show 5 years ago or so.  He pretty much looked the same. I might do a vol. 5, but does anyone have The Ventures version of "Surfin and Spying"?