The Crumbling AntiMusic of BuboTucoTumbo

Bubo, Tuco & Tumbo are one and the same, making inexplicable instrumental (with vocal gibberish) thoroughly obscure music that is by turns, annoying, fascinating, grating, compelling, always highly original, and frequently rewarding. They exist in that rarefied world of abstract esotericists like Zoviet France, or Nurse With Wound.

I literally have no idea how most of this music was made. It's not jazz, tho it sounds improvised at times, and doesn't sound especially electronic - there's an organic hands-on feel to these steadly-thumping rhythms that just go shambling on along like some Rube Goldberg device (perhaps machines were used?) as all manner of hard-to-identify mystery sounds create dense, odd textures; it's self-described as "Totally Free - SoundAndFormDeconstructor -CrumblingAntiMusic."

It's a hugely prolific project - when I was first contacted, 12 releases were up and I see some more have been added, but much of it is of a visual nature. And like our old pal The Everyday Film, I've been given not a shred of explanation or biographical information. When I asked, they replied:

-You should create your own opinion about these lines.
It's better if you first listen to all the albums.

-I have no web space other than mail.
Bubo/Tuco/Tumbo is my temporary project.
I am a painter; took a long break away from other projects earlier this year and devoted some time to creative areas in which I have no natural talents, skills or knowledge.

Material that arrived to you, was created between March and August 2011.

-Bubo/Tuco/Tumbo is only the soundscape for an art catalog which is now nearing completion and will be totally free, just like Bubo/Tuco/Tumbo vibrations – this material is in no way intended for marketing but is meant as collective property.

-BuboTucoTumbo of Humal/Animan Collective

All free downloads, all available here:

BUBO - TUCO - TUMBO

The first batch:
I started with album #1 and wasn't sure if I'd continue - it's mostly in the Hafler Trio/Derek Bailey school of plunk-and-scrape improv that doesn't do much for me. But the final 3 tracks really got me, and I continued to find some really good stuff scattered throughout, e.g.: "Reverberatordog" on album #5; the first couple tracks on #6, an album that features lots of amusing jibbering/chattering; and what are those sounds on #7: porn on one track? Monkeys on another? It all makes the Residents sound like Air Supply. "APOPHENIANIMALS" on #8 is really good, tho it doesn't need to be 19 minutes long.

#9 is called "THE BEST OF TUCO," and they ain't kidding. The whole thing's pretty solid - start with this one.

The second batch (all album titles named after lines from "The Good The Bad & The Ugly" for some reason):
"TUCO -1- A" is a pretty interesting album, tho I can't tell if it's on-line anymore. It, like, "TUCO -1-B" feature some atonal Jandek-like guitar thrumming (I like tracks # 134 and 139). Much of "TUCO - 2 - A" sounds like hitting guitar strings with drumsticks, except for the last track, the ghostly disembodied voices of track # 152. And since that album also seems to be off right now, check it out in all it's 15-minute glory:

TUCO -2- B starts with industrial drones and silences, ends with string instrument scraping. I like #156. "TUCO -3- B" is nothing but noise tracks, all exactly 1:15 long. Didn't like.

That's as far as I've got. Along with some lovely artwork, they've added some new albums since - anyone want to check 'em out and leave a comment? Color me intrigued...

YOUR COMPUTER DYING: THE REMIX

Jeff Kolar's "Start Up / Shut Down" is a free 'net-label two-track single creating solely from: "Window and Macintosh operating system event sounds. This project features remixed material sourced from Microsoft Windows (3.1, 4.0, NT, 95, 98, Me, XP, Vista, 7, 8) and Macintosh OS (10.0 Cheetah, 10.1 Puma, 10.2 Jaguar, 10.3 Panther) operating systems."

The glitchy abstract electronica of "Start Up" certainly doesn't sound like anything you would expect to hear coming out of computers, unless you threw a bunch of 'em into a full bathtub and recorded their dying screams. "Shut Down" is really nice, a sci-fi drone-fest - easy-listening music for robots.

Mr. Kolar is the man behind "Other Voices," the sound piece made from homemade radios we wrote about earlier this year.

Jeff Kolar's "Start Up / Shut Down"

FUN WITH SUN BOXES

Fayetteville's Craig Colorusso doesn't "compose" music so much as build gizmos that allow Mother Nature to write her own jams: "Sun Boxes are...twenty speakers operating independently, each powered by the sun via solar panels. There is a different loop set to play a guitar note in each box continuously. These guitar notes collectively make a Bb chord. Because the loops are different in length, once the piece begins they continually overlap and the piece slowly evolves over time."

The loops-of-different-lengths approach reminds me of Eno's "Music For Airports," and there is a similar meditative effect with this music. The ambient sounds of nature (the beach, insects, etc.) are a crucial component - these are, quite literally, field
recordings. I first listened to this stuff Monday morning after a crazy Thanksgiving weekend (complete with a live "Yo Gabba Gabba" concert and thousands of screaming toddlers!) and it was as nice as dipping into a warm bath. Aaaah...

Listen or buy:

Sun Boxes Seven Inch

or listen to a continuous stream.

Your Holiday Gift-Giving Problems SORTED

On this most joyous of holiday seasons, give the gift that keeps on giving - the gift of music! Especially weird music that no-one else in your family will like and will disrupt your turkey dinner! Almost everything in this collection was released this year and is available for purchase usually from the artists themselves. Hmmm... we need a word to describe artists not playing "indie rock" or who are on those indie labels that are just farm leagues for the majors, but really are putting out their own CDs/cassettes/vinyls entirely on their own...a word somewhere in between "indie" and outsider"..."in-sider"? Whatever, these are some talented freaks well deserving of your support. Some of the best new music of the year:

M4M Idol 2 Buy (22 Big Songs! Original Hits From The Original Artists!)

This collection is sorta the sequel to the M4M Idol contest from earlier this year, but I'm not gonna hector you into voting for your fave this time (tho you certainly can if you want to.) Artist include:

Bruce Haack/Sound Capsule: What, hasn't Bruce Haack been dead for years? Yes, like Gen. Francisco Franco, electronic music pioneer/oddball Bruce Haack is still dead, but his unfinished album "Electric Lucifer Book III" has sorta been finished by someone I hadn't heard of. I was dubious, but the results speak for themselves.

Twink The Toy Piano Band: Yay, a new Twink album! "Itsy Bits and Bubbles" won't be released til Dec. 1, and the usual whimsical instrumental approach now includes circuit-bent electronic toys, 8-bit video game bloopity-blips, "kitchen drawer percussion," and numerous toys including (natch) pianos. What could have been a long-exhausted one-joke idea continues to thrive thanks to strong songwriting, a widening sonic pallette, and a refusal to play cheerful, innocent music with an arched eyebrow. Excellent artwork, too.

Drexel, Gamma Like Very Ultra, and The Mind of God are a buncha no-good, smart-ass avant-'tard bands playing spazzy songs with titles like "Poop Stains" and "Let's Kick Toby Keith in the Balls," and I love 'em. All 'net-releases cuz no self-respecting professional label would release this nonsense. But, actually, really well-played, not just screwing around. More, please.

Johnny Aloha has never been seen in the same room as ace lounge parodist Richard Cheese; his "Lavapalooza" album remakes songs like "Paradise City," "Gangsta's Paradise," and "California Gurls" in a way that is not only hilarious, but, recorded as it is with top-notch Hawaiian music pros, perfect tiki tuneage as well. If you were ever wondering, "What if Don Ho was a loc-ed out gangsta?" your feverish desires have been granted.

Non-Bio, William Bowers and Peopling all make dark, abstract/ambient/noise soundscapes. Fascinating. Non-bio's "Microsleep" sounds like it samples a scratchy old 78 rpm to chillingly occult effect
Party Killer dares to improvise; This big Portland band even sound like Black Sabbath on one song...if Sabbath used cheap electronics. Mind-melting craziness.

Orchestra Superstring: featuring DJ Bonebrake from X (hell, yeah!) on vibes, this exotica-ish instrumental combo's latest album "Easy" features the bizarre, wonderful sound of the "guitorgan" - not the usual cocktail-hour jazz.

Midnight Habit: speaking of bizarre instruments, an electric kazoo (!) is featured on this chilled bit of electro. Its nasal roar sounds pretty great, so who needs guitars anymore?

Stealing Orchestra: These Portuguese master of mirth and mayehm get serious on their first release that isn't a free download. Still wildly eclectic and eccentric, they just no longer sound like a cartoon soundtrack.

Last AND least...

Trudy Andes: this cringe-worth 9/11 tribute was sent to me by one of you who asks not to be named; well, I'M not gonna take the blame for it! Haven't we all suffered enough after 9/11?! Maybe some Twink videos will make you feel better:

MUSIC THAT LOOKS AS GOOD AS IT SOUNDS

"The cristal baschet is one of the most beautiful musical instruments you will ever see, made of vibrating, tuned steel, fiberglass amplification cones and wire "whiskers" that shimmy when fingers rub the glass-rod keyboard. Film composer Cliff Martinez's version, which resides in the living room of his Topanga Canyon home, is about the size of an upright piano and is as much sculpture as instrument." So says this L.A. Times article about the soundtrack to the recent neo-noir film "Drive" by former Captain Beefheart (and Red Hot Chili Peppers) drummer Martinez.

The cristal baschet, created in 1952 as a sound sculpture by Bernard and Francois Baschet, is a cousin of the glass harmonica and glass instruments we've featured here, in which the moistened fingers of the player rub the instrument, like running your fingers around the rim of a wine glass, creating a melodic humming drone. The soundtrack album is a surprise hit, bringing this odd, obscure object to mainstream ears. It's dark, moody, eerie & lovely stuff, and you can listen to it here (jump down to track 6):

Drive (Original Motion Picture Soundtrack)

The Everyday Film: Festival of Emotions

One of the most enigmatic figures in music today, The Everyday Film, sent us their new "album" (11 songs in under 10 minutes) entitled "Festival of Emotions," and, on some tracks, this usually horrifying figure actually sounds like he/they might be in a somewhat better mood than usual. Maybe even in love, or some bizarre variation thereof. Elsewhere, it's the usual claustrophobic terror-tronics. A festival of emotions, indeed.

We have permission to post two tracks from it:

"The Bottom Of The World," only 39 seconds long:


"You, The Entrance; You, The Exit," an epic, at 1:39:

Vote For M4M Idol!!

Don't you wish all of those "[name of country] Idol"/"X Factor"-type shows had good music? Well, now here's your chance to be Simon Bowel (pictured left, on toast) - vote for any of the artists featured on this sampler of home-brew recordings. Most of these acts wrote to me asking for a review of their work, but, goshdurn it, I just don't have the time. Forgive me, bedroom maestros of the world.
But these are all FREE releases, so if you like the sampler tunes, there's often whole albums for you to download. It's really good stuff. I wouldn't subject you-all to anything I didn't genuinely enjoy, so it's gonna be a tough call. A real horse race.

How do you vote? Simply listen to the "M4M Idol" collection i posted below and then leave a comment stating who's your favorite artist of the bunch. The winning artist will get a full-length review (woo-hoo!) in a future M4M post. Yeah, I know...sorry I don't have any valuable cash prizes/record deals to offer the winners, but hey, I get hundreds (sometimes thousands) of eyeballs on this blog each day, so they are getting some exposure.

Musically, it's quite a variety show: lo-fi outsiderness, postpunk prog, campy surf, subversive sound collage, Afro grooviness, ambient/noise soundscapes, twisted electronica, some strange things resembling catchy pop songs. And then there's Jinnwoo's "Sorry Song" which "...was written as an apology from myself to the world for being such a bad and horrible creature...I recorded the piece naked, and in the rain." What would Paula Abdul think?

M4M Idol

1. Bloody Death Skull - I Miss My Homeland 2. Future's Lament 3. Holding Hands
4. Buttress O'Kneel - Exhibit W 5. Buttress O'Kneel - Darkness
6. Cutthroat convention - Warui Neko 7. Cutthroat convention - Parasite's Paradise
8. Death to the Brutes - Death Set 9. Death to the Brutes - No Love, No Ecstasy
10. Docteur Legume et Les Surfwerks - Phibes and Vulnavia, Just Married! 11. Die 1000 Wellen Das Dr Mabuse
12. Jinnwoo - Sorry Song
13. Marc Broude - For the Flies
14. Mike Colin - Fish Bulb 15. Mike Colin - The Future is Not Written
16. Moebius II - Innerstate '94 17. Moebius II - Magic Mirror
18. oreaganomics - Fallin Out Of Buildings Fallin In Love 19. Create Something to Love
20. Pompey - Bivouac Sack 21. Pompey - Candle
22. Sam Simmons - Midge
23. Skinjobs - Money in the Bank Vs. Money in the Pocket 24. Skinjobs - Sunshine

Remember, you can't complain about who won if you didn't vote!

THE EVERYDAY FILM: THE FIRST 4 ALBUMS

The Everyday Film has a new, er, "song" - for lack of a better word - up on iTunes called "Emotional Margin Call." Go buy it! After all, he (she? they? it?) gave me permission to post his first four releases here.

Music doesn't usually scare me. But as I wrote when I reviewed the first two albums:

"The Everyday Film's album "The House I Used To Turn Into" was, on first listen, one of the most disturbing things I've ever heard (and maybe on second and third listens as well.) Much of it isn't what most people would even think of as music: a vocoder-ized voice pitched way down loooooow mutters cryptic non-sequiturs, interrupted by brief shards of industrial music-like sounds. "Song" titles include: "The Boy In The Wall," "We Don't Exist Yet," "Budgeted Out The Perverted," and "A New Class of Paranoia." The final track on the short album (27 tracks in 15 minutes) is the sound of some poor soul begging for his life while Mr Vocoder Voice mumbles banalities like "relax in the sun...take a vacation...take a 'me' day..." over unsettling electronic drones. That's entertainment!
Not to scare you all off, but it can be a fascinating, sometimes funny headphone experience, and a wicked beat even turns up...A 12 minute follow up CD...seems slightly less creepy, and the song titles aren't as twisted. It'll still be dismissed as sick shit by 99.9% of the population, tho."
The Everyday Film - First 4 Albums

The Everyday Film mails CDs to my PO box from time to time, and I get the occasional email from him, but I still don't have a shred of biographical info on him , or pictures, and the return addresses have been from different states each time. I used to call him "the Jandek of electronica," but, as one of you commented, he seems to be far more reclusive than even that notoriously shy outsider. There's no longer even a website for the band, so, for now, this is the only place to get these releases. Thanks very much to The Everyday Film for letting me post these here.

The Everyday Film: "Permanent Patients"

The Everyday Film, the Jandek of electronica, have a new "album" out (it's 11 minutes long) of 7 brief tracks, and we've got it. He/they no longer have a website, but they've kindly let us host this typically disturbing, fascinating burst of noise-tronics and serial-killer vocals cryptically muttering non-sequiters about how he gets his tv friends mixed up with his real friends, and how he hopes he doesn't bleed on your rug. Will make your skin crawl. Have a nice day!

The Everyday Film: "Permanent Patients"

The Hathaway Family Plot

Toy instruments, theremins, vuvuzelas, mandolins, kitchen utensils, instruments I never heard of (Otamatones? Psalteries?) join keyboards and percussion to create a fantastic home-brew internet giveaway that is finally out today - today! - courtesy of WMRecordings.

I received an advance copy of this album by Buffalo, New York's The Hathaway Family Plot a month or so ago and have been steadily diggin' it ever since. Every track is a new adventure: the Residential guitars of the opener back a distraught, distorted vocal, the suitably noisy "Noise Complaint" followed by lovely vibraphone lounge, Fripp-esque guitar drones, vocals that sound like The Chipmunks being put thru a meat grinder, R2D2-ish electronics, and general assorted buzzes, whistles, and throbbing drums. The song "Home" is a moving, evocative electronic meditation. The last track is the only non-original, a Sparklehorse cover featuring a forlorn toy piano plunking away at lost childhood memories.

There's a welcome righteous fury at the bill of goods we've been sold that fuels The Hathaway Family Plot, a bitter cynicism at the idea that we are what we buy. There are no "financial crises." There are a handful of people who have set plans in motion to make themselves very, very rich. And they have succeeded. So what if thousands lose their homes and their retirement in the process? Collateral damage. Can't be helped, sorry. Before the recent "housing crisis," there was Enron, junk-bonds, etc., etc. And nothing will change because, as we all know, regulation is socialism. And that leads to eating children in Satanic sacrifices. So shop 'til you drop!

The Hathaway Family Plot "Debt"

Also available courtesy of the Free Music Archive.

PRIMITIVE VOODOO ELECTRONICA

"Flowmotion: an album of contemporary and electronic music," a various-artists comp released by a British 'zine of the same name in 1982, was one of my favorite boyhood albums. It certainly was the most obscure - I was quite proud of the fact that the booklet that came with the album stated that I had copy #137 of 500. Oh yeah, chicks dug me!

I don't have anything to post by the recently deceased Peter Christopherson, whose Gristle Throbs no longer, but this album does kick off with a selection by two of his band mates, Chris & Cosey - a song that, according to the booklet, was meant to conjure up a primitive voodoo session, perhaps a reflection of their interest in exotica music. Kinda silly song, really - I preferred the next tune, by Those Little Aliens, who were, in fact, the album's compilers. Their song is in the "Another Green World" vein of ambient pop, with evocative backwards wind-chimes adding to the gentle celeste melody.

It's hard for me to now objectively evaluate an artifact of my youth, but I can tell you that I used to be endlessly fascinated by songs like the mutant disco of David Jackman's orgy of overdubbed Casios, and the one vocal number on the album, The Legendary Pink Dots' "The Hanging Gardens," which was seemingly the greatest tune that Syd Barret never recorded. Colin Potter's "Rooftops" was sheer Moogy bliss.

Much of "Flowmotion" is cosmic electronics in the Tangerine Dream/early Vangelis mold, but a punk influence was felt in the D.I.Y. production and the general air of no-holds-barred experimentation. Eno, again, seems to have been a big influence. Plenty of ambient stuff here, from moody to wistful.

When the Mutant Sounds blog originally posted this, I downloaded it and sold my album, only to later realize that the download was encoded at only 128 kbs. Oops, that'll learn me. It's fine tho, really - this stuff was recorded under fairly lo-fi conditions to begin with, and in any case, it still sounds better then when I used to play it on my crappy old record player. Since the Mutant Sounds copy is now off-line, and commenters have been requesting it, here's 'tis:

Flowmotion

A1 Chris & Cosey - Devil God
A2 Those Little Aliens - Ismalia
A3 Eyeless In Gaza - Dusky Ruth
A4 Eyeless In Gaza - Through Eastfields
A5 David Jackman - Do The Dog
A6 Ian Boddy - Follow
A7 Legendary Pink Dots- The Hanging Gardens
B1 Ian Boddy - Skylights
B2 Paul Nagle - A Journey In The Dark
B3 Carl Matthews - As Above, So Below
B4 Colin Potter - Rooftops

Thanks to the original poster.

A 26-Second Long CD

The Everyday Film is the Jandek of electronica: secretive, musically unique and disturbing, and completely in his own universe. I don't even know where he (they?) are from anymore - every package I get from 'em seems to have a different return-address. And the most recent CD is 26 second long. Yep, he went to the bother of making a cd, packaging it, mailing it...all that work for 26 seconds. Top that, Jandek!

The track makes up for it's short length in sheer shock value. As usual, vocals are so distorted it's hard to tell what's happening, but apparently he's in surgery: "That's me on the table."

The Everyday Film: "Multiple Women" - It's a sneak-preview of a forthcoming album.
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TUNES-FOR-FREE JAMBOREE #1: NAC/HUT REPORT

Some of my favorite albums I've heard lately have been internet give-aways. Perfect for weirdos who don't make the kind of trendy cookie-cutter sounds the labels are looking for. Such as:

Nac/Hut Report: Might as well start with this one, since I've been listening to it regularly since it dropped late April. This Polish/Italian boy/girl team reference the old musique-concrete scene and infamous noisemakers like Psychic TV and Einstürzende Neubauten, and there are certainly all manner of harsh industrial screeches here, but the songs are lovingly topped with cool vocals crooning evocative minor-key melodies. I play this one after a cocktail before going to bed. For some reason, it's kinda soothing (must be the feminine touch.)

Nac/Hut Report: 9th Overflowing...Milky Slaughterhouse...Dream Of Incubator

Here's an interview, with a link to a download of their first EP, which I haven't had a chance to check out yet.
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THERE'S MORE TO LIFE THEN FREE DOWNLOADS...

...Yes, Virginia, there are still independent artists out there selling albums, trying to raise a little scratch so that they can continue their good works. So go buy stuff! Like what what we used to do!

The Everyday Film have another CD of serial-killer vocals and enigmatic electronics; 24 tracks in 12 minutes; still the most creepy cryptic thing out there, but this one seems strangely more accessible...or maybe I'm just getting used it. "The Cycle - excerpts"

Pan For Punks is an instrumental collection of Ramones classics performed punk/reggae/calypso style on Carribean steel drums. Could be a cheezy gimmick, but it's so well executed that it's a really good gimmick. Beach party/bbq album of the year. "Rockaway Beach"

Arrington de Dionyso blows mad horn improv over throbbing percussion - a voodoo ceremony on Hepcat's Island. Recorded directly to vinyl. Only 100 tapes available. "Naga Suara track 3"

Thelema Trio are a sax, clarinet and piano trio named for Aleister Crowley whose latest album features the work of South American composers. I know, I know, another one? My fave track might be "Shadowing" for intertwined clarinets and saxes reminiscent of Steve Reich stuff like "Electric Counterpoint" but more loose; it's 8 minutes long tho, so here's a piece by Peruvian composer Raphael Leonardo Junchaya that suggest Philip Glass playing a Bulgarian wedding: "Sikkinus"

Sc.art is a trio with roots in the Budapest '80s New Wave scene (who knew?) but have moved far beyond - the songs on their album "The Well-Tempered Universe" are based on actual outer space sounds, such as the ones we've featured here. Quite a variety of styles result, from the expected Vangelis-ish space-rock and Eno-esque ambience, to near-funk/pop, to abstract percussion, electro-noise and spooky drones. Hmmm, maybe in space they can hear you scream. "Universes Wailing"

THE TERROR-TRONICS OF NEIL ROSE

I scarcely could have imagined that when I picked up an innocent-looking package from my post office box that it would propel me into a world of unimaginable horrors, and that music, of all things, would be a bridge to unspeakable entities from beyond our realm!

But let me start at the beginning - I am a humble scribe for a music blog, and part of my regular duties is visiting the local post office to retrieve all manner of recordings sent to us by aspiring composers for possible review. Ah, music! Surely it is proof of the goodness of God himself. Or so I once thought...

The package, postmarked Plymouth, England, bore no indication of its' contents, and, indeed, a glance at the 18 page monograph contained therein prepared by sober academics and laden with charts and illustrations would lead one to believe that this was yet another humdrum musicological study.
It concerned one Neil Rose, whose interests were queer to be sure: a respected professor's attempts to communicate with the dead are hardly standard university fare. But Rose's own efforts eventually "went beyond science," through Carlos Castaneda-like ingestion of sacred drugs that act as a gateway to paranormal experiences beyond the imaginings of Lovecraft himself. The booklet's authors note that his writings come to an abrubt halt, leaving his ghastly fate a mystery.

I put on the cd containing recordings of "residuum," that is to say: "supranatural energy and imprinting of this energy to magnet media," and no sooner had I done so when the window to my study flew open and a gust of frigid air blew out my candle. But it was the disk's eerie sounds of Rose's damnable experiments that truly sent a shiver down my spine. May the Lord have mercy on our doomed souls!

Neil Rose: "Residuum" (SoundCloud link)

The book/cd package "Residuum" is available by writing neil@gotanyrice.com. The music is dark, compelling abstract ambient electronica, occasionally with a beat, tho dancing is hardly appropriate, and the realistically detailed booklet will convince many.
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ALBUM DU JOUR #1: MARGARET RAVEN

Since I've haven't been able to post much this year, I'm gonna try to make it up to you-all by posting an entire album a day for...well, who knows how long. I'm not making any promises!

First up, a New York combo that features simply a theremin, and a battery of percussion (+ occasional odd vocal noises and unidentifiable sounds). If it is a theremin (as listed on their MySpazz page) it might have be put thru distortion/effects to get that gnarly sound. Or maybe just the lo-fi recording added the fuzz. One of the members tells me that some of the sounds are "made on a 'rainmaker' which is an instrument of pure electric feedback."

Why is it that when a guitarist takes long crazy solos he's a genius like Hendrix, but when it's done on electronics it's "just a buncha noise"? The insane energy level here is plenty fun, and the improvisations recall the spirit of '60s avant-jazz without actually being jazz. Only the bonus song "The Vanishing Lady" (and a bit of track 7) has lyrics, and most of the tracks are untitled, tho I was told that "the first song is called 'rub me, rainbow' and the last track is 'song that she learned' but the others don't have names."

Track 4 and 6 are especially bonkers. Blast it!

Margaret Raven
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WHAT'S A PLEONASM?

Pleonasm is new FREE! 'net label of, as it's proprietor C.Cummings says, "outsidery lo-fi obscure no-genre" and, yup, plenty of the recordings (e.g.: Baker & Abel) are in the fine tradition of kids-goofing-off-into-a-tape-recorder, tho some, like that of Beat poet Bill Bissett, verges on respectably high-brow. Their roster spans from New York to California to Canada. Dig:

The Taints: 3 songs in 4 minutes of juvenile Casio silliness; "I Wanna Get In Your Pants" is my pick-to-click.

Carnivorous Birds "Life Metal": a whopping 27 songs, but I was entertained throughout; some songs like "Acid Squirtgun" really had me laffin'!

Dolphin Explosion: Unfortunately only one song from this gang of unruly six-year-old girls, with one of my favorite artists Mike Kelley somehow ending up on drums

Mannlicher Carcano: pretty intriguing Negativland-ish mix of sampling (inc. a 9 minute meditation on Johnny Cash) and live instrument improv.

Poo Poo Cushion: A fair amount of futzing around, interspersed with songs like "I Don't Want To Go To School" that remind me of classic Cali hardcore, which makes me happy.

Sunday Brunch With Stan: Surprise! Actual pop songs, well recorded and performed - "Juicy" is funky genius.

And there's so much more...
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SPAGHETTI STRANGENESS

A few fascinating artists from Italy have recently come to my attention. Coincidence? Or is there a new Italian Renaissance going on?

k-conjog have a new album entitled "Il Nuovo è al Passo Coi Tempi" that I've really been diggin' lately. The tunes range from surf twang reminiscent of his countryman Ennio Morricone to a sad, lovely waltz for ukulele and cello sounds, but the album's bread and butter are funky kooky collages, often with child-like animal themes, that should go over well with any Bran Flakes or People Like Us fans, e.g. this super fun bit of cartoon craziness. Attention all dogs!

k-conjog: Attenti al Cani

§ (I think this is pronounced "section"), on the other hand, have a new three-song collection of beatless electronics + guitar instros that are as intense as k-conjog is whimsical. Imagine an Eno/Fripp project shot full of adrenaline.

§ - C02

I was hoping that Maciste would be more antique-garde then the almost-ska/rock that they are (needs more accordian!), but their circus-like horn-y sound does remind me that they are from the land of Fellini and Nino Rota. Which makes me wonder: why aren't there more Fellini-esque acts out of Italia? (Or are there?)

A New Class of Paranoia

The Everyday Film's album "The House I Used To Turn Into" was, on first listen, one of the most disturbing things I've ever heard (and maybe on second and third listens as well.) Much of it isn't what most people would even think of as music: a vocoder-ized voice pitched way down loooooow mutters cryptic non-sequiturs, interrupted by brief shards of industrial music-like sounds. "Song" titles include: "The Boy In The Wall," "We Don't Exist Yet," "Budgeted Out The Perverted," and "A New Class of Paranoia." The final track on the short album (27 tracks in 15 minutes) is the sound of some poor soul begging for his life while Mr Vocoder Voice mumbles banalities like "relax in the sun...take a vacation...take a 'me' day..." over unsettling electronic drones. That's entertainment!

Not to scare you all off, but it can be a fascinating, sometimes funny headphone experience, and a wicked beat even turns up:

The Everyday Film: The House I Used To Turn Into/Record Breaking Coagulation

A 12 minute follow up CD has just come out. It seems slightly less creepy, and the song titles aren't as twisted. It'll still be dismissed as sick shit by 99.9% of the population, tho:

The Everyday Film: Broken Up Love Channels (excerpts)

But then again, what else would one expect from the land of Jandek, and the Houston Noise scene? The name "Houston" usually only conjures up images of big bland oil industry high-rises, not cutting-edge culture. Maybe all this stuff is a reaction to the city's sterile corporate reputation. I used to think that Austin was Texas' most mental musical city, what with the likes of Daniel Johnston, Roky Erikson and the Butthole Surfers as residents, but I dunno, Houston is starting to make Austin look like Nashville.
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INNOVA 6: BOWED METAL MUSIC

Pete Warren & Matt Samolis' album "Bowed Metal Music" does what it says on the tin. The two Bostonions apply heavy-duty bows not to violins, but to cymbals and metal rods, creating a loud powerful strain of ambient music that wouldn't be out of place in a David Lynch soundtrack.

The whooshes, screeches, and hypnotic drones suggest a decayed "Blade Runner"-esque urban wasteland - somewhat dark, but fascinating and quite beautiful. The soundscapes on the dynamic duo's album, which features no other instruments besides the bowed metal, are accessible and highly listenable even to those not usually inclined to listen to industrial "noise" music.

Pete Warren & Matt Samolis: "Bowed Metal Music (excerpt)"

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