Captain Beefheart Karaoke Party: "Clear Spot"

As with the "Lick My Decals Off" post from a couple years ago, here are the instrumental tracks from a Captain Beefheart & His Magic Band album. In this case, it's the 1972 release "Clear Spot." An oddity in the good captain's catalogue, this one alternates the usual mad genius of songs like "Big Eyed Beans From Venus," (one of my favorite songs ever, not just by Beefheart) with attempts to be normal and commercial, tho there's nothing as egregious here as his mid-70's "Tragic Band" period. My eyes popped out when I was scanning the booklet to a recent Buckwheat Zydeco album, and saw a Captain Beefheart writing credit.  Yep, Buckwheat covered the perfectly presentable soul 'n' horns workout "Too Much Time" (tho the instro version is not featured here.)

In any case, it's another opportunity to revel in the complexity of the musical arrangements. Sing along with the Cap'n!

Captain Beefheart: "Clear Spot" Instrumental Tracks

1. My Head Is My Only House Unless It Rains
2. Clear Spot
3. Crazy Little Thing
4. Dirty Blue Gene
5. Big Eyed Beans From Venus
6. Frying Pan
7. Sun Zoom Spark
8. Nowadays A Woman's Gotta Hit A Man
9. Low Yo Stuff
10. Booglarize

The "fucking intense evil violent scary witch music" of Phantascist

The Butthole Surfers, early PiL, The Birthday Party, Pere Ubu, Flipper - heck yeah, I used to love those loonies puking up free-form psychedelic chaos. Some of the best '80s college rock, tho doomed to commercial oblivion, and unlikely to be inducted into any Rock 'n Roll Halls of Fame. A style revived, and expanded upon, by North Carolina's late Phantascist, described by former member Boogie Reverie thusly: "...we terrorized the white-bread squeeky-clean 'indie rock' scene in Chapel Hill for a good couple of years, all the while taking loads of acid, setting stuff on fire, throwing raw meat, performing nude and getting kicked out of clubs. Miss those days! ... Our albums are a bit more on the arty/exploratory side, while our live recordings are fucking intense evil violent scary witch music (no joke, we actually scared people; it became an issue)."

Lucky you, he gave us all their recordings to post. The Diamanda Galas influence listed below is for real - the female vocalist really does sing opera style!  There've been no shortage of noisy guitar and free jazz bands over the years, but throwing opera vox into the mix has got to be a first (and if there are more, I'd love to hear 'em). Anyway, Boogie Reverie lists the contents as follows:

"Phantascist was -
Sara Bloo - vocals, alto sax, percussion
Julion S. - bass, cello, percussion
Boogie Reverie - guitar/drums [at the same time!], keyboards

----

'Wouldn't You Like To Know' - Our first record. It's kinda rough, playful, ugly, noisy. We were obsessed with Sun Ra, Diamanda Galas, Throbbing Gristle, Sun City Girls, The Birthday Party, and The Cows. Tracks 3 and 8 are accompanied by our friend Tom on keyboards. ["Great Freight" is my pick hit off this album - great bass line grooves along, as an opera singer loses her marbles.]
'Phantascist Live 2-19-2010' - This is a twisted raw performance we did at a house show in Chapel Hill when we started to break into the local noise/industrial scene. It was right after we recorded Wouldn't You Like To Know. The sound quality is poor, but it's a fairly accurate representation of what we were like live. [It does indeed get a bit spooky.]

'Gratitude' was our second record and really is just one 45 minute live jam divided up into three epic tracks  with freaky sound-collages weaving in and out of the music. It's meandering and noodly; not everyone's cup of tea, but it's my favorite of our two albums. It just gets weirder and weirder as it goes. At this point we were moving away from the noise-rock/punk influences and were going for a more epic post industrial jazz sound." [Fave part is 2: starts off groovy with bass melody + jazz sax skronk til the 7 minute mark when it goes into overdrive; love the bass that comes in around 10 minutes]

---

To both files I've added a song from Boogie Reverie's new solo album, "Hip New Wavicle of The Unscene Star." It's "pop," not improv/noise, with song styles ranging from wonderfully retarded spazz rock to almost Beach Boys-ish vocal harmonies.


Phantascist1 - "Wouldn't You Like To Know," + 1 Boogie Reverie song

Phantascist2 - "Gratitude" "Live 2-19-10" + 1 Boogie Reverie song

ZOOGZ-APALOOZA

Last year I posted 10 albums, one a week, by the late, great Los Angeles loony Zoogz Rift and his Amazing Shitheads.  Our best-est new pal in the world myxsoma has sent us eight, count 'em, EIGHT more albums from the mad genius, including some tracks from his hopelessly rare (and awesome) first album.

Tho he's usually considered to be a disciple of Zappa and Beefheart, Rift himself has said that it's more complicated then that: throw in The Bonzo Dog Band, punk, free jazz, retarded novelty records, avant-classical, etc., etc. The hilarious, crazed, uninhibited nature of His Zoogzness can't readily be compared to anyone else.

WARNING: some tracks are missing from the earlier albums. These are not all complete, at least not the first two or three albums.  And it's all 128kbps. But I'm not complaining at all - it's still a whopping 6 hours of music, and it all rules. Some of these were cassette-only releases that Zoogz didn't want to re-issue when he went big time (by indie standards) signing to SST Records.  I have no idea why.  It's all really, really good, with every album flying off into myriad, highly original directions - from blues played on xylophones, to crazed rants, to atmospheric instrumentals. Some individual songs, however, were rescued from these tapes for his more high-profile album releases, so there are a few (but not a lot of) duplicates if you downloaded all those other albums.


Zoogz1: INTERIM RESURGENCE (1985),
VILLAGERS (1992)
Zoogz2: from WITH NO APPARENT REASON (1976),
 MUSIC SUCKS (1982)
 Zoogz3: FIVE BILLION PINHEADS CAN'T BE WRONG (1996), SCHOOL OF THE CRIMINALLY INSANE (1999)

Zoogz4: BOHEMIAN BUDDHA (2000)

Zoogz5: BORN IN THE WRONG UNIVERSE (2003) + a 45 minute long track from "school of the criminally insane" that I couldn't fit onto 'Zoogz3.'

Much thanks to myxsoma - go check out his lovely music, videos for his music, his nutty YouTube channel, and dig the video (right) he posted of Zoogz' song "Bowl of Gregmar" featuring a photo autographed by the man himself.

Big Eyed Beans From Venus

Yes, Virginia, there really is a Captain Beefheart tribute band. Even more improbably, they're really good. And you thought tribute acts were all cheeseball 'classic rock' bar bands.

As the Southern Shelter guy says: "Big Eyed Beans From Venus have obviously put in tons of work (there’s really no way to half-ass Beefheart’s music)."

This Athens, GA crew even got actual Magic Band members to sit in, like Rockette Morton, who played on early classics like "Trout Mask Replica." Dig this 20 song show, recorded live, with excellent sound quality:

Big Eyed Beans From Venus 11/16/06 @ Five Spot

My Writing-Fu Skills Are No Match For This Album...

...because I'm at a loss as to how to describe it. It's great to encounter music that fits no known genre until you're the fumbling fool trying to review this 1993 release by German composer Helmut Neugebauer and his band Die Vogel Europas. But (*cracks knuckles*) here goes:

Mainly guitar and drums making a kind of fractured funk, like two Gang of Four records playing at the same time at 78 rpm...but with jazz sax that suggests a European Capt. Beefheart...er, more like a Raymond Scott/Carl Stalling cartoonish craziness...only with sampling and industrial-like sounds, but it's not industrial music, really....well, maybe in the Foetus sense, but it's kinda proggy, what with all the unusual time signatures and complex songwriting, only done more in the spirit of an exuberant Eastern European dance than some show-offy prog band...
I think I've embarrassed myself enough. But, hey, the Allmusic guy describes it as 'unclassifiable,' so there, it's not just me. He also says that "It's a classic and deserves to be heard by everybody."

Helmut Neugebauer & DIE VÖGEL EUROPAS - Short Stories


p.s.: Elliot Sharp plays on this album, I bet some of you have heard of him.

Vote For M4M Idol!!

Don't you wish all of those "[name of country] Idol"/"X Factor"-type shows had good music? Well, now here's your chance to be Simon Bowel (pictured left, on toast) - vote for any of the artists featured on this sampler of home-brew recordings. Most of these acts wrote to me asking for a review of their work, but, goshdurn it, I just don't have the time. Forgive me, bedroom maestros of the world.
But these are all FREE releases, so if you like the sampler tunes, there's often whole albums for you to download. It's really good stuff. I wouldn't subject you-all to anything I didn't genuinely enjoy, so it's gonna be a tough call. A real horse race.

How do you vote? Simply listen to the "M4M Idol" collection i posted below and then leave a comment stating who's your favorite artist of the bunch. The winning artist will get a full-length review (woo-hoo!) in a future M4M post. Yeah, I know...sorry I don't have any valuable cash prizes/record deals to offer the winners, but hey, I get hundreds (sometimes thousands) of eyeballs on this blog each day, so they are getting some exposure.

Musically, it's quite a variety show: lo-fi outsiderness, postpunk prog, campy surf, subversive sound collage, Afro grooviness, ambient/noise soundscapes, twisted electronica, some strange things resembling catchy pop songs. And then there's Jinnwoo's "Sorry Song" which "...was written as an apology from myself to the world for being such a bad and horrible creature...I recorded the piece naked, and in the rain." What would Paula Abdul think?

M4M Idol

1. Bloody Death Skull - I Miss My Homeland 2. Future's Lament 3. Holding Hands
4. Buttress O'Kneel - Exhibit W 5. Buttress O'Kneel - Darkness
6. Cutthroat convention - Warui Neko 7. Cutthroat convention - Parasite's Paradise
8. Death to the Brutes - Death Set 9. Death to the Brutes - No Love, No Ecstasy
10. Docteur Legume et Les Surfwerks - Phibes and Vulnavia, Just Married! 11. Die 1000 Wellen Das Dr Mabuse
12. Jinnwoo - Sorry Song
13. Marc Broude - For the Flies
14. Mike Colin - Fish Bulb 15. Mike Colin - The Future is Not Written
16. Moebius II - Innerstate '94 17. Moebius II - Magic Mirror
18. oreaganomics - Fallin Out Of Buildings Fallin In Love 19. Create Something to Love
20. Pompey - Bivouac Sack 21. Pompey - Candle
22. Sam Simmons - Midge
23. Skinjobs - Money in the Bank Vs. Money in the Pocket 24. Skinjobs - Sunshine

Remember, you can't complain about who won if you didn't vote!

Before They Were Stars!!

A 14-year-old Björk! Billy Joel goes heavy metal ! Tori Amos goes big hair '80s! Debbie Harry of Blondie in a '60s hippie band that should have been called "Bland-ie"! Nick Lowe rips off The Who! Neil Young and that superfreak Rick James in the same band!

It's all strange-but-true, some of it awful, some surprisingly great. Hey, you gotta start somewhere...

Before They Were Stars (A MusicForManiacs Collection)

01 Tony Sheridan [w/"The Beat Brothers": John Lennon, George Harrison, Paul McCartney] - Sweet Georgia Brown [1961]
02 Rory Storm & The Hurricanes [w/Ringo Starr] - America [1963]
03 Arthur Lee and the LAGs [pre-Love] - The Ninth Wave [1963]
04 The Primitives [Lou Reed] - The Ostrich [1964]
05 The Wailers [w/Bob Marley, Peter Tosh] - simmer down [1965]
06 Bluesology [w/Elton John] - Come Back Baby [1965]
07 Shotgun Express [w/Rod Stewart-Mick Fleetwood] - I could feel the whole world turn round [1966]
08 The Mynah Byrds [w/Neil Young, Rick James] - Go On And Cry [1966]
09 The Spiders [Alice Cooper] - Don't Blow Your Mind [1966]
10 John's Children [w/Marc Bolan] - Desdemona [1967]
11 Wind In The Willows [w/Debbie Harry] - Djini Judy [1968]
12 Flaming Youth [w/Phil Collins] - Changes [1969]
13 Attila [w/Billy Joel] - Rollin' Home [1970]
14 Fraternity [w/Bon Scott] - Jupiter's Landscape [1971]
15 Brinsley Schwarz [w/Nick Lowe] - (What's So Funny 'Bout) Peace Love & Understanding [1974]
16 Kilburn & the High Roads [w/Ian Dury & some Blockheads] - Rough Kids [1974]
17 Hawkwind [w/Lemmy Kilmester] - Motorhead [1975]
18 The 101ers [w/Joe Strummer] - Letsagetabitarockin' [1975]
19 Björk - Alta Mira [1977]
20 The Nipple Erectors [w/Shane MacGowan] - So Pissed Off [1978]
21 The Coachmen [w/Thurston Moore] - Thurston's Song [1979]
22 Boys Next Door [Nick Cave & the Birthday Party] - Dive Position [1979]
23 Bruce Woolley And The Camera Club [w/Thomas Dolby, The Buggles] - Video Killed The Radio Star [1979]
24 Material [w/Whitney Houston] - Memories [1982]
25 Y Kant Tori Read [w/Tori Amos] - The Big Picture [1988]

IDIOTS

*sigh*

Got this email this morning, re: CCC's "Cracked Pepper" mashup album that I posted last week:

Blogger has been notified, according to the terms of the Digital Millennium Copyright

Act (DMCA), that certain content in your blog is alleged to infringe upon the

copyrights of others. As a result, we have reset the post(s) to "draft" status.

(If we did not do so, we would be subject to a claim of copyright infringement,

regardless of its merits...You may edit the post to remove the offending content

and republish, at which point the post in question will be visible to your readers

again.  



Blah blah blah, etc. etc.  As I wrote in my original post: You're not gonna find too many mashup albums better than

this 2007 release by the UK's CCC (aka   Chris Shaw) and his helper-pal Ill Chemist.  Don't know Mr. Chemist,   but

CCC is a true mash-master.  This release is a follow-up to his   tackling the entire "Revolver" album, and is worth a

listen even for   those (like me) who are long tired of hearing any more from those   mop-tops from Liverpool.

On a technical level, it's well produced,   on-time and in-key even as some tracks juggle as many as 10 songs in

one   track.  More importantly, imaginative touches abound: how did I never   notice that Lennon swiped the

melody of "For The Benefit For Mr. Kite"   from his earlier "It's Only Love"?  Well spotted, sirs.



Weirdly enough, before his mashup career, CCC started the Monkeyman superhero hoax. 



And if you want the album (I'M NOT HOSTING IT, NEVER DID) it's easy enough to just search for "mediafire" + "ccc

ill chemist cracked pepper," so I don't know what all this nonsense accomplishes.  Sorry, all of your original

comments are gone. 

"I've Got To Do My Penis Thing": Mr Fab's Mania For Maniacs

I usually update this blog every few days. It's been weeks since my last post, but I think I've got a pretty good excuse: I was sick to the point of (temporary) (I hope) madness. Two trips to my doctors' office, two visits to the emergency room, a high fever that ran for weeks, delusions, hallucinations, fever dreams...welcome to hell, enjoy your ride!

This is going to sound like a joke or something, but I really was tortured one restless night by a reoccurring punchline made by comedy writer Andy Breckman on his WFMU radio show "7 Second Delay": "Is this going to be a long story?" I don't remember what the set-up to the joke was, but Breckman's voice delivering that line kept bouncing around my head like a pinball in a pinball machine. I know this sounds funny, but I thought I was going nuts. I was also tormented for what seemed like several days by a song from my daughter's favorite show, "Yo Gabba Gabba!" Excellent kiddie fare, but I couldn't get the song out of my head, even deliberately trying to replace it with another, more innocuous one by humming something else whenever the bad song came back.

Brian WIlson recorded the noise-fest "Mrs O'Learly's Cow" with the Beach Boys to replicate the sounds in his head (as he said) when he was on the verge of a mental collapse in 1966. This is an unreleased bootleg, which I prefer to the cleaner official version Wilson released on his "Smile" album from a few years back. I thought of this track often during my illness, knowing, if even for a brief period, what Wilson was going thru:

After taking medication for a headache that left me unable to sleep and clutching my head like a Joan Crawford melodrama, I suffered an allergic reaction that had me sticking out my tongue as far out as it could go. Painful, tho it probably looked kinda funny, like Gilligan after a witch-doctor put a curse on him. This was alternated with my jaw clenching down so tight I couldn't open my mouth, and had difficulty breathing. Which did not look funny. Scared the poop out of me and my wife.

At one point in the hospital I started taking off my pants. My wife asked what I was doing. I replied "I've got to do my penis thing," apparently referring to peeing in a cup for a urine test...which I had already done. Fortunately, Mrs Fab convinced me of this, and thus spared me from soiling the exam room. Once I was furiously pounding away at my iPad, then gave up my internet search. Mrs Fab saw that I had been searching for something like "zxcvcxznnx nxcvbmvcxcvv." Apparently, I couldn't find it. So I sternly asked her to tell me "the story of the sick boy." I also said to her at some point, "They're giving me three-to-one odds," and left it at that. And I repeatedly grasped at things that weren't there, then was surprised to find that I had been grasping at air. I swear I saw 'em...

This is what my wife told me, as I don't remember most of these episodes. I'd always thought of the mentally ill - those poor souls pushing shopping carts down the street, mumbling to themselves - and folks like me as being poles apart. It's pretty alarming, then, to find how quickly and easily I slid into a li'l bit o' madness. It's been over three weeks since it started and lemme tell you, am I glad to be here. I appreciate simple things like a good nights' sleep and eating solid foods. I'm not 100% percent, but, as the doctors never could come up with a diagnosis, I'm just assuming I'm getting better since my symptoms have largely disappeared.

This song Grant Hart wrote for Husker Du in 1984 for their classic "Zen Arcade" album came to mind on more than one occasion during this period: "What's going on...inside my head?!"

On the positive side, I've lost weight (The Amazing Mystery Illness Diet!) And I will one day return to blogging. See ya soon.

I AM NOT AND YOU CAN TOO

Vermont's Jake Lions Band have very nicely offered up to us an excellent free album of lots of short (except for one 8 minute track), silly bits of electro-Dada. The non-instrumentals sport absurd lyrics sometimes sung in Chipmunk/cartoon-ish vocals. Like Zoogz Rift or Big Poo Generator, Lions and Co. mix smart, complex music with goofiness, thereby keeping pretentiousness at bay.

Check out lots more of his stuff HERE.

Jake Lions Band - I Am Not And You Can Too

VINYL-PALOOZA #2: '60s Guatemalan Garage/Psych

Mid-to-late '60s garage/psychedelic rock seems to be some of the most expensive collectors items out there in record-land, and the more obscure, the better. Well, see how many boxes this one checks: it's so obscure, there's no mention of it anywhere on-line that I can find, it's so obscure it's from, of all places, Guatemala. You got yer heavy fuzzed-out guitar, you got yer wah-wah action, you got yer sleazy organ, and you got yer original songs (no Stones retreads here), and most importantly, you got good songs. Some great songs, actually, with a heavy surf influence - a bit late for surfing in 1969 (or thereabouts) but, hey, they're not as trendy as los norte Americanos down there in Central America. If this can't make collectors cream their jeans, I don't know what can.

Side one kicks things off with a massive fuzz-fest that is virtually a one-chord

song, allowing Armando de Leon

Flores a chance to go to town on his guitarra. The cheesy organ on the second song practically takes things into Herb Albert territory (which is fine by me), and only by the third track do we finally get some vocals, and what fine harmonies they are. The 4th song is fast and frantic, but with a definite Latin feel to the melody, distinguishing it from the usual "Louie Louie" clones. "Luna de Xelaju" is an atmospheric waltz-to-rocker with evocative tremoloed guitar, and "Genesis" is another upbeat instro.

Plenty of awesomeness right there, but the medley that takes up all of side two completely shreds - from the standards "Telstar" and "Penetration" to scads of unknown (to my gringo ears) Latin American gems, The Electronic Fountains deliver as perfect an 18 minute set of garage/psych/Latin/surf as one could hope for. Whatever the tune is that starts at around 10:30 (EDIT: actually, I meant the tune that goes from 13:30-15:00), it's now one of my favorite songs. What more could one ask for? Better sound quality, I suppose - the vinyl's worn. But you're never gonna find a copy of it. Bidding starts at..?

ELECTRONICOS LA FUENTE (Google Drive)

ELECTRONICOS LA FUENTE (The Box)


 

CAPTAIN BEEFHEART KARAOKE PARTY

One of the indisputable giants of weirdo music, Captain Beefheart, died this past December, as most of you doubtless know. Some have said that since he'd been retired from music for so long, his death shouldn't be much of a shock. But I've been listening to Beefheart so much in recent years that he did feel like an immediate presence - he's the rare artist from my boyhood that I listen to more now then I did then. Took me a while to fully absorb him. After I got increasingly into Delta blues and free jazz, then I could see where the good Captain was coming from.
As a belated tribute, here's a pretty good sounding (as bootlegs go) collection of instrumental mixes of his 1970 "Lick My Decals Off Baby" album. I love the opportunity to really hear The Magic Band's twisted, knotty instrumental skillz in all their glory. Don't be put off by the horn skronk on the first two tracks - they get a-rockin' and a-rollin' shortly thereafter.

Captain Beefheart &The Magic Band: "Lick My Decals Off Baby" (instrumental mixes)

1. Japan In A Dishpan
2. Japan In A Dishpan (take 2)
3. Woe Is A Me Bop
4. Space Age Couple
5. Petrified Forest
6. Flash Gordon's Ape #2 [some vox on here, actually]
7. Doctor Dark
8. I Love You, You Big Dummy
9. Japan In A Dishpan (bass and Drumbo version)
10. Flash Gordon's Ape
11. Lick My Decals Off Baby
12. Japan In A Dishpan (take 4)
13. Bellerin' Plain
14. Clouds Are Full Of Wine
15. Big Toe #25
16. The Buggy Boogie-Woogie
17. Flash Gordon's Ape #1

• Captain Beefheart - Vocals, clarinet, saxes, harmonica
• Zoot Horn Rollo - Guitar, glass finger guitar
• Rockette Morton - Bassius-o-pheilius
• Drumbo - Drums, broom
• Ed Marimba - marimba, percussion, broom

DEMONOLOGY

I have zero info on the demon(s) responsible for this free download release, but I can tell you that this album (or side one, at least) is a highly entertaining witch's brew of sleazy rock in the Cramps/Roky Erickson/Velvets (jugular) vein and lyrics that are, well, just look at those song titles. Tho they're sung in an unlikely high, nerdy voice, I still wouldn't mess with this dude. When he starts screeching about "rats with wings," it sounds like he means it.

Side two reverts to a more normal rock and acoustic approach, but bits of psychedelia and even violin keep things interesting. And don't miss the title song - it's the albums catchiest tune, and sounds like it's sung by children, which makes it all the more wrong. Just how we like it.

Swilson "Demonology"

1. Polyester Shirt Polyester Pants
2. Stealing Chickens
3. Electric Aborigonie
4. Planet Of Sex
5. White Witch Black Witch Which Is Which
6. Rats With Wings
7. La Diosa Verde
8. Dealing In Death
9. Demonology
10. When It's Dark
11. Plastic Flower Melting Sun
12. Swilson's 666th Nightmare

I BE AN RETARDED

Those of you jonesing for more Zoogz Rift might want to check out the numerous free album downloads of Big Poo Generator (and the various other names they record under) for a similar low-brow-humor-vs-high-brow-music approach. There's none of Zoogz' anger or paranoia here, tho - this is pure silliness. The music is complex, almost slick, but vocals are usually sped-up Chipmunk style. Most of the lyrics concern "poo" and/or "retards."

These guys were a big deal on the original mp3.com a decade ago, topping their popularity charts with songs like "I Be An Retarded." I was pretty obsessed with that tune - so dumb (the lyrics are nothing more then the phrase "I am retarded" repeated over and over), but so musically solid, boasting a great melody and chord structure. Turns out the group had its roots in a Chicago-based Led Zep tribute band, which explained their impressive chops.

Big Poo Generator "Please Kill Us" - Synths, guitars, and Chipmunks are joined by occasional bagpipes (!) and, on "Foodballs," an opera singer. Equal parts self-indulgence and brilliance (it's a fine line, isn't it?), tho the latter can be found in: "Mr. Poo" ("you are eating poo, my friends..."), "Rear Entry Pants," "Toilet 4 2," the epics "Gorgon 5" and "Mr. Hamburger"...the (s)hits just keep coming.

The Wacky Ball Kickers - Theatrical songs almost as musically rich as, say, Queen's "Bohemian Rhapsody," but I doubt even the most outrageous '70s glamsters would touch classics like "Sing It, Mrs Ass" or "I'm Gonna Kick Myself In The Balls".

Hemorrhoy Rogers "Cream of What" - This 100-song, 2 hour mind-melter features their "hit," here named "I'm Retarded (Remix)." Mostly stripped down to just guitars and vox, this might seem like an endurance test at first, but keep listening - plenty of yummy nuggets like "I Can't Go To The Bathroom (Fart Contradictionary)" pop up, like corn in poop.

In an age of novelty music made family-friendly by folks like Weird Al and They Might Be Giants (both of whom I like, by the way), this relentlessly tasteless crew are a welcome breath of foul air.

ZOOGZ TOOZDAY 10: War Zone

New to Zoogz? Start HERE.

We've come to end of our brief survey of the wildly prolific and imaginative Zoogz Rift. Remember, you can now send away for an inexpensive set of his (almost) entire output if this has whet your appetite. I certainly would be interested to hear what albums like "FUCK GOD, FUCK YOUR MOTHER, FUCK ALL YOUR BULLSHIT AND FUCK YOU" are like.

This 1990 collection starts with "Kasaba Kabeza," a groovy funk instrumental that gets increasingly twisted. The sax/trombone interplay towards the end of this song suggests a particularly woozy brand of Minimalism. Even at 19 minutes this track isn't too long. One of Zoogz' best.

"Bowl of Gregmar" could be white-boy bar-band blues, were it not for the misanthropic lyrics and industrial-grade guitar solos. "You Can Count On Us" is a savage, funny Traveling Wilburys parody, tho I doubt that today's kids know who they are/were. No matter, proceed to the boss title track, a pogo-riffic instrumental that could almost be early Devo with a jazzy horn section. Top stuff.

This album is subtitled: "Music For Obnoxious Yuppie Scum." Does that mean that he thinks that obnoxious yuppie scum would actually like this music? Give this album to your BMW-driving Wall Street friends today!

Zoogz Rift: War Zone

ZOOGZ TOOZDAY 9: Torment

New to Zoogz? start HERE. We're in the home stretch - I only have one more album of his after this.

Torment is right. This 1989 release kicks off with a track by a clearly frustrated Rift bemoaning his increasingly diminished place in the music industry, and other songs boast primo pissed-off rants. "Dead Planet Earth" features a plethora of ethnic percussion and even a rain stick - Zoogz goes "world-beat"! "The Secret Marines Sex Kitten Beach Party," one of the most uproariously surreal spoken-word + music tracks Rift has ever done, recounts a boy's hilariously gruesome trip to the doctor.

The Tom Waits-ish "Meet Me at Stinky's" is a new direction for Rift, as is "Low Life," for overdubbed pianos (and no other instruments). "Let A Man Come In And Eat The Popcorn, Pt. 47 & 93" is a James Brown parody/tribute. And "Defecation Rainbow" is a helluva title, isn't it?

Apart from the usual furious punk/jazz instros with their blistering guitar work and Jonathan "Mako" Sharkey's synth mayhem, there are some songs that could almost be normal rock ballads. The instro "Candy Girl" is as happy and catchy as it's title would suggest - bubblegum fusion?

Zoogz Rift & his Amazing Shitheads - "Torment"

ZOOGZ TOOZDAY 8: "Murdering Hell's Happy Cretins"

(New to Zoogz? Start HERE) If you thought Zoogz was getting soft with last week's offering, this 1988 release should reassure you that Mr. Rift has not mellowed. The first half of this smokin' album is live in Europe, reprising favorites like "Heart Attack," "Mongoloid Middle America," and "When My Ship Rolls In."

Then the studio half: the lovely instro "Puke Island Paradise;" then the title track, one of Rift's trademark rants, this time directed at the likes of pretty-but-empty-headed bimbos; "Tender Romance Sequence," more of a skit than a song, is nutty x-rated surrealism; the film "Freaks" gets sampled; "A = a" is one of Rift's most furious rockers; trombones, vibes, and shrieking guitars prance merrily about and a good time is had by all. Zoogz himself has said that it's "containing some of my best studio work." It certainly makes this cretin happy.
Zoogz Rift "Murdering Hell's Happy Cretins"

ZOOGZ TOOZDAY 7: (Nonentity) Water III

Don't know Zoogz? Start HERE! But even if you do think you know him, you'll be surprised by this 1988 album - there's no spoken word surrealism, no screaming fits, no rude language. There is alot of nice singing, some Tim Buckley covers (!?), and plenty of instrumental action that is no longer zigging and zagging at break-neck tempos. No, The Amazing Shitheads come off almost like a loose jam band here.

The eminently hummable "When My Ship Sails In," written by band member John Trubee, is as gorgeous a melody as Zoogz ever recorded. The closeset thing here to the old surrealism is the title of the 20+ minute jam "The Enigmatic Embrocation Of Mrs. Compost Heap," and the fact that accordionist Rocky Howard keeps derailing the proceedings to quote from songs like "The Godfather Theme" and "Beer Barrel Polka." Accordion polka on a Zoogz Rift album? That might be the most shocking thing he's ever done. But I guess even misanthropic paranoid cynics have their good days.

Zoogz Rift: (Nonentity) Water III
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ZOOGZ TOOZDAY 6: Water II (At A Safe Distance)

Don't know Zoogz? Start HERE! Otherwise, let's dive into a 1987 release that, although it's pretty quirky by the usual standards, is as close to a straight-ahead punk/rock album as anything Zoogz & His Amazing Shitheads ever did.

A few songs are pretty out there, however. And the nearly-7 minute epic "Ah Peek In Duh Devil's Secret Hell Files" is waaaay out there, one of the nuttiest things I've ever heard from Zoogz. At one point, he even parodies Beefheart and Zappa's style to most amusing effect. And the impressive title song, for (at least) three electric guitars and no other instruments is some kind of demented string quartet/chamber music.

Zoogz Rift: Water II (At A Safe Distance)

We're only skimming the surface with all these Zoogz posts - he released far more music then I have in my collection. Although this stuff is out of print, Rift himself, thru his son Aaron, is selling for ridiculously low prices a data cd and dvds containing most everything he ever recorded. Faithful reader Steve took the plunge (all right, no more water puns) and sent away for them: "I've received everything from Aaron as advertised! ...I've found that the dynamic range is a bit better than the generally available album rips." He also reports that there are numerous bonus tracks for each album, although, strangely, one track that was originally on an album might be missing (or was it's title changed?). It's bare-bones (no art work), but considering how much you get for so little money, I'd still say it's a great deal. And since Zoogz has so many health issues, I'm sure he could use the money.

(Thanks, Steve!)

ZOOGZ TOOZDAY 5: Water

Start HERE! (If you haven't already).

As Los Angeles has just experienced the hottest day in our recorded history, an album called "Water" sounds mighty soothing, doesn't it? Aaaaah, water... And this one kicks off with a song called "I'll Rip Your Brains Out." Hi, Zoogz!

The afore-mentioned song is another example of Rift's trademark outrageous surrealism, in this case sending the TV show "The Beverly Hillbillies" into a Caligula-like orgy. The music ends up as a kind of punk version of the old American folk song "Shortin' Bread."

Much of this swell, well-produced 1987 release is instrumental, which is great as it gives his prog/punk/jazz/weirdness musicians a chance to shine (Richie Haas' marimbas always make me happy), tho I would love to hear lyrics for songs with titles like "World of Depravity." One instro segment, based on the "Oh Pretty Woman" riff, is named "Roy Orbit's Son" (get it?). But the few songs with lyrics are good ones, e.g.: the vituperative "Burn in Hell," and "Mongoloid Middle America," which posits a theme park ride far more terrifying then the Haunted Mansion.

Two excellent instros are only a minute long: "Diver Dan vs. the Worm Gobblers" has a funky poppin' bass trying to keep up with a drum machine that keeps playing faster and faster, and the all-electronic title tune sounds like easy-listening music for robots. A spoken word track featuring a woman recounting a (hopefully fictitious) encounter with a pedophile isn't anything you'll want to hear much, but it does break up the instrumentals.

Dive in! (sorry)

Zoogz Rift: Water