Coon Songs: The Most Offensive Music EVER?!

While it's still Black History Month, let's explore the outrageously offensive genre of minstrel show/black stereotype musics known as 'coon songs.'  Hugely popular during the early decades of sound recording and then wiped from the culture like they never existed, coon songs nevertheless produced not only the recording industry's first black stars, but some of the first hit singles ever. Minstrel shows in general led to vaudeville, the root of modern American show biz. And yet Al Jolson's blackface performance of "Mammy" in the ground-breaking film "The Jazz Singer" is probably the only experience most people have had with this genre.

I have enough recordings (songs and comedy skits) to fill up 2 or 3 disks, but that would make even a Grand Kleagle of the KKK's head explode. I've whittled it down to this representative selection of the history of the genre - from the pre-master disk era of he late 1800s when, incredibly, a mass of recording cylinders had to be set up to record each performance individually (so the poor singer had to sing the damn song over and over) up to the genre's apparent demise in the 1920s, the era of the "Great Migration."  Black Americans started moving from the rural South, transforming the culture of Northern cities like New York (hence, the "Harlem Renaissance") and Chicago. With the Jazz Age in full swing in the Twenties, the old stereotypes of country bumpkins pining for them good ol' plantation days were no longer too convincing (not that they ever were.)

You'll notice a subtle transformation as time progresses, from the mocking humor of "All Coons Look Alike To Me" to sympathetic songs about children, or "pickaninnies." Coon songs were becoming uncool, and believe it or not, these sentimental ballads were considered to be positive coon songs, written to counteract the cruelty of earlier songs. Hey, they meant well.... 

How popular were these songs? I can't find a single book specifically dedicated to the subject, but "From Edison to Marconi: The First 30 years of Recorded Music" has a whopping 6 page index. 

They're not all that awful. Some songs, like "Pullman Porters' Parade" salute America's black railroad workers, and "Nigger Blues" really is an early blues tune. Some certainly have musical value. George W. Johnson's records were fun and funny, and that's apart from their massive historical value - he was the first black singing star, thus paving the way for everyone from Robert Johnson to Nat King Cole to Michael Jackson.  (You can't condemn him for these songs. It was the 1800s, what choice did he have?!) And "Bake Dat Chicken Pie" is, once you get past the reprehensible lyrics, a great tune, especially the way the intertwined vocals suggest Dixieland jazz. I felt weird about liking this song 'til I heard that Lenny Bruce was also a fan, and would play and sing along with the record in his act. I am vindicated! Er, maybe...honestly, snickering really is the most appropriate response to the amazing ridiculousness of these songs. Here's a party game: try to listen to "Ma Pickaninny Babe" without laughing.

And let's contemplate this truly bizarre fact: black minstrel performers wore blackface. 

A Treasury of Beloved Coon Songs

01 George W Johnson -The Laughing Coon (1898)
02 George W Johnson - The Whistling Coon (1896)
03 Dan W. Quinn - At A Georgia Camp Meeting (1898)
04 Arthur Collins with Vess L Ossman-All Coons Look Alike to Me (1902)
05 Billy Golden - An evening with the minstrels (aka I'm a Nigger That's Living High) (1903)
06 Ada Jones - If the Man in the Moon Were a Coon (1907)
07 Arthur Collins & Byron G. Harlan - Bake Dat Chicken Pie

08 Arthur Collins - dixie dan (1908)
09 Polk Miller the Old South Quartet-Watermelon Party (1909)
10 Ada Jones - You'se just a little nigger, still youse mine, all mine (1910)
11 Golden and Hughes - Darktown Poets (1911)
12 Elsie Baker - Pickaninny's lullaby (1912)
13 Walter Van Brunt - Hear the pickaninny band (1913)
14 Al Jolson - Pullman Porters' Parade (1913)
15 Golden and Hughes - Darktown Eccentricities (1913)
16 Will Oakland  - Ma Pickaninny Babe (1914)
17 Olive Kline/ Elsie Baker /Margaret Dunlap - Go to Sleep My Dusky Baby  (to the tune of 'Humoresque') (1916)
18 American Quartet - Darktown Strutters Ball (1918) (the one song that survived the coon song era, this became an oft-covered standard, sung by everyone from Ella Fitzgerald on down)
19 Al Bernard - Nigger blues (1919)
20 Crescent Trio - Pickaninny blues (1920)
21 Margaret A. Freer - Pickaninny Rose (1921)

Thanks to the Archeophone label, and the UCSB Cylinder Digitization Project for some of these; there's more HERE and HERE. And then there's THIS album. But I leave all those to the truly dedicated scholars.

Frank Sidebottom Salutes The Magic Of Freddie Mercury And Queen

The late great surreal nutter in the giant paper mache head (and a puppet sidekick) sings here in his swimmer's clamp nasal tone and unfailingly good humor just what is says on the tin. He recorded a fair amount of stuff, and this EP is as good an intro as any. For those of you who saw the recent film "Frank" and wondered what the real man was all about...

Frank Sidebottom Salutes The Magic Of Freddie Mercury And Queen (1987)

1. Frank Gordon
2. Everybody Sings Queen
3. I Am The Champion
4. Radio Gaga
5. Save Me
6. We Will Rock You
7. The Bit I Missed Off The Queen Song On My Z39 EP
8. Queen Hip Hop Disco Mix

VOODOO DANCE DOLL: 1950s/60s Rock'n'Roll Exotica

Bongos in the Congo!  Apes in the jungle! Tikis, cannibals, and witch doctors! Grown men making tropical bird calls! Sound familiar? But this ain't no jazzy Martin Denny-style exotica for grown-ups' cocktail parties. No, my teen-age hoodlum friends, this sampler of exotic rock (rock-xotica?) + relevant soundbites marks this blogs' return to weekend-starting sleazy-listening sounds from the Golden Age of Cool. As with the first collection that kicked off this on-again/off-again project, many of these tracks were recorded off my vinyl, songs that hopefully have not been featured on similar comps like the "Jungle Exotica" series. My records are in various states of preservation, so I did track down some digital replacements when available. But most of this is out-of-print wax whose occasional pops and cracks can be thought of as the crunching of jungle undergrowth beneath the furious feet of Watusi exotic dancers (in all senses of the phrase).

Ingredients: surf rock, doo-wop, rhythm 'n' blues, novelties, some actual ethnic peoples, movie clips, radio ads, excerpts from a record meant to accompany a slideshow or filmstrip about the Congo, Africa (unfortunately, it did not contain the visuals), and some loungey things, but with a backbeat. There are a few well-known hit-makers here like Eartha Kitt, the Dave Clark Five, and Santo & Johnny, but as these records are from the gloriously unself-conscious pre-rock critic era*, many of these artists have been lost to the mists of history. 

Voodoo Dance Doll - an M4M Collection.zip

01 congo slideshow- weekend dance
02 Mel Taylor & The Magics - Bongo Rock
03 The Vistas - Tiki Twist
04 Leni Okehu and his Surfboarders - Hawaiian People Eater
05 Eartha Kitt - Honolulu Rock And Roll
06 congo slideshow - superstition dance
07 Muvva Hubbard & the Stompers Congo Mombo
08 "Alligator Man"
09 The Dave Clark Five - Chaquita
10 The Pyramids - 
Koko Joe
11 "100 Percent Gorilla"
12 The Rocking Vickers - I Go Ape
13 Billy Mure - Tabu
14 congo slideshow - witch doctor
15 Werner Hass - Oh-ee-oh-ah-ah
16 Dick Dale & The Del-Tones - Jungle Fever
17 Jerry & Mel - Cannibal stew
18 "Zombie Island Massacre" - Zombie Attacks Honeymooners
19 congo slideshow - drumming
20 Mel Taylor & The Magics - Drums A Go-Go
21 Thurl Ravenscroft - Dr Geek From Tanganyika
22 Buddy Morrow And His Orchestra - One-Two-Three-Kick (The Original Conga) pt1.
23 Roger Craig - Song of India
24 The Fugitives - Human Jungle
25 Bela's "Jungle Hell"
26 Roy Estrada and The Rocketeers-Jungle Dreams Part 2 
27 Busby Lewis - Jerk
28 Susan King-Drum Rhythm
29 Yngve stoor - Hula Rock
30 Perez Prado - Cuban Rock
31 Leni Okehu and his Surfboarders - Hawaiian Rock
32 Freddy Cannon - Everybody Monkey
33 Johnny and Santo - Caravan
34 congo slideshow - watusi
35 Big Walter and the Thunderbirds _ Watusie Freeze part 1
36 "shrunken heads" ad
37 Buddy Morrow And His Orchestra - One-Two-Three-Kick (The Original Conga) pt2
38 Marti Barris - Ahbe Casabe
39 Sandy Nelson - Casbah 

Thanks to Count Otto for the Rockin' Vicars!

*Cartoonist/record collector Robert Crumb has described the early rock he really liked as "proletariat," and indeed, there may be some class-ism behind the critical dismissal of so much rock prior to the mid-'60s: once rock scrubbed off all of that honky-tonk/ghetto stank and adopted such middle-class, college-educated features as "poetic" lyrics and classical European influences, then it finally merited the status of High Art. But of course, the music wasn't really improved so much as it simply changed - from fun, funny, energetic, sexy, and atmospheric to...not as much. Rock didn't get better, it just moved to the suburbs.

Nugglets: Strange/Novelty DIY Compilation

By request, the "Soft, Safe and Sanitized" collection is back on line.

DJ Useo, when not creating mashups, or blogging and podcasting, scours the internet for strange and silly song stuff, as featured in his previous collections, "Music For Maniacs Tribute," and "Fun Music." And here's his latest 'n' greatest, exclusively for us, and hence, you:

Nugglets vol. 1 

This is the sound of new millennium DIY bedroom-producer kooks operating blissfully free of any illusions of "makin' it in the music biz," with many tracks downloaded from the old MP3.com. Apart from boasting one of the greatest album covers ever, this disreputable collection also features Dr Demento-ready novelty songs, odd experiments, youngsters screwing around, a "Death Metal Alphabet" lesson, a 36-second Dylan parody about a dead squirrel, a musical saw, some actual catchy tunes, and inexplicable sounds from folks in various states of mental health. Plus! Not just one, but two techno-polkas. Worth it for the DJ My Ass track alone, the kind of spazzy nonsense that the internet was created for. 

Spike Jones: 1941-1948

To make up for my lack of posts during my winter break, here is every single record Spike Jones and His City Slickers released in their first 7 years, 106 songs in all (split up into three sections). More radical than most academic avant-gardists, but a damn sight funnier,  bandleader/ drummer/ occasional vocalist / sound fx maker Jones and his numerous cronies weren't the first novelty orchestra (bands like the Korn Kobblers preceded them by a few years), but they did set the standard that musical anarchists have been striving for ever since.
  
As familiar as Jones is, it's still enlightening to listen to all these songs in chronological order, as one can hear the development of the band from a compact unit specializing in a kind of crazed Dixieland jazz, to an increasingly open-ended project, incorporating more and more musical styles, guest vocalists, and tracks that are more like sketches than songs. And tho I knew about their biggest hit single "Der Fuehrer's Face" (and the infamous "You're A Sap, Mister Jap"), I didn't realize how many WWII songs they did record. In "Leave the Dishes in the Sink, Ma", a song celebrating a sons' return home, the sense of relief that the war is finally ending is palpable.

As Spike used to deadpan after every song in concert: "Thank you, music lovers."

Spike Jones 1941-1948  pt1

1. Barstool Cowboy From Old Barstow

2. Behind Those Swinging Doors

3. Red Wing

4. The Covered Wagon Rolled Right Along

5. don`t talk to me about women  (1941)

6. Yankee doodler  (1942)

7. Pack Up Your Troubles In Your Old Kit Bag

8. Three Little Words

9. When Buddah Smiles

10. You're A Sap Mister Jap

11. Never Hit Your Grandma With A Shovel

12. Horsey, Keep Your Tail Up

13. Camptown Races

14. John Scotter Trot

15. Love For Sale

16. Moanin' Low

17. Cheatin' On The Sandman

18. Come Josephine In My Flying Machine

19. The Sailor With The Navy Blue Eyes

20. Der Fuehrer's Face

21. Hotcha Cornia (Hotcha Chornya-Russian Folk Songs)

22. I Wanna Go Back To West Virginia

23. Water Lou (Drip, Drip, Drip) 24. Clink, Clink, Another Drink 25. Little Bo-Peep Has Lost Her Jeep 026 - Dinah  (1942) 027 - 48 reasons why  (1942)

28. The Sheik Of Araby

29. Oh! By Jingo

30. I'm Going To Write Home

31. Hi Ho My Lady

32. I Know A Story

33. St-St-St-Stella

34. Hotcha Cornia (Hotcha Chornya-Russian Folk Songs)

35. Down In Jungle Town

Spike Jones 1941-1948  pt2

36. As Time Goes By

37. People Will Say We're In Love

38. G.I. Haircut 039 - hitch old dobbin to the shay again  (1943)

40. It Never Rains In Sunny California

41. Wang Wang Blues

42. My Little Girl

43. The Sound Effects Man

44. Ragtime Cowboy Joe

45. The Vamp

46. He Broke My Heart In Three Places

47. Besame Mucho

48. I'm Goin' Back To Where I Came From

49. There's A Fly On My Music

50. Row, Row, Row

51. I Wanna A Gal Just Like The Gal That Married Dear Old Dad

52. Jingle Bells

53. Cocktails For Two 054 - they go wild, simply wild about me  (1944)

55. And The Great Big Saw Came Nearer And Nearer 056 - paddlin` madeline home  (1944) 057 - oh! how she lied  (1944)

58. Red Grow The Roses

59. Jamboree Jones

60. Whittle Out A Whistle

61. Casey Jones

62. At Last I'm In First With You

63. Down By The O-Hi-O

64. Holiday For Strings

65. Cocktails For Two

66. Leave The Dishes In The Sink, Ma

67. Serenade To A Jerk

68. Drip, Drip, Drip (Sloppy Lagoon)

69. Chloe

70. The Blue Danube

71. Black Bottom

72. Toot Toot Tootsie, Goodbye

Spike Jones 1941-1948  pt3

73. MacNamara's Band

74. Siam

75. Liebestraume

76. You'll Always Hurt The One You Love

77. That Old Black Magic

78. Mother Goose Medley

79. Hawaiian War Chant 080 - i gotta girl i love (in north and south dakota)  (1945) 081 - hedda hopper`s hats  (1945) 082 - george m. cohan medley  (1945)

83. Old McDonald Had A Farm

84. I Dream Of Brownie In The Light Blue Jeans

85. The Glow Worm

86. Laura

87. Jones Polka

88. The Jones Laughing Record 89. My Pretty Girl 90. Rhapsody From Hunger (Y) 91. I'm In The Mood For Love 92. When Yuba Plays The Rhumba On The Tuba 93. (I'm Forever) Blowing Bubble Gum

94. William Tell Overture

95.  Love In Bloom

96. The Man On The Flying Trapeze

97. Popcorn Sack

98. Our Hour (The Puppy Love Song)

99. My Old Flame

100. People Are Funnier Than Anybody

101. By The Beautiful Sea

102. I'm Getting Sentimental Over You

103. I Kiss Your Hand Madame

104. All I Want For Christmas (Is My Two Front Teeth)

105. Ill Barkio (Il Bacio)

106. None But The Lonely Heart (A Soaperetta)

TOILET TIDBITS

Zoogz Toozday returns with some re-up requests: the sick punk/jazz/prog of Zoogz Rifts' "Amputees In Limbo," "Island of Living Puke," and "Torment" are all back on-line. And if that still isn't enough scatological humor for ya, plug your nose and dive into this:

TOILET TIDBITS

courtesy of reader Duke Kola, who sounds like a pretty cool grandpa. He writes: "I made this mix (with a couple of changes) a few years back for my pre-teen grandson. Never fails to bring a few smiles to my face regardless of how many times I listen."

Now this may seem like a somewhat dubious concept for a mix, but if you're gonna sing about such stuff, you've got to have: a) a sense of humor, and b) a lack of inhibitions, both of which are sterling qualities for an artist to possess. Not to mention the fact that you've pretty much thrown all commercial potential and radio play hopes out the window once you've gone down this path, another admirable move. And this is indeed a very entertaining listen, more so than I was expecting. 

I personally would have added the Bonzo Dog Band's "The Strain," but I'm sure we all have our favorites.

-----------------------------------
01. Amsterdam Dog Shit Blues - Mojo Nixon
02. Caca De Vaca - Joe 'King' Carrasco
03. Snake Bit and Can't Shit - Root Boy Slim
04. Constipation Blues - Screamin' Jay Hawkins
05. Somebody Just Poop - Goofy
06. Somebody Farted - Bobby Jimmy
07. Fart - Breetles
08. I Can't Stop Farting - The Queers
09. Old Fart At Play - Captain Beefheart
10. The Phantom Windbreaker - Red Bovine
11. Pissin' In The Wind - Ernie Payne
12. Pissin' On Your Steps - Del the Funky Homosapien
13. Wee Wee - Abner Jay
14. Piss On the Wall - J. Geils Band
15. Urine Your Out - Prehistoric Cavemen
16. The Thing From Uranus - Sloppy Seconds
17. Shit Don't Stink - TMA
18. Shit For Brains - Nervous Eaters
19. Bag of Shit - Sean Price
20. Shit Can Happen - D12
21. Shaving Cream - Byron Lee
22. Disco Defecation - Flash Bouyancy
23. The Slurf Song - Holy Modal Rounders
24. When the Shit Hits the Fan - Circle Jerks
25. Piece of Crap - Neil Young
26. My Shit's Fucked Up - Warren Zevon
27. Why Does It Hurt When I Pee - Pancho and Sancho
28. I Ain't Gonna Piss in No Jar - Mojo Nixon
29. Don't Eat the Yellow Snow - Frank Zappa


Thanks a heap, Duke!

Buy This Box or We'll Shoot This Dog: The Best Of The National Lampoon Radio Hour (3 Disks)

By request, "Night of the Living Monster Mash-up" is back up. 

I had a fine time when I recently spoke with M4M contributor James "DJ See" Carroll of Orange County, CA's KUCI on his "Radio Chimichanga" show. Mr. Carroll's most recent gift to us is this amazing document: 3 disks of audio shenanigans from the highly influential 1970s humor magazine. The radio show lasted from 1973 to 1975, when key members jumped ship to TV, joining the first cast of "Saturday Night Live." And indeed, there are some first-draft versions of future "SNL" skits here (not to mention the roots of "Spinal Tap"/"A Mighty Wind"). This collection features the amazing cast of Christopher Guest, John Belushi, Gilda Radner, Bill Murray, his brother Brian Doyle-Murray, Chevy Chase, Richard Belzer, Joe Flaherty (hey, we just featured "Count Floyd" on the "TV Horror Hosts" post), Billy Crystal, Michael O'Donoghue, and others, all in the crude early garage-band stage of their developments. 

It's not all purely of historical interest tho - there's still some great stuff here, esp. the spot-on music parodies. And some of those parodies are by one Tony Scheuren, whose musical satire career was sadly cut short by an early death. Scheuren had been in the crappy late '60s Boston band Chameleon Church. I'd never heard of them, but found their album in a thrift store. Wondering who they were, I looked at the back cover and there was Chevy Chase looking at me. He was their drummer. So I bought it, but it is so wimpy and low-key it makes Donovan look death-metal. Scheuren was in another Boston band that wasn't very good (whose album I also discovered whilst thrifting), Ultimate Spinach. But at least they used some weird instruments.

The Best Of The National Lampoon Radio Hour [Disc 1]
The Best Of The National Lampoon Radio Hour [Disc 2]
The Best Of The National Lampoon Radio Hour [Disc 3]

Tracklist/artist info HERE.

Apart from his mighty contributions to this blog, James Carroll is also the man behind the Lamposts band, whose album "Adolt Cartoon" is available on Bandcamp. Lets take a listen, shall we?  "f14" is most excellent punkabilly. "I Hate Cops" isn't the hardcore you'd expect, more like a jazz band covering Led Zeps' "How Many More Times."  "Skull tattoo" is agreeably trippy, and first part of "the process of discrimination" is great if weird funk-rock, before it moves into mopey George Harrison territory. Check it:

Lamposts - Adolt Cartoon

Thanks and praise to DJ See Lamposts!

The BAT Pack: A Halloween Mix

Rockin' soul, surf, lounge, jazz, comedy, novelties, outsider oddities, movie ads and dialogue clips...hey kids, it's a '50s/'60s lowbrow All Hallow's Eve! Inc. dusty vinyl corpses robbed from my tomb, er, record closet, that I attached electrodes to and ripped to mp3. Featuring such creatures as: Mort Garson on the Moog; schoolkids singing about stealing trick-or-treaters' candy bags; a song-poem called "Vampire Husband;" Lon Chaney Jr "singing" the theme to the classic cult film "Spider Baby;" a James Brown rip-off; visits to Japan (The Golden Cups) and France; two different songs called "Surfin' Hearse," and jazz drummer Philly Joe Jones doing a goofy Dracula bit inspired by Lenny Bruce. And then you've got Bobby Christian's infamous "The Spider and the Fly," described by Lenny "Nuggets" Kaye as the most demented record ever made. (And who am I to disagree?)

The BAT Pack

01 "Horror of the Zombies"
02 Guy Marks (as Bela) - Begin the Beguine
03 Lon Chaney - Song From Spider Baby 
04 "bloodbeast"
05 Bobby Christian and the Allen Sisters - The Spider and the Fly
06 Richard Rome - Ghost a go go
07 The Quads - Surfin' Hearse
08 Jan and Dean -Surfin' Hearse
09 "Lady Frankenstein"
10 Serge Gainsbourg - Docteur Jekyll & Mister Hyde
11 Helen O'Connell - Witchcraft
12 Bela LaGoldstein - Old Boris
13 the Ventures - Exploration in Terror
14 "Dr.Tarr's Torture Dungeon"
15 Arthur Prysock - (I Don't Stand) A Ghost of a Chance
16 Alvino Rey - The Bat
17 "Brain that Wouldn't Die"
18 Little Tibia and the Fibulas - The Mummy
19 Happy Monsters - Clap Your Tentacles
20 The Golden Cups - Spooky
21 Jack Marshall - The Teen-Age Surfing Vampire 
22 The Ramrods - (Ghost) Riders in the Sky
23 "Bloody Pit of Horror"
24 Nancy Dupree with Ghetto Reality students - Bag Snatchin'
25 Mort Garson as The Blobs - Son of Blob
26 Shelley Stuart & The Five Stars - Vampire Husband
27 Cre-shells - Dracula
28 "Frenzy of Blood"
29 Philly Joe Jones - Blues for Dracula
30 Guy Marks (as Boris) - Don't Take Your Love From Me

(FANGS a lot to Count Otto for a couple of these. Art by Shag.)

Singing TV Horror-Show Hosts

In 1953, the late Maila Nurmi aka Vampira invented that beloved American tradition, the TV horror host. Did other countries pick up on this concept? Low budget local stations filled their late night or weekend afternoon slots with crappy old movies, usually, but not always, of the monster variety. The shows were hosted by a smart aleck in a costume traipsing about a cobwebbed castle/ laboratory/etc set, interrupting the proceedings to make jokes, perform in skits, read letters from viewers, perhaps interact with other cast members/puppets, or, in the case of Cleveland's Ghoulardi, blow things up. And many of them made records: Vampira, her bastard offspring Elvira, John "The Cool Ghoul" Zacherle, and the lass featured below, who made one of the most perfect 45s ever.

This interview with the author of a new book about Vampira makes the case that Nurmi was the ultimate hip chick, a bad-ass beatnik who was just too hot for mainstream tv audiences to handle. After listening to the podcast (not too long, even at an hour's length), I rented "Vampira And Me," a documentary from last year based on interviews with Nurmi. The late '80s/early '90s L.A. band Satans' Pilgrims are featured. I'd long known about the records they made with Vampira, but didn't realize that most of the 'lyrics' were taken from found religious tracts. "Tribute to Elvis," however, is Nurmis' own recollections of her friendship with The King, one of many celebs entranced by her proto-goth beauty.

Why did so much insane music come out of Ohio in the '70s? David Thomas of Pere Ubu cites the influence of a popular Cleveland horror host. Ubu, The Dead Boys, Devo, the Cramps (especially The Cramps), etc. were the Ghoulardi generation, kids weened on Ernie Anderson's anarchic character who played wild garage rock records, and would blow up things with firecrackers on the air, much to the dismay of the station management. Oddly enough, my first-hand memory of Anderson is after he quit Ghoulardi to be the ABC network announcer - that was his leering voice announcing "The Loooove Boat." (Filmmaker Paul Thomas Anderson is his son.)

The tradition lives on. Elvira's comeback show in 2011 was great, but short-lived, even with Jack White contributing a theme song, and even a brief on-air appearance.

Quoth Ghoulardi: "Stay sick!"

Horror Hosts - A MusicForManiacs Collection

01 Ghoulardi - "Intro"
02 Vampira - Genocide Utopia (with Satan's Cheerleaders)
03 John Zacherle - Dinner With Drac (the still-living/performing New York host made quite a few records; this was his most popular)
04 Tarantula Ghoul and the Gravediggers - Graveyard Rock (Portland's answer to Vampira was originally known as Tarantula Girl)
05 Bill Cardille - Chilly Billy's vamp (1971 Pittsburgh's Chiller Theater host)
06 Dr. Sarcofiguy - My Girlfriend Is On Fire (a few years ago we wrote about this contemporary cat)
07 Elvira - Zombie Stomp (from 1995)
08 Ghoulardi - "cool it with the boom booms"
09 Vampira - I'm Damned (with Satan's Cheerleaders)
10 Tarantula Ghoul - King Kong
11 John Zacherly - Monster Monkey
12 Count Floyd - Treat Her Like A Lady (parody of a '70s disco hit; the great Joe Flaherty playing the host of the fictional SCTV network's "Monster Chiller Horror Theater")
13 Ghoulardi - "acid "
14 John Zacherly - Come With Me to Transylvania
15 Elvira - Zombie Killer (with Leslie and the Lys)
16 Vampira - Tribute to Elvis (with Satan's Cheerleaders)
17 John Zacherly - Happy Halloween

"Screaming relaxes me so..."

The Roto Rooter Good Time Christmas Band

"Bernie Green plays More Than You Can Stand In Hi Fi" is back on line.

This cheerfully eccentric band of refugees from the UCLA jazz program made just this one  1974 album, perhaps never fully realizing their potential.  Their role models, Spike Jones and His City Slickers, and the Bonzo Dog Band, were only just getting warmed up on their first releases. Tho they suffer a bit from the "we're so wacky!!" affliction, but they get a pass, as there are far too few musical anarchists like this who have the chops to play jazz and classical but make the noble decision to throw away all artistic 'credibility' in the name of eclecticism and absurdist humor. And the Roto Rooters were def on the right track, showing a healthy irreverence towards classic rock ("Purple Haze") and classic classics ("The Sabre Dance"), covering campy oldies like Shirley Temple's "On The Good Ship Lollipop" and singing cowboy Roy Roger's signature sign-off song "Happy Trails." (Supposedly Van Halen got the idea to end their shows with "Happy Trails" from these guys.) For some reason folkie label Vanguard Records put this one out. Granted, they also released Perrey & Kingsley's Space Age Moog-sterpieces, but still, a strange choice, and perhaps no surprise that this album sold about 12 copies before dropping off the planet.  (My recently-purchased copy was still in the shrink-wrap!) 

 If we extend the definition of the pre-punk L.A. 'Freak Scene' beyond Zappa's immediate circle of outsiders and oddballs (Wild Man Fischer, Cap. Beefheart, The GTO's, etc). we'll find plenty of like-minded loonies that followed in their wake, inc. The Los Angeles Free Music Society, the art/music axis of Mike Kelley/Jim Shaw/Destroy All Monsters, radio host/music archivist Dr. Demento, The Mystic Knights of the Oingo Boingo, Zoogz Rift, the Rhino Records label, and these chaps. What the 'freaks' had in common was a rejection of the SanFran 'hippie' attitude, a love of old-timey musics, jazz /improvisation and avant-classical, and a whacked-out sense of humor. They may have liked some psych rock, but had no interest in being 'mellow', they were in-your-face cynical smart-asses. Raised on 'Mad' magazine, they were among the first to realize that the 20th century had already produced a huge slew of ignored pop-cultural waste - monster movies, thrift-store records, bad TV - just waiting to be creatively recycled. 'Avant-tarde,' decades before that phrase was coined. Jazz music had just died after the glorious supernova of electric Miles, H. Hancock, etc, and had quickly settled into it's current bland 'smooth-jazz' zombie-fied afterlife, rock had not yet experienced the punk Big Bang that would create a viable DIY culture, and the classical avant-garde was snugly tucked into it's academic ivory tower. There wasn't much 'alternative' culture at the time - you had to swim in the mainstream, or quickly sink into obscurity. And much of the above-mentioned stuff was indeed pretty obscure. Even the 'famous' names like Captain Beefheart never rose above the club/mid-size venue level, and certainly never came near the Top 40.

But there was one glimmer of independence - the afore-mentioned Dr. Demento show. A Sunday night radio show from LA specializing in comedy/novelty records that became a fixture on virtually every American FM rock station, "The Dr. Demento Show" was geared towards youngsters, and admittedly featured plenty of sophomoric yuks. But it was also a free-form free-wheeling forum for strange and forgotten sounds of any era or genre, from old 78s to unsolicited demos. Barry Hansen (Dr. D.) would actually listen to anything that hit his mailbox. The RRGCB sent in one such tape and became the first of his discoveries, quickly becoming the house band for the show. Their version of a Dr. D. hit, the great Big Band oddity "Pico and Sepulveda" (included on this album) became the program's theme song. They also provided incidental music for the show, such as the weekly top ten/Funny Five jingles. For lots of videos (inc. an otherwise unwaxed cover of "Jollity Farm") check out their

inactive blog

inactive Facebook 

And they don't play any Christmas songs.

The Roto Rooter Good Time Christmas Band

A1	Fanfare/Buick LeSabre Dance
A2	Martian March
A3	On The Good Ship Lollipop
A4	Hungarian Dance No. 5
A5	South Of The Border
A6	Love Me
A7	Pico & Sepulveda
A8	The Band Played On (And On)
B1	Swamp Lake
B2	Purple Haze
B3	The Beer Bottle Polka
B4	Marianne
B5	Overture & The Rite Of Spring
B6	Happy Trails To You/March Of The Cuckoos

Sounds Of The American Fast Food Restaurants

As a follow-up to last months' posting of Gregg Turkington's Sounds of San Francisco Adult Bookstores is the equally silly:

The Golding Institute-Sounds Of The American Fast Food Restaurants (1996)

17 minutes of barely discernible audio recorded "in the field" in a KFC, McDonalds, Jack in the Box, etc., tho Turkington's droll, incisive, funny narration is again the star of the show.

A1	Introduction Narrator [Introduction By] – Golding Institute, The, Ryan Kerr
A2	KFC (6th Avenue & Geary Boulevard, San Francisco, CA)
A3	Jack In The Box (11th Avenue & Geary Boulevard, San Francisco, CA)
A4	Taco Bell (Highway One, Pacifica, CA)
A5	Nation's Giant Hamburger (Westlake Mall, Daly City, CA)
A6	Subway (Skyline Plaza, Daly City, CA)
B1	Hot Dog On A Stick (Stonestown Mall, San Fancisco, CA)
B2	McDonald's (Stonestown Mall, San Francisco, CA)
B3	Burger King (John Daly Boulevard, Daly City, CA)
B4	Straw Hat Pizza (Westlake Mall, Daly City, CA)
B5	Round Table Pizza (Oceana Boulevard, Pacifica, CA)