Sisqo's "Thong Song" for Music Box And Theremin

I'm sure we all have our own favorites, but my pick for best cover of Sisqo's ubiquitous 1999 hip-hop hit "The Thong Song" for antique-sounding music box and theremin would have to be the one by British duo Eccentronic. It's short, maybe too short (not to be confused with the rapper Too Short, har har), funny, and really quite nice. One of those audio anomalies that shouldn't exist in our universe, much less work as well as it does. It's a free download:

Eccentronic  "Thong Song"

Speaking of audio anomalies, can someone explain why I was driving down the freeway yesterday evening listening to the radio when a robo-voice came thru my speakers telling me that the Vermont off-ramp was in two miles...and I don't have GPS?!

Never heard from the phantom voice again. Freaky.

Hail, Vic Caesar!

I posted this Friday, it got 22 views...and disappeared.  I hope to hell it was just some technical glitch...

Now I have to remember what I wrote a few days ago. Umm...I can't.  (Start over.)

Basically, this is one of the best lounge albums I've ever heard, and I've heard plenty. The man sings songs you thought you never liked (e.g.: "Born Free") with over-the-top gusto and finger-poppin' cool, he tackles both the usual suspects and such utterly unlikely choices as "Lucy in The Sky With Diamonds" (?!) and, as this interview proves, is as larger-than-life as his music.  The voice!  The enthusiasm!  The swingin' big band! Everything you want in a lounge record. And Dick Van Dyke wrote the liner notes.

"Vic Caesar Sings"

AVANT-POLKA

Following on the heels of our last post, which featured The Mighty Accordion Band...

Well, why not avant-polka?  Who says classical, jazz, and rock should have all the fun? Guy Klucevsek's "Polka From The Fringe" is just that, a newly released 2-disk set of originals and commisioned songs written for accordionist Klucevsek, an '80s downtown New York arty-smarty who grew up playing polkas in Pennsylvania coal-mining country. He originally released this album over twenty years ago, and the label promptly went out of business. This new version is greatly expanded, boasting a whopping 29 tracks, many written by prominent avant-garde composers like Tom Cora, Carl Stone, Fred Frith, and Elliot Sharp, whose "Happy Chappie Polka" is downright punk. Despite the heavy art credentials of all involved, it's still alot of fun.  You just can't play a pretentious polka. (Tho it is a lot to absorb - took me a few listens before I finally realized how good this album is.)

Another awesome avant-accordion album comes to us from, of all places, Belarus.  Pictured left, Port Mone's album "DiP" is an excellent collection of moody instrumentals sporting unusual ethnic percussion and some surprisingly funky poppin' bass. I can now say that I have listened to an entire album from Belarus (and so should you.)

Petrojvic Blasting Company (pic below) are a crazy-fun L.A. band featuring a big brass section that suits both European Balkan and New Orleans styles.  Tho probably best experienced live and drunk, their debut album (also available on vinyl) shows off their ace songwriting and muso skillz. They recently toured the old country - Poland, Latvia, Lithuania - but, like the above artists, don't expect anything too authentic.

Norteño literally means "northern", as in the US/Mexican border areas where Mexican musicians mixed their Spanish melodies with Dutch and Geman settlers' polka. A muy bueno norteño album I discovered on the jukebox whilst waiting for my order at a local taquería is Los Dareyes De La Sierra's "Corridazos Con Tuba Y Acordeon." Yep, pretty much the whole album is nothing but accordion and tuba duets.  And the tuba player is loco. Ever bought an album for the tuba?  Now's your chance. Tho I have my reservations about recommending it - I suspect that some of the songs are "narco-corridos," songs about, or even in praise of drug cartel thugs.

Tijuana's Nortec Collective offers a more self-consciously experimental approach to norteño. Like Wu Tang, the Collective quickly split off into solo projects, some leaning more towards techno dance territory, and others, like Bostich and Fussible's 2008 release "Tijuana Sound Machine" still keeping that border-polka beat in there amidst all the space-age sounds.

We then head even furthur down south to Columbia, where the accordion rules the cumbia scene...even as they cover Queen. That's what happens when a British producer (Quantic, in this case) moves to Sud America. From the self-titled album "Los Miticos Del Ritmo."

Ah, what the heck - the link to Duckmandu's accordion cover of the Dead Kennedy's "California Uber Alles" is dead, so I'll throw it in here.

AVANT-POLKA

1. Duckmandu: California Uber Alles
2. Port Mone: River
3. Petrojvic Blasting Company: Princess Andy
4. Port Mone: Youth
5. Guy Klucevsek, Ain't Nothin' But A Polka Band: The VCR Polka (by David Garland)
6. Guy Klucevsek, Ain't Nothin' But A Polka Band: Happy Chappie Polka
7. Guy Klucevsek, Ain't Nothin' But A Polka Band: The Disinformation Polka (Fred Frith)
8. Los Dareyes De La Sierra: La Tragedia Del Compa Man
9. Bostich and Fussible: The Clap
10. Los Miticos Del Ritmo (Feat. Quantic): Otro Muerde El Polvo (Another One Bites The Dust)

GUNS TURNED INTO MUSICAL INSTRUMENTS

Here's an idea who's time has truly come: a project called "Imagine" in which Mexican artist Pedro Reyes leads a team that takes guns donated from citizens of a county particularly wracked by violence and transforms them into musical instruments. Pistols form a guitar's body, gun barrels have holes drilled into them and made into flutes, or are arranged according to size into a xylophone, etc. The remarkable lyre pictured above is as much a triumph of visual design as musical. Go

HERE

to read/see the pics/watch the making-of vids. The video below is a 6-minute "Imagine Concierto" featuring the instruments. Yes, the music is based on the Lennon song, but even if you're sick of that tune, you must admit to how good these instruments sound, how well they're played, and just the general awesomness of the project. The percussion in particular gets increasingly sorta funky as the song progresses.

And I'm outta here til sometime in January. Much thanks to the many of you who have contributed to this-here web-log this year. Peace on Earth, goodwill towards men, and all that jazz.

ALBUM DU JOUR #9: Eno: The Lost '70s Pop Album

No, this isn't an actual album, but a collection of b-sides, bootlegs, and appearances on other artist's albums from Bri-Bri's glam-rockin' heydey.  It would have made a great album, tho, for fans of the man's "Warm Jets"-to-"Before And After Science" song-oriented work, which would include, I would imagine, most of you-all at some point in your lives. I'm surprised that Eno or his labels have never put together a collection like this, seems like a natural. As he is one of the most famous/popular avant-rockers in history, you think they'd be trying to milk it they way they're doing with the Velvet Underground.

No ambient stuff here.  The Cluster tracks are certainly atmospheric, tho still actual tunes with vocals/lyrics.  The three tracks from "Peter and the Wolf" are instrumentals, but they rock - Eno going nuts on the synth, like his solos on Roxy Music songs like "Editions of You."

"Qu'ran," which sampled Muslims chanting from their holy book, was included on the original pressings of "My Life..." (I still have my old vinyl copy!) but not only was it not included as one of the many bonus tracks on the 25th anniversary re-issue, it's not even mentioned in David Byrne's otherwise thorough liner notes. Them Muslims must be scary...

Eno: The Lost '70s Pop Album

1. Seven Deadly Finns [single, 1974]
2. The Lion Sleeps Tonight (Wimoweh) [single, 1975]
3. Big Day [from Phil Manzanera's "Diamond Head" 1975]
4. Miss Shapiro                   "
5. The Paw Paw Negro Blowtorch [live, with The Winkies 1974]
6. Totalled [live, with The Winkies 1974 - a radically different version of this song would appear on 1975's "Another Green World" album as "I'll Come Running"]
7. Fever [Peggy Lee cover; live, with The Winkies 1974]
8. Baby's On Fire [live, with Kevin Ayers, John Cale "June 1, 1974"]
9. Third Uncle [w/Phil Manzanera's band "801 Live" 1976]
10. The Fat Lady Of Limbourg  "
11. Wolf [from "Peter And The Wolf" various artists inc Phil Collins, narrator: Viv Stanshell, 1975]
12. Wolf and Duck                   "
13. Wolf Stalks                        "
14. Luneburg Heath [w/German group Harmonia featuring Michael Rother from Neu!, and Cluster, from "Harmonia 76," unreleased until 1997]
15. Broken Head [from "After The Heat" w/Cluster, 1978, initially a somewhat hard-to-find import-only album in the US]
16. The Belldog                       "
17. Tzima N'arki                      "
18. R.A.F. [w/Snatch, "King's Lead Hat" b-side, 1978]
19. Qu'ran [w/David Byrne, from first pressings of their album "My Life In The Bush of Ghosts," recorded 1979, released 1981]

Thanks to pj for the artwork!

The Country/Eastern Music of Shoji Tabuchi

If you are a good, decent person, you will not laugh at a Japanese guy sincerely trying to sing American country hits.  The Dalai Lama (or Adam Yauch, were he alive) would probably comment that, hey, can YOU sing in Japanese?  Could YOU come over from a country with a radically different culture than the US and master a foreign music style? Could you, like, learn to play the koto or some shit? 

Well, obviously, I am not a good, decent person - I LOL-ed out loud upon hearing poor Mr Tabuchi sing "make loom in your heart for a flend." And you probably will, too, ya sick bastards. The debut album of this collection of country (and a couple easy-listening) hits by a Japanese fiddle player/singer does, at least, feature slick backing by Nashville pros to maintain some semblance of musical quality.

The night I was ripping this from vinyl I was musing aloud to the missus about how could this album have been released, by a major label, no less (ABC/Dot), and she suggested that it might have been a deliberate ploy, like the tax scam in "The Producers."  Which reminded me of record biz sleaze-bag Morris Levy. Otherwise, I have no explanation for the existence of this album.  But, hey, Tabuchi is having the last laugh on us - he's had a long-running show in that Vegas for old folks, Branson, MO.

 Shoji Tabuchi: "Country Music My Way"

A1 Orange Blossom Special

A2 Put Your Little Hand In Mine

A3 Uncle Pen

A4 Love Letters In The Sand

A5 Devil's Dream [instrumental]

B1 Lovin' Girl

B2 The Words Mean The Same

B3 Make Room In Your Heart For A Friend

B4 Time Changes Everything

B5 Somewhere My Love [instrumental]

This has been another wonderful Windy contribution.

What's 'Nilbog' Spelled Backwards?

LA's own Nilbog are the world's only horror-movie soundtrack cover band. Which is a cool concept, but they can also really play, they skip the cliched tunes (no "Psycho" or "Halloween" themes here), and bassist Bret is the man behind the Post-Punk Junk and Egg City Radio blogs. So good they should do real soundtracks.  Listen to 'em here..that is, if you ain't chicken:

Niblog The Band

Classic Schlock: a Kitsch-Ass Rock'n'Roll mix

Musical artists are still trying to mix rock'n'roll with theater, classical and easy-listening musics - why?

Look at this playlist - no, your eyes are not deceiving you.  Dee Snider of metal legends Twisted Sister really does have a new album out of showtunes, Lemmy from Motorheard really is crooning with an orchestra, and, yes Virginia, there really are entire albums out there with names like "The Cocktail Tribute To Nirvana" and "Swingin' To Michael Jackson."

Some of this is done with humorous intent, e.g. Max Raabe's tongue-in-cheek Berlin cabaret remakes, and Timur and the Dime Museum's and The Scarring Party's opera/cabaret covers of Nine Inch Nails and Echo & The Bunnymen are actually pretty cool (that Timur dude sounds nuts.) But otherwise, ya gotta wonder: who (besides me and windy) are buying these albums?  Like all those string quartet albums - there's millions of 'em...

Classic Schlock: a Kitsch-Ass Rock'n'Roll mix

1 Cabaret - Dee Snider ["Dee Does Broadway"]
2 We Will Rock You - Max Raabe & Das Palast Orchestra
3 Rape Me - The String Quartet Tribute To Nirvana
4 Blowing In The Wind - Robin Morris ["Orchestral Rock"]
5 Pretty Vacant - London Punkharmonic Orchestra ["Symphony Of Destruction: Punk Goes Classical"]
6 Eve Of Destruction - Mike Batt & The Royal Philharmonic Orchestra feat. Lemmy Kilmister ["Philharmania - All Time Great Rock Hits Vol. 1"]
7 Come As You Are - Gringo Floyd ["The Cocktail Tribute To Nirvana"]
8 Closer - Timur and the Dime Museum ["Songs from the Operatic Underground"]
9 White Riot - London Punkharmonic Orchestra ["Symphony Of Destruction: Punk Goes Classical"]
10 I Get A Kick Out Of You - Dee Snider
11 Billie Jean - Vitamin Swing ["Swingin' To Michael Jackson: A Tribute"]
12 Killing Moon - The Scarring Party ["Woke Up With Fangs"]
13 Debaser - The String Quartet Tribute To Pixies
14 In My Life - Ozzy Osbourne ["Under Cover"]
15 Jealous Guy - Robin Morris ["Orchestral Rock"]

(Thanks to windy for the Robin Morris, and the Dee Snider tip.)

HELLSONGS

Hellsongs are a Swedish band who have gotten amazing mileage out of the strategy of covering classic heavy metal songs in an EZ style reminiscent of late '60s/early '70s sunshine pop bands like The Mamas and The Papas, or baroque poppers like the Left Banke. They're up to five releases and counting of arranging the works of the likes of Black Sabbath, Iron Maiden, Guns 'n' Roses, and Van Halen for horns, strings, piano, acoustic guitar, and low-key Claudine Longet-like female vox. Alice Cooper's "School's Out" gets downright bubblegum, and Twisted Sister's "We're Not Gonna Take It" drifts along nicely as a stately waltz. This could be played as a quick joke, but it's so artfully rendered that the unexpected results are often quite lovely. I came for the novelty, and stayed for the music. (But then again, I love all that Free Design kinda stuff.)

Listen to the Hellsongs soundcloud page.

Thanks to B'O'K!

The Garbage-Men

If I may just speak like a Rat-Pack era showbiz-type for a moment and say, "Marvelous stuff what the kids these days are doing." Especially when the kids are some Sarasota, Florida teenagers making their own instruments out of junk. Too bad they've only got one song up for listening/purchase right now, a delightfully messed-up version of Elvis' "Hound Dog," scored for cereal box-guitars, garbage drums, a saxophone made from a popcorn push toy, and the miracle of the Glass Bottle Idiophone:

http://thegarbagemen.bandcamp.com/

This interview features bits of other songs (also oldies remakes), as does this video, which includes a bitchin' version of The Surfaris' "Wipeout," as well as an up-close look at those nutty instruments:

I'd take this ramshackle version of "Satisfaction" over the Stone's any day:

But what do they use for strings?  Regular guitar strings?  And will they ever cover The Cramps?

COVER THE EARTH 3: More Bizarro Versions of Your Favorite Oldies From Across the World Wide Weird

The first "Cover The Earth" collection we posted here a couple of weeks ago has been quite the success - twice as many downloads as usual for these parts. And since some of you nice maniacs out there have been emailing me mp3s and suggestions for other foreign/ethnic cover tunes, I was inspired to dig thru my cd archives and come up another volume. And this batch is really nuts, more out-there then Vol. 1, I'd say, sometimes veering pretty far from the originals. The versions of "Love Is Like An Itching In My Heart" and "Imagine," in particular, are especially retarded.

Ingredients: a version of The Champs' "Tequila" by an out-of-control Indian wedding brass band; "Rock Around The Clock" played on a Spike Jones-like honk-horn novelty instrument (pictured right); two salsa artists (Celia Cruz, Manny Manuel) who start off fairly faithful to the originals, apart from singing in Spanish, before pushing the songs into Afro-Latin territory that has nothing to do with the original songs; a Frenchy version of "Witchy Woman" on musical saw (just about the only way I can take The Eagles); lots of Beatles, inc. a small taste of the zillions of Beatles covers recorded by Jamaican reggae artists in the Sixties; more Tuvan throat-singing; an early-'80s Dutch track (RTC) that would have fit on one of my "New Wave Covers" collections; and  "Purple Haze" on bagpipes. What more could you ask for?!

COVER THE EARTH 3

1. Tokyo Panorama Mambo Boys (Japan/Afro-Cuban) - James Bond theme
2. Tobi Rix (Netherlands) - Toeteriks-boogie [Bill Haley & Comets "Rock Around The Clock"]
3. Tanh Nam Teu (Vietnam) - Bat Ghen [Theme From 'Bonanza']
4. Babu Band (India) - Tequila
5. pedro de la hoya (Spanish, tho he's French) - kiss kong five [Prince "Kiss"]
6. Celia Cruz (Cuban) - Yo Viviré [Gloria Gaynor "I Will Survive"]
7. The Presidents (Germany) - Love Bug [Supremes "Love Is Like An Itching"]
8. Bugotak (Tuva) - Kon Togethy [The Beatles - Come Together]
9. Alton Ellis (Jamaica) - And I Love Her
10. Charlotte Dada (Ghana) - Don't Let Me Down
11. RTC (Holland) - Drive My Car
12. cachicamoconcaspa y leyko el perro de la IIII dimensión (Venezuela) - Imagine
13. Keith Lynn, The S.P.M's & Byron Lee & The Dragonaires (Jamaica) - My Sweet Lord
14. Svetlyo Zhilev (Bulgaria) - Purple Haze
15. Yat-Kha (Tuva) - Love Will Tear Us Apart
16. Dan Bau Vietnam - Rider in the Sky ["Ghost Riders In The Sky"]
17. Manny Manuel (Cuba) - I Want To Hold Your Hand (Tu Mano Cogere)
18. Beau Jocque & The Zydeco Hi-Rollers (Cajun Louisiana, USA) - Hi-Rollers Theme/Low Rider [War "Low Rider")
19. Barat Dangdut-Terpopuler 95 (Indonesia) - Hotel California
20. Randall Throckmorton w/ Larmes de Colère (French, tho Mr.Throckmorton is from Minneapolis) - Femme de Sorcière [Eagles "Witchy Woman"]
21. Yat-Kha (Tuva) - Black Magic Woman 

Gracias, danke, thanks to DJ Dragan and Outtaspaceman!

Snoopy's Beatles Classiks On Toys

Does what it says on the tin: Beatles songs played only on toy instruments. You may find this charming, or cloying and annoying.  Maybe both. I actually have another "Snoopy's Classiks On Toys" album by the same culprits behind this, an all-instrumental Christmas album, but I haven't posted it here - it's kinda bland. Nothing like having the occasional off-key moppets screeching, as this one does, to wake things up.

Yeah, it's those same Beatles songs you've heard a million times - but it's toys! None of this has anything to do with Charlie Brown & Co., near as I can tell.  Just a marketing angle, I guess. The cats behind this are French-Candian composers who have actually done some fairly serious classical-type stuff.  Tho this is probably just a commercial "rent gig" to pay the bills, it can work nicely, e.g.: "Here Comes The Sun"s arrangement for toy piano, xylophone, and chimes, among other sounds.

Robert Lafond and Michael Laverdiere: "Snoopy's Beatles Classiks On Toys" (1995)

1. Intro
2. Do You Want To Know A Secret? (Vocals)
3. Blackbird
4. Yesterday
5. When I'm Sixty-Four
6. Penny Lane
7. Here Comes The Sun
8. She Loves You (Vocals)
9. Fool On The Hill
10. Here, There, Everywhere
11. Help!
12. A Hard Day's Night
13. Yellow Submarine (Vocals)


Thanks to windy!

COVER THE EARTH: Ukrainian Punk

As an addendum to the "Cover The Earth" post of bizarre international versions of your favorite oldies, here are various rock remakes recorded over the years by The Ukrainians. Peter Solowka, one of the members of the popular '80s/'90s British combo The Wedding Present, is of Ukrainian descent, and picked up on the music from his father. He hooked up with musicians from the old country to play Ukrainian folk music, but then threw in some covers relevant to his present condition as a rocker living in the UK. And it is some crazy stuff.  No wimpy hippie folk music here, thanks to the occasional addition of some of Solowka's old Wedding Present buddies injecting some rock'n'roll energy into the mandolin-and-fiddle based tunes.  By the early '90s, Solowka had quit the Wedding Present to make the Ukrainians his full-time gig.

Included here: the entirety of the "Pisni Iz The Smiths (Songs Of The Smiths)" ep from 1992, Sex Pistols and Velvet Underground covers from a 1993 live album, a 1996 Kraftwerk cover commemorating the 10th anniversary of the Chernobyl disaster, and two Pistols covers from a 2002 single. (They also have a 3 song single of Prince covers that I haven't found a copy of yet.  Anyone?)

*smacks head* Ah, durn!  I forget to include Googoosh's berserk Iranian assault on Otis Redding/Aretha Franklins' "Respect" on the first "Cover The Earth."  So here 'tis, as a most thoroughly non-Ukrainian bonus.

COVER THE EARTH: The Ukrainians

1. Batyar (The Smiths - 'Bigmouth Strikes Again')
2. Koroleva Ne Polerma (The Smiths - 'The Queen Is Dead')
3. M'yaso Ubivstvo (The Smiths - 'Meat Is Murder')
4. Spivaye Solovey (The Smiths - 'What Difference Does It Make?')
5. Anarkhiya (Sex Pistols - 'Anarchy In The UK')
6. God Save The Queen (Sex Pistols)
7. Pretty Vacant (Sex Pistols)
8. Chekannya (Velvet Underground - 'Venus in Furs')
9. Radioactivity [Orthodox mix] (Kraftwerk)

BONUS:
10. Googoosh: Respect

COVER THE EARTH: Bizarro Versions of Your Favorite Oldies From Across the World Wide Weird

There are lots of foreign-language covers out there, but what really intruiges me is when non-Anglo/Americans approach the material from their own ethnic/cultural background.  Sometimes it's kinda clueless, like the South African group who sound like they really don't know their rockabilly (tho I'm sure they know rock better then most Americans know mbaqanga), while others are clearly going for a cross-over audience, e.g. the "chutney" version of Arrow's soca classic "Feelin' Hot Hot Hot": East Indians go to the West Indies. I'm pretty sure the Bappi Lahiri track was no more then the prolific Bollywood composer finding himself short on material and thinking no-one would notice if he ripped-off some Western oldies, but Tuva's Yat-Kha, on the other hand, apparently is a big fan of Western pop, and performing it in his "throat-singing" style seemed like the natural way to go - a tribute to his boyhood favorites. And Panta Siklja Nafta might be the first reported sighting of Serbian outsider music.

Plenty here were done simply to cash in on the teen rock market that emerged across the world by the 1960s. Jah Division, and The Ramones bossa, and steel pan covers are just good old-fashioned gimmicks, but fun ones, and The Dragons have even been accused of being somewhat of a hoax - their release, covering the likes of The Sex Pistols and the Rolling Stones - was supposedly smuggled out of China after the band overheard Western music on Hong Kong radio, but some have levied the accusation that they were, in fact, Chinese folks living in France at the time, and a smart-aleck record label put them up to the task.  Who knows - the Pistols on traditional Chinese instruments sound amazing, and that's all I care about.

Cover The Earth

1. Bogard Brothers [South Africa] - I'm In Love  (Elvis/Little Richard)

2. Yat-Kha [Mongolia] - When The Levee Breaks (Led Zeppelin)
3. Yat-Kha [Mongolia] - Man Machine (Kraftwerk)
4. Panta Siklja Nafta [Serbia] - Nafta u Mojim Mislima (Ray Charles)
5. Wanderlea [Brasil] - Vou Lhe Contar (The Seeds "Pushin' Too Hard")
6. Bogard Brothers  [South Africa] - She Keeps On Knocking  (Elvis/Little Richard)
7. Yat-Kha [Mongolia] - In-A-Gadda-Da-Vida (Iron Butterfly)
8. Panta Siklja Nafta [Serbia] - Lav Mi Tender (Elvis)
9. Duangdao Mondara & Chailai [Thailand] - The Black Super Man (Johnny Wakelin & The Kinshasa Band "Muhammad Ali Black Superman")
10. Yat-Kha [Mongolia] - Play With Fire (Rolling Stones)
11. Manster [USA] - Over, Under, Sideways, Down (Yardbirds)
12. Bappi Lahiri [India] - Everybody Dance With Me (Iron Butterfly/The Troggs)
13. Glambeats Corp. (feat. Chepito) [Euro/Brasil/Carribean] - Blitzkrieg Bop (Ramones) 
14. The Dragons [China] - Anarchy In The U.K. (Sex Pistols)
15. Dunny Lida & Paradise King [Japan] - Surf City (Jan & Dean)
16. Jah Division [US/Jamaica] - Dub Will Tear Us Apart (Joy Division)
17. Babla & Kanchan [India/Trinidad] - KUCH GADBAD HAI (Arrow/Buster Poindexter "Feelin Hot Hot Hot")
18. Malik Adouane [Algeria] - Shaft (Isaac Hayes)
19. Mariachi El Bronx [US/Mexico] - I Would Die 4 U (Prince)
20. Tracy Thornton [US/Caribbean] - Rockaway Beach  (Ramones)
21. Sroeng Santi  [Thailand] - Kuen Kuen Lueng Lueng (Black Sabbath "Ironman")
22. Unknown Japanese - Queen Medley

Thanks to Dragan Vuković!

Punk Mariachi!

Just in time for Cinco de Mayo, here's a few tracks from L.A. bands playing...punk mariachi? How is such a thing possible?  One style is electric, fast 2/4 or 4/4 beats, hard drumming, modern, angry and cynical, and originally sung in English; the other is seemingly the complete opposite: acoustic, slow, in 3/4 time, no drums, traditional, and sentimental. Well, you may be a rock'n'roller, but if you've grown up in Los Angeles, you're part Mexican, even if you're not. (Like how Lenny Bruce said that everyone in New York is Jewish, even if you're not.)

L.A. rock has pretty much always been influenced by Mexican folk music. Apart from actual Latino acts (Richie Valens, El Chicano, Los Lobos, etc), non-Latino rockers have sported south-of-the-border influences since at least the days of The Champs' "Tequila" and beach-party bands like The Surfaris, whose "Latin Beat" is one of my faves; Dick Dale plays a mean mariachi trumpet when he isn't guitar shredding.  And it's gone from the '60s (Love's "Alone Again Or"), the '70s (War), the '80s (The Minutemen's "Corona") right up to this loco bunch:

Punk Mariachi! - A MusicForManiacs Mix (6 songs)

- Carne Asada "Cielito Lindo": White punks on jokes; this is their (piss-)take on the most famous mariachi standard, "Ay Ay Ay;" from their album "Full Contact Mariachi." Muy silly!

- Mariachi El Bronx: "Litigation," & "Clown Powder;" two from actual hardcore band The Bronx (Angelenos despite their name) who made a sincere transformation into mariachi, replacing electric guitars with horns; even tho they've retained drums and English lyrics, it's still hard to believe that these moving songs are by the same guys I saw convincingly play Black Flag in the Darby Crash/Germs bio-pic "What We Do Is Secret."

- Los Super Elegantes "Por Que te Vas": this co-ed crew was the first band I heard use the term "punk mariachi," but in a tongue-in-cheek way, I'd say - it's more like bilingual indie pop.  Mi mucho gusto this tune.

- Metalachi "Breaking The Law": I wrote about these heavy metal pranksters back in 2010.

- Mariachi Rock-o "Ben": This isn't rock, this isn't even really mariachi; it is pure kitsch; from their ridiculous album "Sonidos de Jalisco," featuring remakes of classics by Bowie, John Lennon, the Eagles, Marvin Gaye, and this cover of Michael Jackson's touching ode to a killer rat.

MUSIC FOR SENIOR CITIZEN CAFETERIAS

Here's a true slice of Americana. 

Imagine: you visit a cafeteria-style restaurant in some place like Lawton, Oklahoma or Plainview, Texas. You get in line with your tray, get some meatloaf and some jello, and sit down amongst the old folks who are here to take advantage of the $6.30 all-you-can-eat deal.  (They're on a fixed income, you know.) Amazingly, a live music show starts, right there in the dining room. A couple about as old as the average patron of the restaurant cheerfully start singing old country/western  hits with live guitar, and karaoke-type backing tapes. The man sings lead, and on some songs, like "Tennessee Waltz,"  he's  okay if he keeps his voice down and stays within his narrow singing range.  On the occasional rock'n'roll number, like Chuck Berry's "Memphis," he sounds like your dad singing in the shower. As the show proceeds, his vocal stylings gets worse and worse, as he creaks his way thru songs like "Rocky Top," and a disastrous version of Marty Robbin's "El Paso." You're cringing, but looking around, no-one seems to be complaining. Actually, they appreciate a little entertainment.

Bobby Joe Ryman and his wife Jackie Gershwin are pushing 70, but, at least as of a few years ago when this album was recorded, they toured American Mid- and South-western small towns playing daytime/early evening shows at various Furr's Family Dining restaurants. This kinda thing is fascinating to me - life on the bottom of the show-biz ladder. Whether you find this album depressing, hilarious, pathetic, wonderful or a bit of all-of-the-above, you must admit that Bobby & Jackie appear to be having a more rewarding life than most of their retiree peers: "Being on the road like this, I just fall in love with everybody here. It thrills me to death, to be able to work out here." Sure beats shuffleboard.

Bobby Joe Ryman with Jackie Gershwin "Tennessee To Texas"

[Due to circumstances beyond my control, I can't use mediafire now. After clicking the above link, scroll down for a choice of downloading options. You may have to wait a few secs. We apologize for the inconvenience.]

(Thanks once again to windy!)

Soft, Safe & Sanitized

This 1994 Rhino Records collection of narcotized versions of rock classics, like yesterday's "White Men Can't Wrap," was presented by Spy Magazine. Not sure what connection the now-defunct periodical had to do with old music, but it was a humor magazine, and this is some hilarious stuff: laid-back singers, sleepy-time string orchestras, and white-bread vocal choirs all scrub every ounce of sex, sweat and blackness from the once-revolutionary works of Little Richard, Dylan, The Beatles, Cream, Stevie Wonder, and The Doors, among others. As with "White Men," WFMU's Irwin Chusid was one of the compilers, as was Gene Sculatti, who I fondly recall from his KCRW show, "The Cool & The Crazy."

I have some of the albums from whence these tracks come - the shaky audio on Der Bingle's take on "Hey Jude" is there on the crappily-recorded original album (on which he also covers "Little Green Apples") and the Manahattan Strings' Monkees album is pretty cool, with a nice breakbeat on "Mary Mary" waiting to be discovered by some lucky hip-hop DJ. And "Right Now!," the Mel Torme album from whence comes this groovy take on Donovan's "Sunshine Superman," is a total blast. Hopefully, I can post the whole thing one day.

Spy Magazine Presents, Vol. 3: Soft, Safe &Sanitized

1. Louie, Louie - Julie London

2. Long Tall Sally - Pat Boone

3. Like a Rolling Stone - Living Voices

4. Revolution - The Brothers Four

5. Touch Me - The Lettermen

6. White Room - Joel Grey

7. Sunshine Superman - Mel Tormé

8. Ballad of John and Yoko, The - Percy Faith

9. (Theme From) The Monkees - Manhattan Strings

10. You Are the Sunshine of My Life - Jim Nabors

11. Hey Jude - Bing Crosby

12. Give Peace a Chance - Mitch Miller

Big Eyed Beans From Venus

Yes, Virginia, there really is a Captain Beefheart tribute band. Even more improbably, they're really good. And you thought tribute acts were all cheeseball 'classic rock' bar bands.

As the Southern Shelter guy says: "Big Eyed Beans From Venus have obviously put in tons of work (there’s really no way to half-ass Beefheart’s music)."

This Athens, GA crew even got actual Magic Band members to sit in, like Rockette Morton, who played on early classics like "Trout Mask Replica." Dig this 20 song show, recorded live, with excellent sound quality:

Big Eyed Beans From Venus 11/16/06 @ Five Spot

Jaymz Bee & The Deep Lounge Coalition - "Sub Urban"

Following the "Shaken and Stirred" post, here's more from Canadian lounge parodist Jaymz Bee, whose 2002 album "Sub-Urban" features unlikely jazz/Broadway/bossa nova/disco covers of rap/r'n'b hits. I like this album a bit more than "Shaken" - it gets more mileage out of the concept. Like it's predecessor, it's lushly orchestrated with a gang of talented guest singers. Hearing cheezy white guys singing with a straight face about bling and bitches, and sophisticated adults singing juvenilia, will make you laff! Or at least smirk a bit. Not as jokey (or funny) as Richard Cheese, but more musical. Pick hit: the surf-a-go-go version of "Get Ur Freak On" with its interjections from some Jerry Lewis-type character, but also dig that surreal "Gin & Juice," and the campy Tony Randall-esque "Nuthin' But A "G" Thang."

Jaymz Bee & The Deep Lounge Coalition - "Sub Urban"

• It Wasn’t Me (Originally by Shaggy)
• Ride Wit Me (Originally by Nelly)
• Who Let The Dogs Out (Originally by Baha Men)
• Love Don’t Cost A Thing (Originally by Jennifer Lopez)
• Independent Women (Originally by Destiny’s Child)
• Gravel Pit (Originally by Wu Tang Clan)
• Thong Song (Originally by Sisqo)
• Get Ur Freak On (Originally by Missy Elliott)
• Southern Hospitality (Originally by Ludacris)
• Gin And Juice (Originally by Snoop Dogg)
• I Just Wanna Love U (Originally by Jay-Z)
• Nuthin’ But A G Thang (Originally by Dr. Dre
• Turn Off The Light (Originally by Nelly Furtado)
• Ms Jackson (Originally by Outkast)

Jaymz Bee and the Royal Jelly Orchestra - Shakin' and Stirred

Dig this nutty Canadian lounge parodist and his plethora of guest singers and different styles. This kinda thing was popular back when this album came out (in 1996) - is it time for the lounge revival revival?

All the songs are hits by Canadian artists except for whoever originally did "The Safety Dance," but I ain't complaining - the groovy sitars-a-go-go arrangement makes it the album's highlight. Up next: Jaymz' follow-up album covering rap/r'n'b hits.

Jaymz Bee and the Royal Jelly Orchestra - "Shakin' and Stirred"

1. The Safety Dance
2. Turn Me Loose
3. American Woman
4. You Oughta Know
5. Run to You
6. Closer to the Heart
7. Takin' Care of Business
8. Superman's Song
9. Spaceship Superstar
10. Born to Be Wild
11. Sunglasses at Night